Monthly Archives: January 2021

Fireside Collective to release Mountain Home debut, Elements, on March 20

Fireside Collective to release
Mountain Home debut, Elements, on March 20

Arden, North Carolina (January 24, 2020)
— With music that is part bluegrass and part roots rock with a dose of funk-influenced danceable rhythms, Fireside Collective is stylishly blurring the lines of traditional roots genres. The Asheville, North Carolina-based group is out to make a unique artistic statement through a diverse approach — one that has already gained the quintet a fervent fanbase and the attention of their peers.
On Elements, Fireside Collective blends the characteristic interplay of bluegrass instrumentation and harmonies with strong original material and exuberant energy. The album, now available for pre-order, will be released March 20.Fireside Collective members Joe Cicero (guitar); Alex Genova (banjo); Jesse Iaquinto (mandolin); Tommy Maher (resonator guitar) and Carson White (upright bass) each bring a strong, original voice to his instrument, and the unique contributions of different lead and harmony vocalists complement the variety in the group’s songwriting.

Produced by Travis Book of the Infamous Stringdusters, Elements is distinctive, continuing to use a wide influence of sounds to create a body of work that belongs to Fireside Collective alone.

The album is preceded by two singles, “She Was An Angel” — premiered by The Bluegrass Situation — and “Don’t Stop Lovin’ Me,” which gained ground for the band with national radio airplay and critical acclaim.

Brian Carroll of Red Line Roots noted, “Fireside Collective’s ‘Don’t Stop Lovin’ Me’ is bluegrassy twang with a soulful groove. The dobro lines running wild, the rhythm and chop keeping perfect time. There is such a vibe to this tune. It’s the expert blend of tradition with modern pizzaz that is impossible to not jive with and groove to. I may have found one of my favorite new-to-me bands here. Dig it folks. Dig it deep.”The groovy “Winding Road” and the funky “Bring It On Home” show what can be done with bluegrass instrumentation outside the genre’s conventions, while songs like “Waiting For Tennessee” and “High Time” capture the band’s ability to bring their live energy to recording.

“Circles” and “Done Deal” bring an introspective restlessness, accentuated by the former’s musical pointillism and the latter’s insistent, loping rhythm and regretful lyrics, and the instrumental, “Night Sky From Here,” shows off Fireside Collective’s mastery of moods with an ever-moving spotlight on each member in “breakdown” passages that alternate with driving bluegrass rhythms.

Elements announces the arrival of a band that has found its place in the contemporary era of roots music by both reflecting and shaping new sounds of the genre. Pre-order it HERE.

Fireside Collective has signed with Mountain Home Music Company. Front row, from left: Mountain Home’s Francesca Huffman and Fireside Collective’s Jesse Iaquinto and Tommy Maher. Back row from left: Mountain Home’s Audrey Fletcher and Jon Weisberger; Fireside Collective’s Joe Cicero; Mountain Song Productions’ John Felty; Fireside Collective’s Carson White and Alex Genova; Mountain Song Productions’ Stacy Claude; and Mountain Home’s Ty Gilpin.
Click on the photo to download.
Arden, North Carolina (August 20, 2019) — Fast rising Asheville Progressive Bluegrass band Fireside Collective has partnered with North Carolina-based label Mountain Home Music Company to release new music.

“I could not be more excited to be working with Mountain Home,” says banjo player Alex Genova. “When I was growing up, listening to bluegrass music as a teenager in Wisconsin, much of my experience with great, authentic, bluegrass came from my collection of CDs. A great number of the albums that inspired me then and continue to inspire me today have the Mountain Home logo on them. It is an honor to get to work with their amazing team and to be a part of their incredible roster of artists.”

Fireside Collective and Mountain Home plan to release the first single “She Was An Angel” on September 6 with more singles to follow and a full album release in Spring of 2020.

“We have watched as this fine group has moved from the backyard, to local Asheville sensation to one of the most sought after new national touring bands in roots music!” adds Mountain Home’s Ty Gilpin. “We are excited to be part of their growing success and to help take them to the next level.”Follow Fireside Collective on Spotify to get notified of their upcoming music releases.

About Fireside Collective
A quintet who cheerfully disregard every kind of one-dimensional label that might be attached to their music, Fireside Collective has been on a roll since emerging five years ago from the fertile roots music scene of Asheville, North Carolina. In quick order, the progressive bluegrass group released its debut, won the 2016 Band Contest at MerleFest, earned an International Bluegrass Music Association Momentum Band of the Year nomination and embarked on an ambitious touring schedule that’s earned an enthusiastic reception from traditional bluegrass to wide-ranging, eclectic music festival audiences alike.Blending the characteristic interplay of bluegrass instrumentation and harmonies with strong original material and exuberant energy, Fireside Collective has drawn on folk, blues, funk and a wide variety of bluegrass sounds to create a distinctive body of work that’s all their own. Each member—Joe Cicero (guitar); Alex Genova (banjo); Jesse Iaquinto (mandolin); Tommy Maher (resonator guitar) and Carson White (upright bass)—brings a strong, original voice to his instrument, and the unique contributions of different lead and harmony vocalists complement the variety in the group’s many original songs.

“Depending on where you come from and your experience with folk music, you may think we’re very traditional, or on the other hand, consider us a progressive act,” says Iaquinto. “We appreciate both ends of the spectrum and may lie on a different end on any given night.” But whether they’re bringing the classic sound of bluegrass or exploring new musical territory, Fireside Collective delivers a fresh, energetic approach and a blast of enthusiastic creativity that’s electrifying audiences across the country.

Time Life Digitally Reissues Eight Albums By David Frizzell On January 15

Includes Three Solo Albums, A Live Recording with Jett Williams And Four Frizzell & Friends Collections Featuring Guest Appearances By Allen Frizzell, Merle Haggard, Crystal Gayle, T. Graham Brown, Lacy J. Dalton, Jimmy Fortune And More
NASHVILLE, Tenn. – Time Life continues to expand its digital music division with a new, eight album digital distribution deal with country music favorite David Frizzell.  Beginning January 15, three of Frizzell’s solo records, four of his Frizzell & Friends collaborations and a live album recorded with Jett Williams will be available on all major digital platforms. In addition to his work with Williams, songs from the eight albums include appearances by a number of country stars including Allen Frizzell, Merle Haggard, Crystal Gayle, T. Graham Brown, Lacy J. Dalton, Jimmy Fortune and more.

“Well, we sure didn’t get to hit the road in 2020 so it gave me a lot of time to find the masters to many of my old albums and focus on getting them released on all the digital platforms,” says Frizzell.  “I am so happy to partner with Time Life, who as we know do some of the best country music compilation projects through their informercials. To know that they are going to help get my music out to the masses like they have been doing for all these years is just a true blessing.”

“David Frizzell has incredible talent that shines both as a solo artist and in his collaborations with so many of country music’s beloved artists,” says Mike Jason, Time Life Senior Vice President, Live Entertainment. “It’s an honor for us to work with him and share his great music.”

Frizzell began his career touring with his brother, Lefty, when he was just 12 years old and since then his work has been nominated for GRAMMY Awards, won the CMA Vocal Duo of the Year award and the ACM Vocal Duet of the Year for two years in a row as well as an ACM Award for Song of the Year. Frizzell is also an author and has worked with a number of causes and nonprofits including Mothers Against Drunk Driving (MADD), the Buddy Holly Educational Foundation and Music City Animal Rescue. He also runs his own record label, Nashville America Records.

About Time Life:
Time Life is one of the world’s pre-eminent creators and direct marketers of unique music and video/DVD products, specializing in distinctive multi-media collections that evoke memories of yesterday, capture the spirit of today, and can be enjoyed for a lifetime. TIME LIFE and the TIME LIFE logo are registered trademarks of Time Warner Inc. and affiliated companies used under license by Direct Holdings Americas Inc., which is not affiliated with Time Warner Inc. or Time Inc.

The following albums will be available on all digital platforms via Time Life on January 15:

David Frizzell                “Confidentially: The Ultimate Package”
David Frizzell                “Me & You”
Frizzell & Friends          “LeftyFest”
Frizzell & Friends          “This Is Our Time”
Frizzell & Friends          “Present: Buddy Holly Country Tribute”
Frizzell & Friends          “Roundup”
Frizzell & Friends          “Roundup: Campfire Songs”
Frizzell & Williams        “Frizzell & Williams On Tour Again”

Albums I Missed: Amy Speace Announces New Album with The Orphan Brigade, There Used To Be Horses Here

Amy Speace Captures Deeply Personal Album
with The Orphan Brigade,
There Used To Be Horses Here
Out April 30th; Hear the album’s first single today
January 11, 2021 – Nashville, TN – Looking back on a twelve-month span between her son’s first birthday and the loss of her father, award-winning singer and songwriter Amy Speace culled eleven new songs directly from her depth of personal experiences—childhood memories, coming of age in New York City, and losing a parent while learning to become one—to create her new full-length album, There Used to Be Horses Here; out April 30th on Proper Records/Wind Bone Records. While many of the subjects on the album are heavy, There Used to Be Horses Here isn’t a sad record. Instead, it’s a direct reflection of that year in Speace’s life, propelled by a playwright’s eye for detail, a performer’s gift of vocal delivery, a poet’s talent for concise writing, and the extraordinary musicianship of collaborators, The Orphan Brigade.The end result is a sum much greater than its parts; a calling card for fans and critics alike to ask themselves whether Speace still fits only into the folksinger box she’s long been placed in—or perhaps, with this new album, she deserves to be seen in a new light.
Today, Rolling Stone premiered a music video for the album’s first single and title track, “There Used to Be Horses Here,” calling it “melancholy but gorgeous,” and noting that the video’s vivid imagery of a picturesque farm and its beautiful occupants serve “as a metaphor for all that we lose to both progress and the passing of time.” Speace laments, “During the last week of my father’s life, I drove [the road on the way to her parent’s house, past a farm she’d grown to love] and the farm had been sold, gutted for condos, and the horses were gone. I wrote this song very quickly after he died, the loss of both the horses, my childhood, my parents’ house, and most acutely, my father all tied to the images in this song.” SiriusXM’s The Village also debuted the single this morning with an exclusive interview. Click here to listen. Fans can hear “There Used to Be Horses Here” now right here and pre-order or pre-save the album at this link.
In its most powerful moments, There Used to Be Horses Here sets Speace’s majestic voice to symphonic arrangements, yet her songwriting remains intimate and emotional. As a fan and friend of the Nashville band The Orphan Brigade, she invited its three members—Neilson Hubbard, Ben Glover, and Joshua Britt—to collaborate as songwriters and co-producers, inspired by their persistent rhythms and sweeping sonic palette. Remembering her vocal sessions, Speace says simply, “While I was singing over what those guys were playing, it made me feel like I was flying.” Speace observes that every vocal performance on the album is the first or second take, and that the musicians in the room are finding their way in the moment. The approach sums up her goal as a producer: “You need to make sure you press ‘Record’ while musicians are fumbling, because while they’re trying it out is when the magic happens. You should never let anything be perfect.”
There Used to Be Horses Here is an album and exhibition of songcrafting that Speace is immensely proud of. “The best songs I have written have been since my son was born when I thought I was going to lose all creative powers to mothering—and it didn’t happen,” she says. “It kicked it into high gear and made me think, ‘I may not have much time left on the planet. Maybe I should just get to the point.’” When There Used to Be Horses Here winds down to its end, listeners will look back over the eleven-song journey to see Speace’s knack for vibrant storytelling and ability to capture hardship in beautiful detail on display; her craft sharper and more meaningful than ever before.
There Used to Be Horses Here In Amy’s Words: “A month after I turned 50, I gave birth to my son, Huckleberry. My father was present for the birth and held him within hours. My Dad was 81 years old and we both knew my Dad would not see my son grow up. In the year between my son’s birth and my father’s death, these songs spilled out of me. I grieved in writing. I wanted to illuminate my father and his stories, from the horse farm near his home that was bulldozed to make room for condos (“There Used To Be Horses Here”) to his memory of a car ride that came back to him in a dream the night before he died (“Down The Trail”) to a photograph found in an old album (“Father’s Day”). I wrote to my son as I nested with him in the morning (“One Year”, “Mother Is A Country”). I sang to our ailing world as the pandemic raged around us (Warren Zevon’s “Don’t Let Us Get Sick”).
There Used to Be Horses Here Tracklisting:
Down the Trail
There Used to Be Horses Here
Hallelujah Train
Father’s Day
Grief is a Lonely Land
One Year
Give Me Love
River Rise
Shotgun Hearts
Mother is a Country
Don’t Let Us Get Sick

Billy Bob’s is Open!


New concerts announced and tickets on sale now for Lee Brice, Restless Heart, Shenandoah, Jon Pardi and more

FORT WORTH, Texas – Located in the heart of the Fort Worth Stockyards National Historic District, Billy Bob’s Texas first opened in 1981. Since then more than 17 million visitors have enjoyed live entertainment each month when stars from the present and past grace the stages. While kicking 2021 off in style, Billy Bob’s Texas will also begin a year-long celebration, marking its 40th Anniversary, bringing in the biggest names in music to the hottest rising stars hitting the charts.

More new shows have just been announced to Billy Bob’s concert calendar. Tickets are on sale NOW for the following concerts:

FEB 05 – Jamey Johnson And Randy Houser
FEB 06 – Lee Brice
FEB 12 – Read Southall Band
FEB 13 – La Mafia
FEB 14 – Real Love, Rare Love In Texas
FEB 19 – Jimmie Allen
FEB 20 – The Cleverlys @ The 81 Club
FEB 20 – Restless Heart & Shenandoah
FEB 26 – Mike & The Moonpies
MAR 5 – Shane Smith And The Saints
MAR 6 – Charley Crockett
MAR 12 – Aaron Lewis
MAR 19, 20 – Dwight Yoakam And Tennessee Jet
MAR 26 – Samantha Fish
MAR 27 – Justin Moore
APR 1 – The Gatlin Brothers
APR 2, 3 – Hank Williams Jr.
MAY 14 – Jon Pardi
MAY 15 – Jon Pardi
JUN 05 – Joe Nichols

For the full concert calendar, special event, and visitor information, please go to

Billy Bob’s Texas
Historic Fort Worth Stockyards
2520 Rodeo Plaza
Fort Worth, Texas 76164
(817) 624-7117

Circle airing Live At Billy Bob’s Texas!
Live at Billy Bob’s Texas gives the listener a front-row seat to concerts at the World’s Largest Honky Tonk. The music series has compiled powerful performances featuring hits from legendary country music artists like Willie Nelson, Charlie Daniels, Eddy Raven, Gary Stewart, Asleep at the Wheel, Janie Fricke, and more.

Circle network is carrying Live At Billy Bob’s Texas! Circle Media celebrates the country lifestyle and puts fans inside the circle of everything country. Circle offers entertainment news, documentaries, movies, archival, new and licensed programming, Grand Ole Opry performances, and more. Based in Nashville, Circle includes a linear network as well as a companion over-the-top (OTT) premium entertainment service which is expected to launch in spring 2020. Circle is a joint venture between Opry Entertainment Group, a subsidiary of Ryman Hospitality Properties, and Gray TV.

Go to for shows, schedules, and a simple guide to getting the channel.

Visit for more information, or to buy any of the Live at Billy Bob’s Texas CDs and DVDs, click here to visit the online store.

Billy Bob’s: Lending a Hand to Music History:
Artists placing their hands in cement has been a tradition at Billy Bob’s for more than two decades.

Many of the club’s showcased artists have been honored with various awards and accolades. For some, however, their favorite honor is being part of what is now known as Billy Bob’s ‘Wall of Fame’.

Patrons can visit the Wall of Fame and see the handprints and autographs of Garth Brooks, Willie Nelson, Johnny Cash, and even Ringo Starr to name a few. Many fans enjoy comparing their hand size to the celebrities.

To view the gallery, click here.

About Billy Bob’s Texas:
Located in the heart of the Fort Worth Stockyards National Historic District, the 100,000 square foot cattle barn became Billy Bob’s Texas in 1981. Since then more than 17 million visitors have enjoyed live entertainment and real bull riding at “The World’s Largest Honky Tonk”.

The facility can hold 6,000 rowdy patrons on a given night and has been host to hundreds of musical acts, from Alan Jackson to ZZ Top. On Fridays and Saturdays, the venue also features live bull riding – a step up from the mechanical variety. It seems like an unlikely source for a series that has sold millions of albums.

Billy Bob’s has been named the Country Music Club of the Year 10 times by the Academy of Country Music.

To buy Billy Bob’s Texas merch or any of the Live at Billy Bob’s Texas CDs and DVDs, click here to visit the online store, or to buy tickets for special events and concerts, go to


Asheville Songwriter Anna Lynch prepping EP, Apples in the Fall, for March 13 release

Asheville Songwriter Anna Lynch prepping EP,
Apples in the Fall, for March 13 release


Great songwriters can turn the hardest hits in their lives into the best songs. There’s a worrying ache to these songs, a hint of bitterness, and a sense of loss. And if the songwriter has a sense of humor, there’s a bite to their lyrics. It’s not easy to fake, and it’s this heartbreak that lies at the heart of the best country songs. With this in mind, North Carolina songwriter Anna Lynch has turned her own recent heartaches and lost days into a series of songs for her new EP Apples in the Fall (March 13, 2020). These songs speak to love in the modern age as easily as they reference the country songs of old, and there’s a hint of wry irony in many of her lyrics. “He touches my backbone, and proves that I’ve got one, so I’ll pick a fight,” she sings in “Hotter than Hades.” It’s hard to write songs that are both brutally personal but also universally relatable. That’s the magic trick to great songwriting, but Lynch finds it easier to relate in song than in person. “I feel like it’s easier for me to show my heart in songs,” she says, “whereas in a day to day, I definitely use sarcasm to relate. I guess some people have called me standoffish. And that really sucks because I’m actually a really nice person.” Lynch is quick to laugh, but slow to forget, and she’s learned not to be afraid of drawing her own story into her songs.

It’s been a long path for Anna Lynch to release these new songs. She first recorded them after a hard landing in Portland, Oregon, when she decided to leave her adopted home state of Alaska. Alaska’s tight-knit and supportive music community had helped her build her songwriting reputation early on, and though her birth state of California informed the EP’s title song, “Apples in the Fall,” other songs were written on the road, while moving, even in the Austin airport in one case. She’s settled down a bit now from her nomadic lifestyle, putting down roots in North Carolina, and finding a new music community there to help her turn these earlier songs into full band arrangements.


Like many today, Lynch has a sense that American culture, and the music industry especially, are due for a massive change. Speaking about the new wave of powerhouse women at the forefront of Americana and country right now, Lynch says “we’re screaming so loud that if you didn’t hear us before, it’s kind of impossible not to now. I love that.” Lynch also wants to relate an honest perspective on love in country and Americana songs, where traditionally internal conflicts and doubt have translated as “whiny” when a woman sings them, but powerful when a man sings about them. Her standout song “Hotter Than Hades,” as Lynch says, “is about modern love in the age of Tinder. What that looks like and also not being judgmental to yourself. It’s okay to want what you want and get what you want and be the person you are. I think a lot of people do feel judged a lot of times for being themselves and taking joy in things that they take joy in. And I wanted to put that out there because I know I’m not the only one.” She may not be the only one experiencing the strangeness of love in modern times, but she’s one of the very few that can write such cutting and beautiful songs about it. 

The Lil Smokies Release Third Studio Album Tornillo.

The Lil Smokies Release Third Studio Album Tornillo
Praised by Billboard, American Songwriter, and more
Announcing new tour dates
January 24, 2020 – Nashville, TN – Montana-based rising stars, The Lil Smokies, are pleased to announce the release of their third studio album, Tornillo, available everywhere today. Recorded at Sonic Ranch in Tornillo, TX, with producer-engineer Bill Reynolds (The Avett Brothers, Band of Horses, Midland) Tornillo is a focused and refined representation of the sound The Lil Smokies have become known for, Live For Live Music deeming the release “…an album with a point to make.” Click here to stream or purchase on your platform of choice.
Earlier this month, American Songwriter praised the new release declaring Matt Cornette (banjo), Andy Dunnigan (vocals, dobro), Scott Parker (bass), Matt “Rev” Rieger (guitar, vocals) and Jake Simpson (fiddle, vocals), collectively known as The Lil Smokies “…are in the center of bluegrass’ evolution with their rapid banjo plucks, buoyant choruses and music created out of a composite of influences.” Speaking of the evolution, Billboard cited the band’s “experimental” side when featuring “World’s On Fire,” one of the album’s singles.
On Tornillo, The Lil Smokies dove deep into their well of influences—most notably Laurel Canyon songwriters from the 1970s—and used their traditional string band instruments to craft very non-traditional songs and arrangements. Throughout the album’s eleven tracks the band found themselves trekking into new sonic territory. With Reynolds’ guidance, hints of drums, baritone guitar, and synth pads wove their way into the band’s usual instrumentation. With the goal to enhance the songs, never overwhelming them, The Lil Smokies used their last few days in the studio to experiment, eventually going deep enough to find themselves tracking one of Billy Gibbons’ (ZZ Top) electric guitars through an amplifier previously used by the industrial band Ministry.
As one of the centerpieces of the album, “Carry Me” offers magnificent musicianship and eludes to the distance that is created by life on the road. Dunnigan explains, “It’s about the dreams we have, and what we go through to make those dreams live on.” While that longing for a sense of home permeates Tornillo, the band also found inspiration in unlikely places. For example, “Giant” was written after Dunnigan watched a documentary about Andre the Giant and his struggles with living in the public eye. Other songs, like “Fortunes” and “True Blues,” are less obvious in their origins, which is intentional. “I like having a little bit of ambiguity in songs, using some impressionistic lyrics, and making it sparse,” Dunnigan says. Another common thread weaves through the entirety of Tornillo; room for the music to breathe. “It seems like over time we’re learning that it’s not the more you play, but the tastefulness and space in between the notes that can pull that emotion out,” says Dunnigan. The band attributes a lot of that space and emotion to the outdoors, where they recharge and find their inspiration. Read more about this process via American Songwriter’s conversation with Dunnigan.
“Our time there encapsulates all of the good things about being in a band and making music,” Dunnigan says. “The word ‘tornillo’ in its literal definition means a screw or a bolt. That’s exactly what this experience in the studio did for us as a band. We really came together and worked as a unit, and we got back to those reasons why we do this.” The transcendent vibe of Sonic Ranch ultimately helped the band recalibrate, resulting in an album that’s both exhilarating and introspective.
In addition to the release of Tornillo, the band has announced a slew of new tour dates. See below for tour dates with more dates to be announced in the coming months. Visit for more information and click here to stream or purchase the new release.

The New England Shake Up To Make Major Announcements!

For seven years now, Miss Beck Rustic and her crew work diligently to bring a TON of good bands to the northeast. Now, I’ll admit that this is one of the few festivals I have not yet had the opportunity to visit, and cover YET. There are just so many GREAT festivals to attend all over the United States, and I’m only one man.

Tomorrow night at 7 Central 8PM EST, on Mr. DJ Del Villarreal’s Go Kat Go Rockabilly Radio Show there will be a bunch of news announced, like the band lineup announcement and event news.  Listed below are the already confirmed acts, that were on for 2020. Now USUALLY I include links to EVERY ARTIST , and when the full lineup is announced I may do that.

Many of you know I work third shift, so I will be just waking up before this segment airs, and I will be listening in to what I can of this event. I will update this article for you, and let everyone in on the news, in case anybody is interested and missed out in the show.

We are working with the bands from the 2020 lineup, and most of them are confirmed now, for 2021. Below are the confirmed acts so far.
Full lineup will be announced in January.

THE RIP’EM UPS! From California
DADDY LONG LEGS! from New York
SHAUN YOUNG! from Texas
JOSH SORHEIM! from California
MICHAEL HURTT & HIS HAUNTED HEARTS! from Michigan and Louisiana
THE HI-FI LOWDOWNS! from Rhode Island
THE SOAPBOX SAINTS! from Rhode Island


The Bay State Barn Dance is a Live Music Variety show, and the special guests listed below are each doing only a few songs… it’s a spectacular event, and some of our special guests are coming in JUST for the Barn Dance!






Sing Me Back Home A Tribute To Merle Haggard Has Come to Live Concert And Recording.

Sing Me Back Home: The Music Of Merle Haggard honored Merle and his music on what would have been the icon’s 80th birthday. Just as I was elaborating on how many good concerts and old albums are being reissued on vinyl, comes another good one!

Miss Loretta Lyyn has reissues as does others like Mr. Willie Nelson with American Outlaw and more importantly Mr. John Prine. All of these Legends have albums being re issued in 2020 and 2021, which makes me even more glad I began collecting vinyl.

The CD/DVD captures 29 incredible performances including Merle classics “Mama Tried,” “Okie From Muskogee,” “I’m A Lonesome Fugitive”, “Misery And Gin” and so much more from Alabama, Ben Haggard, Billy F Gibbons, Bobby Bare, Buddy Miller, Chris Janson, Connie Smith, Dierks Bentley, Hank Williams Jr., Jake Owen, Jamey Johnson, John Anderson, John Mellencamp, Kacey Musgraves, Keith Richards, Kenny Chesney, Aaron Lewis, Loretta Lynn, Lucinda Williams, Lynyrd Skynyrd, Miranda Lambert, Ronnie Dunn, Sheryl Crow, Tanya Tucker, The Avett Brothers, Toby Keith, Warren Haynes, and Willie Nelson.

This concert covered hit songs from an extensive four decade career, beginning from his first hits in the 60’s that Miss Liz Anderson ( mother of Miss Lynn Anderson ) wrote for him. She wrote “I’m A Lonesome Fugitive” for him, however she was unaware of his previous prison stretch.

Mr. Merle was never extremely vocal about his prison life, unless it was in a song. In fact, he and Cash both became the brightest beacons of light that ever reached out to any prisoner in history. Mr. Merle proved to the prison community that it was possible to turn your life around, and become a member of society.

Once released from San Quentin prison, he amassed 38 number one hits on the Country charts. He received numerous awards within the CMA and ACM realms, and was inducted into the Hall Of Fame in 1994.

In 1977, he was inducted into the Nashville Songwriter’s Hall Of Fame. He was awarded Kennedy Center Honors, and 4 different Grammy awards. So this show is not one to be missed by any Country Music fan here!

Ben Haggard & the Strangers – “What Am I Gonna Do”
Ben Haggard, Aaron Lewis & the Strangers – “Heaven Was a Drink of Wine”
Tanya Tucker & the Strangers – “Farmer’s Daughter”
Bobby Bare & the Strangers – “The Fugitive”
Connie Smith & the Strangers – “That’s the Way Love Goes”
John Anderson & the Strangers – “Big City”
Toby Keith & the Strangers – “Carolyn/Daddy Frank”
Jake Owen and Chris Janson – “Footlights”
Miranda Lambert – “Misery & Gin”
Rodney Crowell – “You Don’t Have Very Far to Go”
Jamey Johnson – “Kern River”
Jamey Johnson and Alison Krauss – “If I Could Only Fly”
Alison Krauss – “Sing a Sad Song”
Alabama – “Silver Wings”
Hank Williams Jr. – “I Think I’ll Just Stay Here and Drink”
Loretta Lynn – “Today I Started Loving You”
Lynyrd Skynyrd – “Honky Tonk Nighttime Man”
The Avett Brothers – “Mama Tried”
John Mellencamp – “White Line Fever”
Kacey Musgraves – “Rainbow Stew”
Ronnie Dunn – “It’s All in the Movies”
Billy Gibbons – “The Bottle Let Me Down”
Warren Haynes and Billy Gibbons – “Workin’ Man Blues”
Dierks Bentley – “If We Make It Through December”
Lucinda Williams – “Going Where the Lonely Go”
Sheryl Crow – “Natural High”
Keith Richards – “Sing Me Back Home”
Keith Richards and Willie Nelson – “Reasons to Quit”
Willie Nelson and Kenny Chesney – “Pancho and Lefty”
Willie Nelson and Toby Keith – “Ramblin’ Fever”
Willie Nelson and cast – “Okie From Muskogee”


Still Woman Enough Coming March 19


Still Woman Enough Coming March 19

When it comes to vintage Country Music from the 60’s and forward, many names come to your mind as you dwell on past Legends. There were many names from those ranks that emanated from the pages of life’s big history book.

Let me tell you a little bit about what Loretta Lynn means to me, and how she broke many boundaries from her period of time. Miss Loretta began her journey in the mid 1950’s at a time when Country Music was volatile, and had no “boxes”.

It was volatile for many reasons, but mainly because it lacked superstars with the death of Mr. Hank Williams, and Mr. Jimmie Rodgers. It had many uprising superstars like Mr. Roy Acuff ( even though he came to the Opry in 1939) his prominent rise to fame came simultaneously with Miss Loretta. Another rising superstar that gained steam with Miss Loretta was Mr. Ernest Tubb.

I say that Country Music had no “boxes” because back in the 1970’s Country Music had three very well known areas of evolution, that were culminating into the mainstream music communities. I’m NOT saying that it was ONLY three, but these three were the more well known areas.

The Bakersfield Era, The Outlaw Era, and The Nashville Sound period were three of the “boxes” that existed during the time of her rise to fame….that she never tried to fit into. She never tried to lump herself into either of these areas of marketing ( because that is what they initially were ). Now, I won’t get into a big speech here on the Outlaw movement, because it was more of a creative control angle than a marketing scheme. But it ended up being VERY marketable!

The Nashville Sound was the current version of pop country, that was going around back then. The stringed arrangements and crooning style  of music was not her style or desired release. In fact, neither of the three were anything like what Miss Loretta was offering…until she met another Country Music superstar..the afore mentioned  Mr. Ernest Tubb.

With some help from the Opry and Mr. Ernest Tubb, she pioneered a platform for women of her era by breaking many boundaries that women didn’t have back then. She and Miss Patsy Cline ( whom died in 1963, as Miss Loretta rose up) steamrolled their way into mainstream life, with nothing more than word of mouth and hitting the road.

Even though many like Miss Kitty Wells and Miss Molly O Day ( and others) came out and recorded earlier than her, nobody sold albums like Loretta Lynn. She became one of the most popular, and all time biggest selling female artists ever…and NOW she is one of the oldest ACTIVE living Legends of Country Music.

At an amazing age of 88, she remains active on the Opry and remains relevant through recordings like this one coming out this year, and I’m SURE it will make it’s way onto many TOP lists of MANY websites.

Still Woman Enough Coming March 19
The American music icon’s 50th studio album (excluding her 10 studio duet collaborations with Conway Twitty), Still Woman Enough celebrates women in country music. From her homage to the originators, Mother Maybelle Carter and the Carter Family (via her cover of “Keep On The Sunny Side”) through a new interpretation of her very first single, “I’m A Honky Tonk Girl,” Loretta Lynn acknowledges her role in the continuum of American country music with a special collaboration with Reba McEntire and Carrie Underwood (“Still Woman Enough”), and duets with Margo Price (“One’s On The Way”) and Tanya Tucker (“You Ain’t Woman Enough”), sharing the musical torch with some of the brightest lights and biggest stars in contemporary country music.
Pre-Order Now


50 Years of Coal Miner's Daughter

50 Years of Coal Miner’s Daughter
Celebrating 50 years of this landmark album, Coal Miner’s Daughter will be reissued on black vinyl by MCA Nashville/UMe on February 12.
Listen Now

The Bluegrass Hall Of Fame Acquires Bluegrass Unlimited Magazine.


The Bluegrass Music Hall of Fame & Museum is now publishing bluegrass music’s “most important publication”.

The first issue published under the Bluegrass Music Hall of Fame & Museum banner arrived in November.  To guide the process, Dan Miller has been named editor of Bluegrass Unlimited.  Miller hit the ground running establishing the editorial calendar, working with columnists and other writers, providing input to the design and layout team, and supporting sales efforts.

The work of the Bluegrass Music Hall of Fame & Museum is intended to inspire current and future generations of bluegrass artists and fans to engage with the music. Bluegrass Unlimited is one of the important tools we will use to encourage that engagement. Bluegrass music has a permanent address at 311 West 2nd Street, Owensboro, KY, and we are excited to welcome Bluegrass Unlimited to its new home.  To subscribe, click here.



A Message from the Executive Director:

“Will the circle be unbroken?…By and By, Lord By and By”
I think we can all find a bluegrass music lyric that speaks to us during the good times and the bad times! This my friends, unfortunately, is a tough time with each and everyone of us being affected. We have been thinking about you– bluegrass fans, artists, musicians, partners, members and friends—praying for your health and safety through this difficult time.
COVID-19 has had a signficant impact on the Bluegrass Music Hall of Fame & Museum. Closing our doors mid-March due to the pandemic, concerts and events were cancelled, staff furloughed and revenue has been nearly non-existent. People cannot travel to us due to federal, state and local public health strategies aimed at reducing the spread of disease. But, you cannot stop the music! We reopened in June and quickly became more adept at communicating virtually, recording the Saturday Lessons Program, virtual museum tours, etc. While we miss seeing you in person, we are doing all we can to expedite a virtual bluegrass music experience. Check out our website at to see our offerings! We miss you and look forward to seeing you again…by and by!
Chris Joslin, Executive Director

Justin Moses To Release Eclectic New Album Fall Like Rain On January 22nd

Justin Moses To Release Eclectic New Album Fall Like Rain On January 22nd
 Releasing via Mountain Fever Records, the album also features guests Sierra Hull, Del McCoury, Dan Tyminski, and Shawn Lane
January 7, 2021 – Nashville, TN – For the last three-quarters of a century, in the world of bluegrass music, one thing has always been certain; the cream rises to the top. And it didn’t take long for International Bluegrass Music Association Award-winner Justin Moses to rise to his now prestigious status as one of the finest multi-instrumentalists in acoustic music. On January 22nd, Moses’s pickin’ prowess and songwriting skills will be on full display with his release of Fall Like Rain, a new self-produced full-length album on Mountain Fever Records. Featuring Moses on vocals and a slew of stringed instruments—from flat-top six-string and Weissenborn guitar to mandolin and banjo—Fall Like Rain not only sheds light on his many talents, but on the skill and perseverance it takes to piece them all together to create the final product. Fans can pre-order a signed copy of the album at this link and pre-save or pre-order the album digitally right here.
Prior to the album’s release, critics doted over a number of early singles and they’ve all performed well on Bluegrass Today and Roots Music radio charts with the album’s title track reaching number 1. The Bluegrass Situation called “Taxland,”— which features Moses’s wife of three years and acoustic superstar in her own right, Sierra Hull—“a melody that is all at once careening wildly towards its end and impossibly, impeccably clean,” and Bluegrass Today premiered “Between The Lightning and The Thunder,” a track featuring Moses’s former bandleader during his time in the Dan Tyminski Band, Dan Tyminksi. The level of talent filling out these songs’ arrangements speaks highly of the respect Moses carries in the acoustic music community. Del McCoury, Shawn Lane, Stuart Duncan, Bryan Sutton, Cody Kilby, Barry Bales, Michael Cleveland, Jason Carter, Jerry Douglas, and more can be heard between the album-opening Eric Clapton cover, “Fall Like Rain,” and its tenth and final track, “Locust Hill.”
Moses began his musical journey at the age of six after becoming interested in the mandolin. He first started to hone his skills playing in his family’s band as a child. Since then, he’s toured with bands such as Blue Moon Rising, The Dan Tyminski Band, Ricky Skaggs & Kentucky Thunder, Blue Highway, and The Gibson Brothers. In his two-year stint with Tyminski, he realized an early dream of playing the Grand Ole Opry for the first time and recorded the 2009 IBMA Album of the Year and Grammy-nominated album, Wheels. In 2018 and 2020, Moses was the recipient of the IBMA’s Resophonic Guitar Player of the Year award. Moses has appeared on stage or in studio with a diverse swath of artists including Alison Krauss, Del McCoury, Garth Brooks, Emmylou Harris, Brad Paisley, Joe Diffie, Jerry Douglas, Vince Gill, Bruce Hornsby, Peter Frampton, Rosanne Cash, Dwight Yoakam, and Barry Gibb.
Moses has performed on prominent national shows such as The Late Show, Conan, The Today Show, and Grand Ole Opry LIVE. He performed alongside Hall of Famer Ricky Skaggs on the CMA Awards in 2018 and appeared with an all-star cast of artists on the PBS special Country Music: Live at the Ryman in conjunction with Ken Burns’ Country Music documentary in 2019. That same year, the Country Music Hall of Fame and Museum honored Justin by featuring him as a part of the American Currents exhibit.
For more information, please visit
Fall Like Rain Tracklisting:
1. Fall Like Rain (4:24)
2. Taxland (3:28)
3. Between The Lightning and The Thunder (feat. Dan Tyminski) (3:17)
4. Walking To Lebanon (3:50)
5. Wise & Born (2:49)
6. My Baby’s Gone (feat. Del McCoury) (3:13)
7. Looking For A Place (feat. Shawn Lane) (3:19)
8. Watershed (3:00)
9. U.F.O. (3:09)
10. Locust Hill (2:44)

Johnny Lee’s New Single “Everything’s Gonna’ Be Alright” Available Now

Johnny Lee’s New Single “Everything’s Gonna’ Be Alright” Available Now
“Everything’s Gonna’ Be Alright” Lyric Video Exclusively Premiered By Taste Of Country
NASHVILLE, Tenn. – Country legend Johnny Lee, known for his dynamic stage presence and No. 1 smash crossover hit “Lookin’ for Love,” has released the new single and title track “Everything’s Gonna’ Be Alright” from his upcoming album which will be released by BFD/Audium Nashville distributed exclusively through The Orchard on February 12, 2021.

Everything’s Gonna’ Be Alright consists of fourteen songs, some written or co-written by Johnny, that he has saved throughout the years for the perfect album that truly reflects his life and legacy. Lee also wanted to include “Statue Of A Fool,” which was the first country song he ever learned. A special lyric video for “Everything’s Gonna’ Be Alright” premiered on Taste of Country and is available on all streaming platforms.

To watch the lyric video for “Everything’s Gonna’ Be Alright” visit HERE.

“The last few years have had some major ups and downs in not only my life but in the whole world,” says Johnny Lee. “Music brings us together and gives us peace of mind like nothing else. Throughout my entire career, I have worked hard to record the best music possible and while creating this album, that was the entire goal. This is a hard world we are living in, but I want everyone to know that Everything’s Gonna’ Be Alright. I believe it so much so, it is the title track and first single on my new album. This is my legacy and I can’t wait to share it with you.”

Last year marked the 40th anniversary of the hit movie Urban Cowboy, which changed the dynamics of country music and catapulted it to the next level in pop culture. As part of the celebration, Johnny Lee reunited with Mickey Gilley for the Urban Cowboy Reunion Tour. In November at the 54th Annual CMA Awards in Nashville, both were recognized for their contributions to country music and Lee’s hit single “Lookin’ For Love” was featured and performed by Old Dominion. The Urban Cowboy Reunion Tour will continue throughout 2021.

For more information on Johnny Lee, visit his website or follow his social channels below.

About Johnny Lee:
Johnny Lee was born in Texas City, Texas, and is a member of the Texas Country Music Hall of Fame. In 1968, he began a 10-year working relationship with Mickey Gilley, at the World Famous Nightclub ‘Gilley’s’ in Pasadena, Texas. In 1979, Lee’s first screen role was in a TV Movie, ‘The Girls in the Office,’ starring Barbara Eden and Susan St. James. He was then asked to perform in the film, ‘Urban Cowboy,” starring John Travolta and Deborah Winger. “Lookin’ For Love,” was included on the movie’s soundtrack, and became Lee’s first Gold record. The song spent three weeks at #1 on the Billboard Country chart, and #2 on the Pop chart. It later became one of the Top 100 Best Country Songs of all Time.

Johnny’s familiar songs include a string of Top 10 hits, such as “One In A Million,” “Bet Your Heart On Me,” “Cherokee Fiddle,” “Sounds Like Love,” “Hey Bartender,” “You Could’ve Heard a Heart Break,” and many more. When not traveling and performing, Johnny can be seen on many celebrity hunting and fishing shows, as well as on RFD TV’s “Larry’s Country Diner” & “Country’s Family Reunion”. Currently, Johnny can be seen performing solo and together with Mickey Gilley on the Urban Cowboy Reunion Tour.

For more information, visit

About Bob Frank Distribution (BFD):
Bob Frank Distribution (BFD) was formed in 2013 as a boutique independent music distributor with a global sub-distribution arrangement with The Orchard. BFD currently represents over 50 companies and artists with thousands of masters including Righteous Babe, Blue Hat, DPTV, Astor Place Recordings, Big Deal Records, Once Upon A Time, Node Music, Silva Screen, Woodward Avenue Records, The Atlantic Screen Group (Filmtrax), REMT, Pra/Bad Dog, UFO, as well as artist-owned labels and catalogs including Crystal Gayle, Dale Watson, Dave Davies, Mark Collie, Darryl Worley, Lee Roy Parnell, Trini Lopez, and Charlie Daniels.

Mr. Mark Chesnutt Releases “Live From The Honky Tonk”.

Right at this juncture I am kind of going backwards, and touching on a few small things I missed in 2020, and in this instance….even 2019. It makes me reflect with great sadness how many Legends we lost last year, and how integral these guys and gals are from the 80s and 90s.

Most of you know right now my TOP Album Of 2020 was none other than Mr. John Anderson, and my TOP 50 list was filled full of people that Mr. Mark Chesnutt considers to be his ilk. I have been treated to a plethora of new music from so many names that most regular people thought were gone…or even dead!

That is one of the objectives of my blog here, it is my onus to bring to you the news and new music from those deemed unimportant by the mainstream media, and other media outlets alike. It is very integral to Country Music that these people receive recognition for not only their contributions to the genre, but to Country Music history.

I’m going to print the official press release as well as some other information on this wonderful live album I have researched here. Mr. Mark is one of the ones we still have with us that is in good health, and is still actively touring.

12-Side Album, Featuring Chart-toppers & Fan Favorites, Due October 15, 2019
Nearing three decades in the music business, Mark Chesnutt, one of country music’s finest stylists and a traditional mainstay, is set to introduce his very first vinyl LP—LIVE FROM THE HONKY TONK (Nada Dinero Records) — Tuesday, October 15, 2019. Produced by Chesnutt and pressed on 180g vinyl, the 12 sides showcase live performances of the string of hits that brought him to the dance in the 90s (“I’ll Think Of Something,”  “I Just Wanted You To Know,” “Ol Country” and “Too Cold At Home”) along with country music standards, fan favorites and medley tributes to George Jones (“The Race Is On”/”White Lightning”) and Waylon Jennings (“Clyde”/”Are You Sure Hank Did It This Way”/”Good Hearted Woman”).
Capturing the authenticity of Chesnutt’s branded vocals and trademark honky tonk and dancehall shows, the tracks were recorded at The Trapp in Nashville and spotlight performances by his touring band—current and former members— (Mark Burch–keyboards • Delaney Jackson-electric guitar/background vocals • Lee Kelley–drums • Steve Ledford-bass guitar/background vocals • Cary Stone-acoustic guitar/ background vocals • Aaron Till–fiddle • Slim Yamaguchi-steel guitar).
“We’re in a day and time where the ‘old is new’ again. It’s hard to believe, after all these years, we’re releasing my music on vinyl,” Chesnutt said. “Back when I was signed, labels were far and away from producing music on vinyl. I think, joining loyal country music lovers, the new age listeners have a growing appreciation for the ‘raw and the real’ live sound—like being right there in the room—and, I for one, am right there with ‘em.”
Continuing to carry the torch in the footsteps of George Jones and Waylon Jennings, Mark Chesnutt’s signature voice has shaped the music of today’s country music newcomers and the new country music generation. Chesnutt plays nearly 100 dates a year canvassing the country. He has four platinum albums, five gold albums, 14 No. 1 singles and 23 Top 10 singles to his name. The two-sided vinyl LP, LIVE FROM THE HONKY TONK, is his 18th album release, second live recording project and first on vinyl; it will be available through Chesnutt’s online store ( and for purchase at his shows. ($20/$30 for autographed copy)
For more information on Mark Chesnutt, visit: To connect with Mark Chesnutt, visit: and (@MarkChesnutt).

Preview the Double Disc CD

Buy It Here

Feature the star of your collection first.


1. It’s A Little Too Late
2. Bubba Shot The Jukebox
3. Too Cold At Home
4. All My Old Flames Have New Names
5. I Just Wanted You To Know
6. Goin’ Through the Big D
7. Ol’ Country
8. Brother Jukebox
9. I’ll Think Of Something
10. What A Way To Live
11. Heart Over Mind
12. Beer, Bait & Ammo
13. Waylon Jennings Medley



1. Dreaming My Dreams With You
2. Johnny Cash Medley
3. Big Mamou
4. Pride & Joy
5. I’m not Ready Yet
6. George Jones Medley
7. Whiskey Bent & Hell Bound
8. Swinging Doors
9. I Never Go Around Mirrors
10. Whiskey River
11. She Was
12. It Sure Is Monday
13. Gonna Get A Life
14. I Don’t Want To Miss A Thing

2020 Brings More Reissues Of John Prine Albums.

Even though last year totally eradicated the entire music industry, there was still a plethora of new releases on vinyl. Whether it be new albums on vinyl or simply re issues on vinyl…the choices created an endless assortment of good stuff, and there was no ambit or ending on how many they can release.

One that they re issued on vinyl last year was the 1985 ( and different times around then ) was John Prine Live, one of his most beloved and revered albums in his back catalogue. This album originated in California and Illinois, and also Austin City Limits. There exists so much John Prine material, they could continue this every year for a long time.

Part of the reason we all adored Mr. John so much, was his eclectic stories he told onstage. They came from so many walks of life, and looked at life from so many angles and perspectives. He never shoved any belief or agenda down our throats like many do now, rather he just told enjoyable and FUNNY stories.

He juxtaposed so much wit and clever plays on words into all of his songs, that many people just loved his “Aw Shucks” demeanor. I mean, this man has decades of material that could easily be re issued onto vinyl or CD, and it would sell like hot cakes.

Record Store Day drop number three, that statement became evident as they re issued FOUR Prine albums from the past:

Common Sense – 1975
Diamonds In the Rough – 1972
Sweet Revenge – 1973
John Prine – 1971

Those four albums have been re issued in limited quantities, and were one of the more sought after titles of all 3 drop days.  His debut self titled album is one of my own favorites for the songs on it, but the fact Mr. Buddy Emmons played ORGANS on it, and not STEEL.

The second album “Diamonds In The Rough” introduces us to his collaborations with Mr. Steve Goodman ( YES, the one Mr. David Allan Coe Mentions ), and in my opinion culminated his best work ever.

For the first time since it’s original, limited release to vinyl in 1988, we are proud to bring you John Prine Live on vinyl! This very special, Oh Boy exclusive will be limited to 1,000 vinyl and comes on purple vinyl. 

Oh Boy Exclusive vinyl includes: 
180 Gram weight, double vinyl
Opaque purple-colored
Foil stamped, numbered jackets (1-1000)
Limited edition custom label

The majority of the album was recorded during three-days at The Coach House in San Juan Capistrano, California. The version of “Angel From Montgomery”, was recorded at a memorial concert for Steve Goodman, held in Chicago in January 1985 and is joined by Bonnie Raitt. The version of “Souvenirs” is taken from a 1970s performance by John and Steve Goodman from Austin City Limits. The album was dedicated to John’s mother, Verna Prine. This record also includes some of John’s timeless concert storytelling, including the infamous “Happy Enchilada” story.

Pre-Order Here


In 1978, Prine became upset with the promotional efforts ( or lack of ) with Atlantic and he signed a contract with the Asylum ( Elektra ) label. He released three major albums during that period, and recently two of them have been released on CD.

Bruised Orange – 1978
Storm Windows – 1980

“Bruised Orange” is regarded as one of his strongest albums of songs until he released “Tree Of Forgiveness”. It stands stalwart today as one of his most iconic albums ever, with timeless classics like “Sabu Visits The Twin Cities Alone”.

The story of that song on the above LIVE album was an enjoyable ride into the mind of Mr. John Prine, and if you REALLY LISTEN it paints a really funny picture into the mind of those who listen.  Stories this inventive simply cannot be duplicated or copied by anybody…ever.

Willie Nelson American Outlaw

I cannot say enough cool words about Blackbird Presents, because they have arranged so many outstanding shows in Country Music, like this one. I did not get to physically see this event, I cannot be omnipresent…sadly.

Mr. Willie Nelson made my TOP 50 OF 2020 TWICE.Last year was one of the best years for Legends and artists from the 80s and 90s new music. We still have a bunch of Country Music Legends around, and they are actively releasing new music. This man is no exception to that statement of the year in a nutshell.

This man has appeared in so much media via television or other artist’s albums…probably more than anybody in music history ( I’m NOT 100 percent saying that ). He has received every possible award imaginable, and recorded more albums that even his most devoted janissaries  know about…heck there are actual GROUPS that exchange albums of his that are out of print and rare.

On this tribute show, many artists got together under one roof to celebrate the life and times of Mr. Willie Nelson, and his vast contributions to the genre. They shared stories about touring with Willie, or being around him on stages all over the WORLD.

Willie Nelson American Outlaw honored living legend Willie Nelson and featured some of his greatest hits performed by today’s biggest superstars. Own the CD/DVD from this once-in-a-lifetime concert event which took place Saturday, January 12, 2019 at the Bridgestone Arena in Nashville, TN.

The star-studded event features performances by Willie Nelson, The Avett Brothers, Bobby Bare, Chris Stapleton, Dave Matthews, Emmylou Harris, Eric Church, George Strait, Jack Johnson, Jamey Johnson, Jimmy Buffett, Kris Kristofferson, Lee Ann Womack, Lukas Nelson, Lyle Lovett, Margo Price, Micah Nelson, Nathaniel Rateliff, Norah Jones and The Little Willies, Ray Benson, Rodney Crowell, Sheryl Crow, Steve Earle, Susan Tedeschi & Derek Trucks, and Vince Gill.  Includes 24 tracks on 2 CDs, plus 27 performances on the DVD.

As of right now to my knowledge it is not available on vinyl yet, however for all of us whom still enjoy CD’s (like me), this is a must have in your collection. The single fact that we still have Mr. Willie with us now, after the debacle that was 2020 commenced.I’m about to publish a “Stars we lost in 2020” article, and sadly it contains a plethora of names we all have enjoyed through the years.

This past July, he released his 70th studio album…you read that correctly..70. He has appeared on more albums than anybody in the history of Country Music, and in my opinion he recorded the greatest album in Country Music history..Red Headed Stranger from 1975.

Performance highlights include “Willie Got Me Stoned” (Performed by Jack Johnson) and Nelson classics such as “Whiskey River (Performed by Chris Stapleton), “Me and Paul” (Performed by Eric Church), “Blue Eyes Crying In The Rain” (Performed by Vince Gill), along with duets “The Harder They Come” (with Jimmy Buffett), “Crazy” (with Dave Matthews) “You Were Always On My Mind” (with Chris Stapleton and Derek Trucks), “After The Fire Is Gone” (with Sheryl Crow), and an All-Star performance of “On The Road Again.” In addition to these star-studded performances, music history was made when Nelson and George Strait performed together for the very first time on “Sing One With Willie” and “Good Hearted Woman.”

Whiskey River (Live)
Chris Stapleton
Three Days (Live)
Lee Ann Womack
Sister’s Coming Home/Down At The Corner Beer Joint (Live)
Steve Earle, Margo Price
I Thought About You, Lord / Time Of The Preacher / Hands On The Wheel (Live)
Micah Nelson, Lukas Nelson
A Song For You (Live)
Nathaniel Rateliff & The Night Sweats
Shotgun Willie (Live)
Lyle Lovett, Ray Benson
Blue Eyes Crying In The Rain (Live)
Vince Gill
Georgia On My Mind (Live)
Jamey Johnson
City Of New Orleans (Live)
Willie Nelson, Susan Tedeschi, Derek Trucks
Bloody Mary Morning (Live)
The Avett Brothers
I Gotta Get Drunk (Live)
Norah Jones, The Little Willies
Willie Got Me Stoned (Live)
Jack Johnson
Me And Paul (Live)
Eric Church
Crazy (Live)
Willie Nelson, Dave Matthews
After The Fire Is Gone (Live)
Willie Nelson, Sheryl Crow
Pancho And Lefty (Live)
Willie Nelson, Emmylou Harris
Till I Gain Control Again (Live)
Willie Nelson, Emmylou Harris, Rodney Crowell
Me And Bobby McGee (Live)
Willie Nelson, Kris Kristofferson, Eric Church
The Harder They Come (Live)
Willie Nelson, Jimmy Buffett
Always On My Mind (Live)
Willie Nelson, Chris Stapleton, Derek Trucks
Sing One With Willie (Live)
Willie Nelson, George Strait
Good Hearted Woman (Live)
Willie Nelson, George Strait
On The Road Again (Live)
Willie Nelson, Norah Jones, Kris Kristofferson, …
Roll Me Up and Smoke Me When I Die (Live)
Willie Nelson, Norah Jones, Kris Kristofferson, …

More On Mr. Steve Earle’s Tribute To His Son.

This one is a tough article to write my friends, because I truly enjoyed the music of Mr. Justin Townes Earle. Like many others, I had a terrible year here in Ky.  I too like Mr. Justin had a few bouts with addiction, and I had to check myself into rehab in February.

As soon as I was released from rehab, and began to live again I went back into work for three days…then came covid. I was sent home and told to report to unemployment for 4 months. I stopped writing for the website the entire year and when I was home, I snuck up to Wisconsin and picked up my daughter. I had to get her straightened out!

While we were all quarantined at home, the world of music lost a TON of Legends and artists including this man..a young budding ( but troubled ) artist with only a handful of albums named Justin Townes Earle.

I have always thought with as many of then I actually know personally, it must be the toughest challenge to have a famous last name. I couldn’t imagine having to constantly live up to his father’s echelon of notoriety to the “regular” music fans out there. Can you imagine pouring out your heart with songs like “Learning To Cry”, and after the show some dumb ass comes up asking for “Copperhead Road”?

He struggled all alone to pave his own path through local music communities and also through Nashville with ardent appetency to do it all alone, and with a fan base all his own. His songwriting had a different habile, and it had a style all it’s own. If another artist covered his songs, you could easily ascertain it was indeed a Justin Townes Earle song.

When they found Mr. Justin dead many websites went on tangents to release police reports and speculations…predictions…prognostications…blah blah blah. He had demons and hurdles like WE ALL DO. I’m NOT going to sit my ass on this recliner and PRETEND I am a “journalist” and it’s “my duty” to bring you that crap..I’m going to tell you that we lost ONE HELL of an artist, a fine fellow and a terrific songwriter.

You can damn sure bet I’ll be delving further into this album as it culminates into fruition for public consumption. I’m back my friends, and I’m in the BEST SHAPE I have been in years….Just pray for the Saint Of Lost Causes.

Track Listing.

I.  Don’t Care
2. Ain’t Glad I’m Leaving
3. Maria
4. Far Away in Another Town
5.  They Killed John Henry
6. Turn Out My Lights
7. Lone Pine Hill
8. Champagne Corolla
9. The Saint of Lost Causes
10. Harlem River Blues
11. Last Words
On the forthcoming album, J.T., Steve Earle & The Dukes pay tribute to Steve’s late son, Justin Townes Earle (J.T.), who passed away on August 20, 2020 in Nashville. The album will be released digitally on what would have been Justin’s 39th birthday, January 4, 2021, CD and vinyl formats will release March 19, 2021.

The first track, “Harlem River Blues” is available to stream today. The poignant song is one of Justin’s best-known compositions and took Song of the Year honors at the 2011 Americana Music Awards ceremony following Justin’s win in the Emerging Artist of the Year category in 2009.

100% of the artist advances and royalties from J.T. will be donated to a trust for Etta St. James Earle, the three-year-old daughter of Justin and Jenn Earle. While somber in parts, the album is ultimately a rousing celebration of a life lived with passion and purpose.



Digital Album Available Today

Stream the new album featuring songs from Justin Townes Earle

CD / Vinyl available March 19

A note from Steve… 

Justin Townes Earle left this world a little over a mile from where he came in, having seen more of it than most folks in his thirty-eight years before his all too short arc brought him right back to where he started from; Nashville, Tennessee.

The evening Justin was born, in what was then called Baptist Hospital, his mother, Carol, exhausted after 36 hours in labor fell immediately into a deep sleep and I was left staring into the eyes of my first-born son. After a while, a kindly nurse asked if I would like to carry him to the nursery myself. I don’t know how I ever negotiated the walk down the hall without tripping over my own two feet. I couldn’t take my eyes off him and he looked right back at me, hardly blinking, as if to say, “I know you.” After a bit of a gentle tug-of-war at the nursery door I reluctantly relinquished custody to the nurse.

My arms had never felt so empty.

Suddenly it occurred to me that I hadn’t spoken to any of my family back in Texas since I’d phoned early the day before to let them know that Carol was in labor and we were headed for the hospital.

I beelined for the payphones in the waiting room and was relieved to find a quarter in my pocket (not a given at that point in my career). I dropped it in the slot and dialed my parents’ number in Houston. My Dad answered and immediately upon hearing his voice, I burst into tears and apologized for every shitty thing I’d ever said or done to him, which was a litany.

Carol and I split up when Justin was 3 and he shuttled between our households, sometimes voluntarily sometimes not, until he left home. That event occurred pretty organically when he accompanied me on a teaching sabbatical to the Old Town School of Folk Music in Chicago.

Justin was playing by that time, having gone from post-mortem Nirvana fan to acoustic blues practitioner by way of Kurt Cobain’s WHERE DID YOU SLEEP LAST NIGHT. He’d only been interested in electric guitar until seeing Cobain hunched over the big Martin acoustic on MTV Unplugged so I pointed him towards the original recorded version in my record collection. Leadbelly was next to Lightnin’ Hopkins and Lightnin’ next to Mance Lipscomb and next thing I knew he was playing stuff I’d been trying to sort out for years. The original idea of Justin going to Chicago (besides just keeping an eye on him) was that he would take a few classes at the Old Town School, but within a few weeks he was TEACHING fingerstyle guitar. By the time I completed my eight-week course and returned home Justin had turned 18 and elected to remain behind.

He was back in Nashville six months later and, musically, things began to develop rapidly. A jug band, a rock band, a short stint as a Duke, but, lo and behold he’d begun to come up with songs of his own and they were really fucking good. He would release 8 full length albums and an EP over 13 years during which our paths crossed infrequently, usually on the road. Ironically, we both sat out the last summer of his life in Tennessee, grounded by pandemic, unable to escape to the only place either one of us ever felt at home.

The Highway.

We spoke often those last few months, saw each other a handful of times and I talked to him the night he died. I am grateful for that.

This record is called J.T. because he was never called anything else until he was nearly grown.

Well, when he was little, I called him Cowboy.

For better or worse, right or wrong, I loved Justin Townes Earle more than anything else on this earth. That being said, I made this record, like every other record I’ve ever made… for me. It was the only way I knew to say goodbye.

See you when I get there, Cowboy,



Chicago Cubs Red & Blue Vinyl
The blue and red pressings are a tribute to Justin’s favorite team, the Chicago Cubs. 
“Harlem River Blues” // Steve Earle & The Dukes, J.T.

T. Graham Brown Welcomes As His Guest Henry Paul of Blackhawk On January’s Live Wire On SiriusXM’s Prime Country Channel 58, Airing Now!

T. Graham Brown and Henry Paul of Blackhawk on SiriusXM Prime Country Channel 58
With continued airings throughout January, T. Graham Brown’s Live Wire features live cuts from artists including Lyle Lovett, Rhonda Vincent, Kenny Chesney and a tribute to Charley Pride, plus an exclusive interview and live cuts from Blackhawk
NASHVILLE, Tenn. – Country hit-maker T. Graham Brown’s LIVE WIRE on SiriusXM’s Prime Country Channel 58 debuts new episodes for January, starting Wednesday, January 6 at 10/9c PM, featuring an interview with Henry Paul of Blackhawk. LIVE WIRE is a one hour show that showcases live cuts & interviews with some of T. Graham Brown’s closest friends and heroes, sharing fun stories about life on the road.

“I hope you will come on in and stay warm during January’s LIVE WIRE,” says Brown. “We are going to have so much fun talking with my buddy, Henry Paul from Blackhawk, and spinning some live tracks from throughout their career. We will also be remembering my dear friend Charley Pride who we just lost. So turn on SiriusXM’s Prime Country and enjoy the show!”

With continued airings throughout January, the show will feature live cuts from artists including Kenny Chesney, Rhonda Vincent, Lyle Lovett, Charley Pride, along with an interview and live cuts from 90’s hitmakers, Blackhawk. Listen closely to hear never-before-told stories and rare live performances from your favorite Prime Country superstars! LIVE WIRE is also available on-demand worldwide with the SiriusXM app and Pandora NOW with a standard SiriusXM subscription.

How subscribers can listen:
SiriusXM subscribers are able to listen on SiriusXM radios, and those with streaming access can listen online, on-the-go with the SiriusXM mobile app, and at home on a wide variety of connected devices including smart TVs, devices with Amazon Alexa or the Google Assistant, Apple TV, PlayStation, Roku, Sonos speakers and more. Go to to learn more.

Additional airings in January include:
Thursday, January 7 @ 1 am and 3 pm ET
Sunday, January 10 @ 11 am ET
Tuesday, January 12 @ 12 am and 11 pm ET
Thursday, January 14 @ 3 am ET
Monday, January 25 @ 12 pm ET

For T. Graham Brown’s most updated concert calendar visit

About T. Graham Brown:
T. Graham Brown has recorded 15 studio albums and charted more than 20 singles on the Billboard charts. He has had multiple number one hits in country, gospel, and blues. Brown’s voice is also recognized from his singing in advertising campaigns for McDonald’s, Disneyland, Almond Joy, Coca Cola, Dodge Truck, Ford, Hardee’s, and many others including the Taco Bell “Run For The Border” television spots. In early 2015, Brown released his latest Grammy-nominated album, Forever Changed, which featured collaborations with Vince Gill, Jason Crabb, The Oak Ridge Boys, Jimmy Fortune, and more. In 2019, Brown became part of the SiriusXM family as host of Live Wire with T. Graham Brown airing monthly on Prime Country Channel 58. In 2020, Time Life partnered with T. Graham to reissue several of his classic albums and has recently released his latest album Bare Bones. T. Graham Brown still actively tours throughout the year, including multiple appearances on the legendary Grand Ole Opry and television appearances such as Larry’s Country Diner and Country’s Family Reunion. Brown’s uniqueness has made him one of the most beloved and iconic performers of the day.

For more information, visit

Birthplace of Country Music Museum Partners with Smithsonian to Kick Off New Year




The Birthplace of Country Music Museum‘s resolution for 2021? To get folks talking, thinking, and reading in the New Year with programming that engages as it entertains. Better yet, participants can enjoy this programming from the comfort of their homes – at no cost.

The award-winning museum, located in Historic Downtown Bristol, Virginia, is once again utilizing its affiliation with the Smithsonian Institution to kick off a new virtual speaker series set to debut on Tuesday, January 12 at 7:00 p.m. EST featuring guest speaker Paula Johnson, Food History Curator at the Smithsonian’s National Museum of American History (NMAH).

“Our new Virtual Speaker Series is a monthly program where we will feature a variety of different speakers, exploring the work of museums, musicians and music history, regional issues and stories, Appalachian culture, and more!” said Head Curator Rene Rodgers. “We are especially excited to be able to leverage our Smithsonian affiliation in order to host Paula Johnson as our first speaker on January 12, and we know that her focus on food and foodways is one that our community and audiences will really connect with and enjoy. It is going to be a great way to kick off the new year and this new museum program.”

The conversation will center around the power of food as a lens for exploring history and the robust food history offerings at NMAH, including Julia Child’s home kitchen, programs on food justice, and live cooking demonstrations that feature chefs, home cooks, and recipes from regional cuisines across the country. Participants will learn how what’s on our plates relates to many strands of economic, political, technological, and social history. January’s Virtual Speaker Series featuring Paul Johnson is free and open to the public, but you must pre-register online to participate. The program is part of a partnership with the Smithsonian’s American Women’s History Initiative. Future speakers include WBCM Radio Bristol on-air personality and musician Bailey George discussing the multi-faceted personas of honky tonk women (coming in February), and Alona Norwood and William Isom II from Black in Appalachia talking about their work to record and amplify Black history and stories from the Appalachian region (in March).

To register for the Virtual Speaker Series, go to the Birthplace of Country Music’s Events page at

Virtual Story Time, a new program for children and families, will also become regularly-scheduled programming starting this month. One or two children’s books will be featured in each session, with songs and sounds, learning sheets, or other related activities kids can enjoy from home. Though Virtual Story Time is primarily geared toward children ages 3-6, it may be enjoyed by older kids and adults as a fun activity to do together. Each story has been chosen to relate to museum content, cultural heritage, and Appalachian culture. Each show will premiere on the Birthplace of Country Music Museum’s social media channels twice monthly – usually on the 1st and 3rd Friday except in January – and on the Virtual Story Time web page at This month’s dates are Friday, January 15 and Friday, January 29. Reading aloud is a major factor in advancing early literacy skills in young children, helps in language development, and opens up children’s imagination.

Additionally, the Birthplace of Country Music Museum has rolled out its 2021 roster of great literature to be discussed on its Radio Bristol Book Club program; the show airs on the 4th Thursday of each month at 11:00 a.m. EST on WBCM Radio Bristol, which broadcasts from the museum. Unlike your typical book club, Radio Bristol’s doesn’t meet in person. The program, in partnership with the Bristol Public Library, encourages its audience to read along independently and tune in to the show. At-home readers are also encouraged to send in questions or share their thoughts about each book by emailing Those who do may hear their questions and opinions on-air! Books are chosen to relate to the museum’s content, music history, a current special exhibit or programming, or stories derived from the Appalachian region. Related music is often incorporated into the show and, when possible, an interview with the author is included. The first Radio Book Club “meeting” in 2021 will air on January 28 with a discussion about the biography I Saw the Light: The Story of Hank Williams by Colin Escott.

2021 Radio Bristol Book Club List:

January 28
I Saw the Light: The Story of Hank Williams
by Colin EscottFebruary 25
The Devil’s Dream
by Lee Smith

March 25
Where the Dead Sit Talking
by Brandon Hobson

April 22
Affrilachian Tales: Folktales from the African-American Appalachian Tradition
by Lyn Ford

May 27
by Robert Gipe

June 24
Satan is Real: The Ballad of the Louvin Brothers

by Charlie Louvin
July 22
Sharyn McCrumb’s Appalachia
by Sharyn McCrumbAugust 26
Weaver’s Daughter
by Kimberly Brubaker Bradley

September 23
The Carter Family: Don’t Forget This Song
by David Laskey and Frank M. Young

October 28
The Moon-Eyed People: Folk Tales from Welsh America
by Peter Stevenson

November 18
Hear My Sad Story: The True Tales That Inspired “Stagolee,” “John Henry,” and Other Traditional American Folk Songs
by Richard Polenberg

December 23
Songteller: My Life in Lyrics
by Dolly Parton w/ Robert K. Oermann

To access and listen to archived Radio Bristol Book Club programs, visit the show’s webpage at

The Radio Bristol Book Club can be accessed by tuning in to 100.1 FM in the Bristol area; it also streams live on, and through the station’s free mobile app.

The 20th anniversary of the Bristol Rhythm & Roots Reunion music festival has been re-scheduled for September 10-12, 2021 after being cancelled last year due to the COVID-19 pandemic. Jason Isbell and the 400 Unit, Tanya Tucker, Blackberry Smoke, Yola, The Steeldrivers, Rhonda Vincent, Hayes Carll, Jim Lauderdale, Amythyst Kiah and more are scheduled to perform at the award-winning event which draws more than 40,000 people to Downtown Bristol each year. Weekend passes are on sale now at with a convenient payment plan option.

For a complete list of events and a comprehensive look at everything the Birthplace of Country Music has to offer, visit


News Release: BCM Museum to Host Virtual Speaker Series Starting January 12




BCM Museum to Host Virtual Speaker Series
Starting January 12

Join the Conversation with Smithsonian’s National Museum of American History

Bristol, Tenn./Va. (January 7, 2021) – The Birthplace of Country Music Museum in Historic Downtown Bristol, Tennessee-Virginia will premiere a free Virtual Speaker Series this month, and the first installment of the series will feature Paula Johnson, Food History Curator at the Smithsonian’s National Museum of American History (NMAH) on Tuesday, January 12 at 7:00 p.m. EST. Dr. Rene Rodgers, Head Curator at the Birthplace of Country Music Museum, will facilitate the online discussion, and the public is invited to attend.

“We are excited to be kicking off the Virtual Speaker Series in 2021, and we are especially excited to be starting it in January with the National Museum of American HIstory’s Paula Johnson and her focus on food and foodways, a subject that is sure to connect with our community!” said Head Curator Rene Rodgers.”This series is an opportunity for us to host and feature a wide range of speakers and topics – from music history and regional stories to technology and behind-the-scenes work at museums – and will help us to fulfill our educational mission through engaging and interesting programming.”

The conversation will center on the power of food as a lens for exploring history, and participants will learn more about the NMAH’s robust food history offerings. From Julia Child’s home kitchen and programs on food justice to live cooking demonstrations that feature chefs, home cooks, and recipes from regional cuisines across the country, find out how what’s on your plate relates to the many strands of economical, political, technological, and social history.

This program is the first in the Birthplace of Country Music Museum’s monthly Virtual Speaker Series and part of a partnership with the Smithsonian American Women’s History Initiative (AWHI). The mission of the initiative is to create, educate, disseminate, and amplify the historical record of the accomplishments of American Women – a diversity of women’s stories that have not been widely shared. The Birthplace of Country Music Museum is an affiliate of the Smithsonian Institution, and collaborates with them to bring a wide variety of programming, resources, and special exhibits from the Smithsonian to Bristol that would otherwise not be available in Southwest Virginia and Northeast Tennessee.

Future speakers in the series will include regional musician and WBCM Radio Bristol on-air personality Bailey George, who will discuss the subject of honky tonk women and their music on February 2, and William Isom and Alona Norwood who will talk about the work of Black in Appalachia and the importance of amplifying Black narratives and histories on March 2.

Again, there is no cost to attend the Virtual Speaker Series, but those interested must pre-register online to participate. For more information and to register, visit the Events page at

About Smithsonian American Women’s History Initiative

In America’s most defining moments – times that shaped constitutional rights, yielded scientific breakthroughs, created symbols of our nation – a diversity of women’s stories has not been widely told. To create a more equitable and just American society, the Smithsonian’s American Women’s History Initiative (AWHI) will create, educate, disseminate, and amplify the historical record of the accomplishments of American women. The Smithsonian wants the role of women in American history to be well-known, accurate, acknowledged, and empowering.

With a digital-first mission and focus, the initiative uses technology to amplify a diversity of women’s voices – not in one gallery or museum, but throughout the Smithsonian’s many museums, research centers, cultural heritage affiliates, and wherever people are online – reaching millions of people in Washington, D.C., across the nation, and around the world. For more information about AWHI, visit

About Birthplace of Country Music Museum

The Birthplace of Country Music Museum, an affiliate of the Smithsonian Institution, explores the history of the 1927 Bristol Sessions and their lasting impact on our music heritage. From the Bristol Sessions and beyond, our region continues to influence music around the world.

The museum is located at 101 Country Music Way (corner of Moore & Cumberland Streets) in Historic Downtown Bristol, Virginia. Through multiple theater experiences, film and sound, and interactive, technology-infused displays – along with a variety of educational programs, music programs, and community events – the exciting story of this music and its far-reaching influence comes alive. Rotating exhibitions from other organizations and  institutions, including the Smithsonian, are featured throughout the year in the Special Exhibits Gallery. The museum is also home to a relevant digital archive.

The Birthplace of Country Music Museum is open Tuesday through Saturday, 10:00 a.m. to 6:00 p.m. and Sunday, 1:00 p.m. to 5:00 p.m. The museum is closed on Mondays and most major holidays; call ahead for clarification at 423-573-1927.



Ed Bruce
CLARKSVILLE, Tenn. – Ed Bruce, singer/songwriter, died Friday, January 8, 2021, in Clarksville, Tennessee, of natural causes at age 81.

In 1957, at the age of 17, he went to see Jack Clement, a recording engineer for Sun Records. Bruce caught the attention of Sun owner Sam Phillips, for whom he wrote and recorded “Rock Boppin’ Baby” (as “Edwin Bruce”). In 1962, he wrote “Save Your Kisses” for pop star Tommy Roe and in 1963 he reached No. 109 on the Billboard “Bubbling Under” chart with his own recording of “See the Big Man Cry” (Wand 140), both published by Bill Justis at Tuneville Music. Charlie Louvin recorded “See the Big Man Cry” (Capitol 5369) in 1965; Louvin’s version reached No. 7 on the Billboard “Country Singles” chart. During his career, many songs that Bruce wrote and recorded were more successful when re-recorded by others.

In the early 1960s, Bruce recorded for RCA and some smaller labels like Wand/Scepter, singing rockabilly music, as well as more pop-oriented material such as “See the Big Man Cry.” In 1966, he returned to RCA and recorded “Puzzles”, “The Price I Pay to Stay” and “Lonesome Is Me”. He still did not achieve great charting action. He made money doing voice-overs for television and radio commercials. He scored his first charted single with “Walker’s Woods” in 1967, and also charted with his version of The Monkees’ “Last Train to Clarksville.” Both of these singles were minor hits. In 1969, Bruce signed with Monument Records, where he continued to have minor successes with “Everybody Wants To Get To Heaven” and “Song For Jenny”.

Meanwhile, he continued to write songs like “The Man That Turned My Mama On,” which was a major hit for Tanya Tucker in 1974 and “Restless” for Crystal Gayle the same year. He signed with United Artists Records in 1973 and released several singles, but only one single in 1974 became a minor hit. He finally made the upper regions of the charts when he made the Top 20 on the country charts with his version of “Mamas Don’t Let Your Babies Grow Up to Be Cowboys”, a song he co-wrote in 1976.

Two more Top 40 hits followed for Bruce in 1976, and in 1977, he signed with Epic Records where he would score minor hits. In 1978, “Mamas Don’t Let Your Babies Grow up to Be Cowboys” was recorded by Willie Nelson and Waylon Jennings. It became a major hit and continued the upward swing in Bruce’s career. In 1979, Tanya Tucker took Bruce’s 1977 song “Texas (When I Die)” into the country Top 5.

In 1980, Bruce signed with MCA Records, where he would score his biggest successes. His early hits with MCA included “Diane”, “The Last Cowboy Song”, “When You Fall In Love (Everything’s A Waltz)”, “Evil Angel”, and “Love’s Found You And Me”. His biggest hit, “You’re the Best Break This Old Heart Ever Had” went to number one on the country chart in 1982. This also was Bruce’s first Top 10 as a singer after 15 years. He had other hit songs that made the Top 10 like “Ever, Never Lovin’ You”, “My First Taste of Texas”, and “After All”.

In 1984, he returned to RCA Records and scored a No. 3 hit with “You Turn Me On Like A Radio” in 1985. His last Top 10 single was “Nights” in 1986 and his last Top 40 single (and last chart single to date) was “Quietly Crazy” in 1987.

During this time, Bruce began to act and do commercials. One of his biggest acting roles was as the second lead on the television revival of 1957’s Maverick, called Bret Maverick. Starring James Garner as a legendary western gambler, the series ran on NBC-TV during the 1981-82 season but was unexpectedly canceled despite respectable ratings. Bruce played the surly town lawman who found himself reluctantly co-owning a saloon with Maverick, with whom he seemed to maintain a surreally adversarial relationship more or less throughout the entire season. Bruce also sang and wrote the theme song to the show, while Garner himself sang the same song over the end titles at the show’s close, albeit while being relentlessly interrupted by network announcements about upcoming programming.

After the 1986 album entitled Night Things and a 1988 self-titled follow-up, Bruce made a conscious decision to cut back on his music to focus on his acting career, appearing in several made-for-TV films. He hosted two shows in the late 1980s, Truckin’ USA and American Sports Cavalcade. Bruce has also appeared in several theatrical releases, including Fire Down Below with Steven Seagal.

Bruce was honored with the Arkansas Country Music Award for “Lifetime Achievement” on June 3, 2018 at the University of Arkansas at Little Rock.

Billy Bob’s In Texas Ongoing Shows In 2021.

New concerts announced and tickets on sale now for Lee Brice, Restless Heart, Shenandoah, Jon Pardi and more

FORT WORTH, Texas – Located in the heart of the Fort Worth Stockyards National Historic District, Billy Bob’s Texas first opened in 1981. Since then more than 17 million visitors have enjoyed live entertainment each month when stars from the present and past grace the stages. While kicking 2021 off in style, Billy Bob’s Texas will also begin a year-long celebration, marking its 40th Anniversary, bringing in the biggest names in music to the hottest rising stars hitting the charts.

Jump starting the new year in a classic fashion, Randy Rogers Band (Jan. 1 & 2) will hit the stage with their rockin’ anthems and distinctive sounds, followed by the Josh Abbott Band (Jan 8 & 9), Josh Weathers (Jan 15) and William Clark Green (Jan 16). Continuing with Kolby Cooper (Jan 22) and the smooth, country vocals of Scotty McCreery (Jan 23) and up-and-coming hitmaker, Randall King (Jan 29) will leave you begging for more with each song, proving 2021 will be one party after the next celebrating the 40th Anniversary of the world’s largest honky-tonk, Billy Bob’s Texas.

January Concert Lineup:
JAN 16 – William Clark Green (Ticket Info)
JAN 22 – Kolby Cooper (Ticket Info)
JAN 23 – Scotty McCreery (Ticket Info)
JAN 29 – Randall King (Ticket Info)

More new shows have just been announced to Billy Bob’s concert calendar. Tickets are on sale NOW for the following concerts:

FEB 06 – Lee Brice (Ticket Info)
FEB 12 – Read Southall Band (Ticket Info)
FEB 13 – La Mafia (Ticket Info)
FEB 20 – The Cleverlys @ The 81 Club (Ticket Info)
FEB 20 – Restless Heart & Shenandoah (Ticket Info)
FEB 26 – Mike & The Moonpies (Ticket Info)
MAY 14 – Jon Pardi (Ticket Info)
MAY 15 – Jon Pardi (Ticket Info)
JUN 05 – Joe Nichols (Ticket Info)

For the full concert calendar, special event, and visitor information, please go to

Billy Bob’s Texas
Historic Fort Worth Stockyards
2520 Rodeo Plaza
Fort Worth, Texas 76164
(817) 624-7117

Circle airing Live At Billy Bob’s Texas!
Live at Billy Bob’s Texas gives the listener a front-row seat to concerts at the World’s Largest Honky Tonk. The music series has compiled powerful performances featuring hits from legendary country music artists like Willie Nelson, Charlie Daniels, Eddy Raven, Gary Stewart, Asleep at the Wheel, Janie Fricke, and more.

Circle network is carrying Live At Billy Bob’s Texas! Circle Media celebrates the country lifestyle and puts fans inside the circle of everything country. Circle offers entertainment news, documentaries, movies, archival, new and licensed programming, Grand Ole Opry performances, and more. Based in Nashville, Circle includes a linear network as well as a companion over-the-top (OTT) premium entertainment service which is expected to launch in spring 2020. Circle is a joint venture between Opry Entertainment Group, a subsidiary of Ryman Hospitality Properties, and Gray TV.

Go to for shows, schedules, and a simple guide to getting the channel.

Visit for more information, or to buy any of the Live at Billy Bob’s Texas CDs and DVDs, click here to visit the online store.

Billy Bob’s: Lending a Hand to Music History:
Artists placing their hands in cement has been a tradition at Billy Bob’s for more than two decades.

Many of the club’s showcased artists have been honored with various awards and accolades. For some, however, their favorite honor is being part of what is now known as Billy Bob’s ‘Wall of Fame’.

Patrons can visit the Wall of Fame and see the handprints and autographs of Garth Brooks, Willie Nelson, Johnny Cash, and even Ringo Starr to name a few. Many fans enjoy comparing their hand size to the celebrities.

To view the gallery, click here.

About Billy Bob’s Texas:
Located in the heart of the Fort Worth Stockyards National Historic District, the 100,000 square foot cattle barn became Billy Bob’s Texas in 1981. Since then more than 17 million visitors have enjoyed live entertainment and real bull riding at “The World’s Largest Honky Tonk”.

The facility can hold 6,000 rowdy patrons on a given night and has been host to hundreds of musical acts, from Alan Jackson to ZZ Top. On Fridays and Saturdays, the venue also features live bull riding – a step up from the mechanical variety. It seems like an unlikely source for a series that has sold millions of albums.

Billy Bob’s has been named the Country Music Club of the Year 10 times by the Academy of Country Music.

To buy Billy Bob’s Texas merch or any of the Live at Billy Bob’s Texas CDs and DVDs, click here to visit the online store, or to buy tickets for special events and concerts, go to


2021 Festival Dates And Other News From Me.

Hello my dear friends and music lovers of all forms. I write this with immense uncertainty for the upcoming live music situation next year. I personally never made any official withdraw announcement for the website, trust me I HAVE been watching and studying things. If YOUR favorite artist released a new album in 2020, chances are I have been equally enjoying it.

Now, as I prepare to wrap up my year and revel in my many accomplishments I made in 2020 on a personal level, I study all of the festivals that have already locked in new dates for 2021.

I have been making many phone calls and sending many emails to many groups of people all over America in order to do this. the extent of my studies put me on a whole different echelon here. There are so many avenues to explore and transfer to written form, to share with you, additionally I will include the links to the festivals so you can see the information yourself.

I had to step back from things directly before the pandemic even erupted nationally, to take care of a horrible dependency to pain pills. I have many health issues, and some of them require pain management, and I  had to accept the fact I cannot manage the pills responsibly. I had to enroll in a rehabilitation program, and learn how to work the twelve steps of AA meetings.

I learned that there was no difference between an addiction full blown and a dependency, and that I was once addict. Therefore, I realized I had a plethora of work to do on myself in order to retain my control of my personal life. I cannot do what I do on here without a clear head, AND NOW I have 9 months sober.

I moved my daughter down to Kentucky in April from Wisconsin, and I am currently reaching her the ways of independent music. She has never been exposed to the likes of Cody Jinks or Greensky Bluegrass. In my opinion, SHE IS the future of our precious music, and exposing her to the many bands that she has never heard on any radio makes me an elated father.

I had to put aside my written duties for several months, in order to help my daughter with her personal life and set her up to succeed in life. With a young adult, you have to set them up with finances and avenues of support. When you play Monopoly you start with money, right? Right. So with all of that being said…let’s move forward with my usual assault on the corporate mainstream crap that prostitutes your FM radio.

This is NOT a final list for 2021, in fact there are more than 150 festivals I have no information for as of yet. I’ll be actively adding new festivals and dates to this article all through the spring of next year, as we see about whether or not these can even transpire.

I HAVE BEEN watching, reading and keeping up with SO MANY new releases in 2020, and my crew has been working diligently with album reviews in my absence. We will ALL be releasing a TOP 50 of the year, so be looking for those to come around the week of Christmas.

I still have my annual birthday celebration, and this year it will be at the Spillway Bar And Grill on November 21st featuring Mr. Ward Davis. You can buy tickets for that right HERE.

This past weekend, I took my daughter to Alabama to see the grave of one of Country Music’s greatest superstars. Hank Williams is a hero to me, as well as many and I needed to visit him and become revitalized and recharged. I needed guidance and prayers in order to move forward and still become the force that I am for local music.

Known Dates For 2021 festivals :

30 A Festival – January 14 – 17th
Mardi Gras Texas – February 16th
Bluegrass 1st Class – February 19th – 21st
Outlaws And Legends – March-19-20th
Best Little Cowboy Gathering – March 12 – 20th
Suwanee Spring Weekend – March 18 – 21st
Heart Of Texas Music Festival – March 19 – 27th
Bluegrass Heritage Festival – April 23 – 25th
Mile 0 festival – April 27th – May 1st
Larry Joe Taylor Festival – April 19 – 24th
Winter Wondergrass – April 9 – 11th
James Wimmer Bristol Spring Bluegrass – April 9th – 10th
The Calf Fry – April 27-29th
Backwoods At Mullberry Mountain – April 29 – May 2nd
Red Dirt And Barbeque Festival – May 1st
DelFest – May 27 – 30th
Roots Under The Texas Sky – May 1st and 2nd
The Western Swing Out – May 28-31st
Rooster Walk – May 27 – 30th
Dr. Ralph Stanley Memorial – May 26 – 29th
Valley Bluegrass Festival – May 1 and 2nd
Moonrunners Music Festival – May 1 and 2nd
Texas Crab Festival – May 7 -9th
Bluegrass Island Festival – May 13 – 15th
Pickathon – June 25 – 27th
Palisade Bluegrass Festival – June 11 -13th
The Blue Ox – June 10 – 12th
Back 40 folk Festival – June 3 – 6th
Mountain Music Festival – June 3rd – 5th
Pondstock At Lake Hedke – June 10 – 12th
Pagosa Folk And Bluegrass – June 4th – 6th
Stringbean Memorial Bluegrass Festival – June 17 – 19th
ROMP – June 23 – 26th
So Cal Hoedown – June 26th
Camp Greensky – June 3 – 5th
Telluride Bluegrass Festival – June 17 – 20th
Tailgates And Tallboys – June 3 – 4th
Moccasin Creek Music festival – June 17th – 21st
Laurel Cove Music Festival – June 11th – 12th
Windy City Music Festival – July 9-11th
The Great Blue Heron – July 2 – 4th
Floyd Fest – July 21 – 25th
Winnipeg Folk Festival – July 8 – 11th
Northwest String Summit – July 22 – 25th
Red Ants Pants – July 21 – 25th
Grey Fox Bluegrass Festival – July 16-19th
The Redwood Ramble – July 15-18th
Red Wing Roots Music Festival – July 9 – 11th
Under The Big Sky Festival – July 17 – 18th
Rockygrass Bluegrass Festival – July 22 – 25th
Master Musicians Festival – July 16-17th
Oyster Ridge Music Festival – July 23-25th
Podunk Bluegrass Festival – August 12-15th
Pickin’ In Parsons – August 3 – 7th
Braun Brothers Reunion – August 12 – 14th
Grand Targhee Bluegrass Festival – August 13 – 15th
Fayetteville Roots – August 26 – 29th
Hoxeyville Music Festival – August 13-15th
Symco Hotrod Weekender – August 13th and 14th
Railbird Music Festival – August 20-21st
Gettysburg Bluegrass Festival – August 13 – 16th
Moondance Festival – August 13-16th
Viva Las Vegas – September 9-12th
Merlefest – September 16 – 19th
Americanafest – september 21 – 26th
Doyle Lawson Bluegrass Festival – September 24- 26th
Bean Blossom Bluegrass Festival – September 19 – 26th
Earl Scruggs Memorial Festival – September 3 – 4th
Redwood Ramble – September 27-29th
Chet Kingery Memorial Bluegrass – September 4th
Festival of The Horse – September – 10 – 12th
Dumplin Valley Bluegrass Festival – September 16 – 18th
Oldtone Roots Festival – September 12 – 14th
Bristol Rhythm And Roots – September 10 – 12th
Walnut Valley Bluegrass Festival – September 12-20th
New England Shake Up – September 24 – 26th
Freshgrass Bluegrass Festival – September 24-26th
Pickin’ In The Pines – September 17- 19th
Hoopla At Devil’s Backbone – September 25 – 27th
Vine Grove Bluegrass Festival – September 23 – 25th
Firewater music Festival – Sept 30th – October 2nd
Locki’n Music Festival – October 1-4th
Hardly Strictly Bluegrass – October 1- 3rd
Hangtown Music Festival – October 21 – 24th
ACL Fest – October 1 – 10th
Old Settler’s Music Festival – October 21st – 24th
Old Mill Music Festival – November 6 and 7th

Gary Hayes TOP 50 Of 2020.

I’m physically and mentally tired from all of this year’s pitfalls. It took me many weeks to catch up on everything here at Gary Hayes Country, and I had to spend many countless hours on the keyboard to do this. Part of that task has been the literally HUNDREDS of albums I had jotted down, in my email box and word of mouth, of all which are always considered for my ever popular TOP 50.

ONE THING I NEED TO STRESS HERE : IF YOU see something new or hear something new PLEASE BUY IT on the links below. ALL OF THESE folks have been out of work for the year…I don’t believe I need to elaborate on that fact any more ardently than I already do.

ONCE AGAIN I also need to establish that none of these “positions” are better than another ( accept my TOP 5 ). I REALLY ENJOYED these 50 albums in every way, and they contained songs that spoke to me more than others. I am not including all of the albums that make me ” look cool in the scene “, nor did I forget such and such albums. These are what I LIKED, and I’m NOT trying to be a benevolent dictator or shove anything down your throat. These albums satisfied my palate and my longing for real Country, Bluegrass, Rockabilly and a few more genres.

We have a BUNCH of new projects that will emanate out of 2021, and in the next few weeks I have SO MUCH to share with you. I certainly hope you enjoy these albums as much as I did and do. As always, I want to take the time to THANK YOU my dear friends, for reading my website. TIME….Time is very precious and it is indeed a special gift. Thank you for yours, from the bottom of my heart.

Album Of The Year
1. John Anderson Years.

OK I’m going to write about this album more than the others for many reasons, but the main one is the absolute immutable beauty of Mr. John’s vocals. Time has not faltered his pleasant but soaked in sin signature vocal style on this album. From the very first note he sings, you can immediately ascertain…”That’s John Anderson”.

There is a passionate desideratum in my heart and soul for this man and his ilk, and it should also exist within Country Music itself as a whole. With as many stars as 2020 has eradicated from us, I feel it is VERY integral to not only hold this man dear..but to let him know he IS NEEDED RIGHT NOW.

He physically labored to finish the vocals for “Years” because he has been having some surgical issues going on ( they haven’t divulged any information ) but he almost didn’t wake up. In fact, his wife stressed the fact he in fact flat lined three times.  During his health scare, his website states that he lost his sense of pitch, and the ability to recognize his own songs on the radio. If you don’t mind I’d like to include some from his own website:

During his period of recovery, Anderson got a phone call out of the blue from Auerbach, who was simply calling as a fan, inspired by a conversation with David Ferguson (co-producer) about great singers. When Anderson later met them both in person at Auerbach’s Easy Eye Sound studio in Nashville, they clicked as a unit immediately. On the spot, Anderson – a Nashville Songwriters Hall of Fame inductee — accepted an invitation to write the next day.

That first co-write yielded “Years,” an emotional centerpiece of the album sung from the perspective of a man with some miles on him. “I recall thinking to myself, ‘This is a pretty good song,’” Anderson says. “But we know there’s a lot of good songs that get written, and a lot of them never get heard. Nevertheless it was off to a good start.”

Auerbach kept setting writing dates with collaborators like Joe Allen, Pat McLaughlin, and Paul Overstreet. At Anderson’s request, Auerbach sang the work tapes. Instantly recognizing the caliber of the songs, Auerbach offered to make an album with studio players like Gene Chrisman, Dave Roe, Russ Pahl, Billy Sanford, and Bobby Wood. Although he had produced or co-produced his own albums since 1981, Anderson put his trust in Auerbach.

“I booked the session and here I’ve got a room full of musicians, and I really didn’t know if he was going to be able to hear in the headphones,” Auerbach remembers. “But we got him behind the microphone, he started singing and it was pure magic. His voice is like caramel magic coming out of those speakers.”

Listening to Anderson’s vocals on Years, it would be impossible to guess that anything was amiss. Delivered in that distinctive, rich baritone, “Celebrate” provides a perspective of gratitude while “Slow Down,” “All We’re Really Looking For” and “You’re Nearly Nothin’” are some of the most eloquent love songs he’s ever recorded.

Meanwhile, “I’m Still Hangin’ On” conveys the realities of a soldier living with PTSD, while “Tuesday I’ll Be Gone” – a breezy duet with good friend Blake Shelton – captures the joy of just getting away from it all. The rambling vibe of “Wild and Free” and irresistible rhythm of “What’s a Man Got to Do” feel like they’ve been in Anderson’s repertoire all along. Beyond Years, the sessions also yielded a rewarding new friendship between the artist and producer.

“John will sing it as many times as you want. He wants it to be great, but the thing is, once he starts singing, it’s almost right there, right from the first lick,” Auerbach says. “I feel incredibly lucky that I even had to the opportunity to make a record with John Anderson, let alone have all this meaning to it.”

Anderson adds, “We went in the studio, and I remember saying, ‘I’m going to do this like it might be my last.’ It still could be, but now the chances of that are getting slimmer and slimmer every day. I’m doing better so I’m not hardly thinking that way anymore. That’s a blessing, too.”

So now you might see just how integral this album is.

I’d like to take this portion of this to write my sentiments on the album as a whole. I truly loved 2015’s “Goldmine” And it made my TOP 50 of 2015. But he topped his last studio album with flying colors here.

It opens with a slow and poignant ballad called “I’m Still Hanging On”, about a soldier with PTSD. He makes the song believable, and he portrays the subject VERY think he is singing about himself, and reflecting on his numerous fugatious peers of the 80’s.

When I finally heard the song “Years” on this album, I had to pull over and cry. I have crept past 50 myself, and the years have decayed my body along with diabetes. However my mind is sharp, and my memory is remained.

“What’s A Man Got To Do” is a song that came straight out of his prime here. I mean the lyrics and the twang on his vocals is just absolute gold. This male driven song that touches on our appetency to have their attention, spoke to me as a person.

“Slow Down” also sounds like a classic 80’s slow dance song. This album has an absolutely perfect ending here, and the only overall complaint from me was the length. At just over 30 minutes, it was a short but integral piece of 2020, and I thank Mr. John from the heart for being such a big part of my youth, and my life. It’s people like HIM that inspired me to build THIS WEBSITE.

2. Chris Stapleton Starting Over

This album is not aptly named, it should be called rocketing forward, in my opinion he started over on “Traveler”. It’s a perfectly done 53 minutes of heaven, that is embraced not only in the realms of mainstream music, but it has trickled into the underground as well.

I mean produced by Mr. Dave Cobb, and includes Mr. Paul Franklin on steel, simply supports my personal theory of what encapsulates a perfect Country album. Those three pillars are songwriter, producer and steel guitarist, as Mr. Willie Nelson does on “Red Headed Stranger”. ( Which if you read further you will see ).

“Devil Always Made Me think Twice” truly spoke to me as a recovered addict, whom is still struggling to roll into my one year chip mark. I’m not going back into the drug life again, but the Devil is always whispering in that ear about how great the high was. No matter your personal choice, that demon is always there.

“Arkansas” is another high fueled song that embellishes this album as the true gem it is. This is not a traditional Country album per se, rather a rootsy soul filled volume of tales of stray dogs like “Maggie’s Song”. In today’s times of doom and gloom, society really needed this album.

He co wrote 11 of the 14 total songs, and he included a really neat pun within the entire song list, combining the 2 songs “You Should Probably Leave….and Nashville Tennessee”. I think those sentiments combined with the album’s arrangement propelled him onto Mr. Sturgill Simpson’s radar, where he joined him on Saturday Night Live…speaking of Mr. Sturgill..

3. Sturgill Simpson Cuttin Grass volumes 1 and 2 .

I had so many choices here in 2020, I didn’t feel the need to separate the two albums at all. However in this two album match up I felt volume 2 was by far the better of the two, accept for volume 1 containing my favorite song of all from High Top Mountain…”Old King Coal’. If you ask me of my personal opinion, that was his best offering to date…however, to hear these songs from a whole new echelon is simply genius artistically AND from a marketing standpoint..I mean WHY NOT sell the same song TWICE?

The other quandary I had was how would ( or would he even try ) he pull off turning songs from Sound And Fury into this? Even though he didn’t he still amazed me, and satisfied my desires of selections from the first 3 albums. He totally revitalized his classic songs like “Railroad Of Sin” and “Turtles All The Way Down”, with an all star cast of Bluegrass heavyweights:

  • Mike Bub – upright bass
  • Stuart Duncan – fiddle, background vocals
  • Mark Howard – background vocals, lead guitar, rhythm guitar
  • Sierra Hull – mandolin, background vocals
  • Miles Miller – percussion, background vocals
  • Tim O’Brien – background vocals, lead guitar, rhythm guitar
  • Sturgill Simpson – vocals, rhythm guitar
  • Scott Vestal – banjo, background vocals

So, with an all star cast like that, WHY WOULD these albums NOT BE successful from a marketing standpoint? Well it was..IN FACT as of right now he has 2 albums simultaneously on the charts.

I cannot really tell you anything different about the meaning of the songs, that I haven’t already said about these individual albums. Just that I got to hear them all from a different musical arrangement, and that was exciting!

4. Elizabeth Cook Aftermath.

I think the world of Miss Elizabeth Cook, and what she means to local Nashville. In a way I consider her to be a local Legend, along with folks like Mr. Greg Garing and Mr. Boo Ray ( whom she has made GREAT music with ). Her ardent love for the Opry and for the local bars that I love, and for the city that no matter how others view it, is adored by me.

I’m going to completely honest here, my favorite album she has made was “Balls”..but this album REALLY rivals as her best offering to date. Aftermath gives me a good prospicience to her future, and I will continue to scream at the Opry to induct her, and a few other ladies into it’s fold. It’s my onus as a father to leave my daughter with a solid Country Music regime, as my elders left for me.

I know that some people may be critical of my choices here, out of saying many of my choices aren’t Country…and I could care less. This album painted a LOT of pretty scenes into my mind, when I sat back and just LISTENED to the stories on here.

This past February I had to check into a rehab center for a pill addiction, and the song “Bad Decisions” gives me goosebumps. I was slipping away from my website here, and I lost all of my fire. I felt like she was signing about ME on the song there, and I personally relate to ALL of those that suffer from dependency.

“Daddy, I Got Love For You” showcased the signature Elizabeth Cook vocals I know and love as a fan, and the most cleverly written song on the album for me was “Stanley By God Terry”. All of these songs here are pretty long to listen to, so unless you are an ardent music lover like me, it may divert your attention. But if you love a damn good story song, this album is loaded with gritty stuff!

The last song “Mary, The Submissing Years ” was one of the most beautiful songs she has ever put out, and I would love to hear her sing this one on the Opry. I know she would, because that is what’s in her heart.. stories and love for the tradition of Country Music.

5. Joshua Ray Walker Glad You Made It.

Every Country Music website I read speaks very highly of this young man, and justifiably so. He has been busting his ass in the Texas music scene for over a decade now, playing a whopping 250 shows a year, solo and as a sideman.

He and his producer Mr. John Pedigo brought us one ball buster of a Country album here, complete with beer joint tunes complimented by the sweet tone of Mr. Adam Kurt’s steel guitar. I’ll admit, he has become one of my favorite songwriters today.

He possesses a signature lonesome twang in his vocals, that differentiates him from others in the scene. You juxtapose that with habile songwriting, and you have honky tonk thumpers like “Bronco Billy’s”. It’s chocked full of bull riding stories, old fashioned drinking songs and tanned up floozies selling boats…like a redneck statue of liberty…what a line!

This album has some overall veridical stories of the darker side of life, and the cream doesn’t always rise to the top…sometimes the cream is just foam! “Play You A Song” talks about just that, however the song that GRABBED ME was “One Trick Pony”. That gorgeous piano work along with the two step thump, along with the fact that ( like me ), he is a janissary of Traditional Country Music.

6. Willie Nelson Red Headed Stranger Live From Austin City Limits.

Country Music Legend Mr. Willie Nelson is one of the few Legends that still remain with us today, after all of the crap 2020 has dealt us here. Time has taken a plethora of our Legends, so like my number 1 pick, this album is integral to my TOP list.  In fact I will go so far as to say that this album in it’s studio form is the greatest album in Country Music history.

This album was released on TWO BIG DATES. One of those dates was one of the three Record Store Day drops of the year. Due to the virus this year, there was not only one entire day. Instead there were three different drops throughout the year, and this was one of them. The second date was the fact that it was released in 1975, so in today’s day, it is 45 years old.

Willie Nelson has appeared Austin City Limits more than any other artist, and this entire album’s performance was captured in 1976, as he performed the album complete from front to back onstage. It also encapsulates his classic family band in their prime, and on their highest echelon of talent.

Even though I have an acute appetency to talk about the songs of this album piece by piece, I do not feel the need to at this time other than some rare facts about the songs themselves. The title track was not even originally intended for Nelson, but instead was written for Perry Como. The rest of the album was originals and old songs mixed together to form a concept album about a preacher turned killer after his wife leaves him for an old flame.

Despite the pleas of MGM Records, Nelson decided to go against their wishes and the album was released as he recorded it. The gamble turned out to be an astronomically historic event, as it earned gold sales, and huge critical acclaim for it’s time.

7. Ashley McBryde Never Will.

This year had quite a few albums turn up on underground lists, that are more mainstream than anything else and this young lady is no exception to that rule. Fortunately, she has become a mirific beacon of hope to thousands like me that wish to bring the real music to a much larger audience.

This album came into fruition early in 2020, but right away when I heard the song “First Thing I Reach For” , which she wrote with Mr. Randall Clay and Mr. Mick Holland , quickly became one of the year’s BEST songs for me. It’s just a damn fine old fashioned honky tonker about all those wonderful sins of the flesh.

One of the first singles from the album was “Martha Divine”, which was an uptempo murder ballad, directed toward her father’s side lover. However I’m going to be honest here..her best vocals on this entire album were on the song “Velvet Red”.  I enjoyed all of these 50 albums on this list equally, and not one is any more or less equal in value to me.

8. Rachel Brooke The Loneliness In Me.

I have been doing this website for about 12 years now, and very few of these on this TOP LIST hold the history with me, like Miss Rachel does. My love of non mainstream music began culminating long before I discovered her, however she heavily proliferated my love for it when I did find her. She sings like an angel, as fierce as a lion, and will weave poignant tales of misery…in a heavenly manner.

This album opens with a real kick in a man’s privates, as she croons about making her man cry in a seductive, but poignant fashion. This entire album is once again classic Rachel Brooke, and it is quite possibly her best album to date.

Although I equally enjoy her work with Lonesome Wyatt ( of Those Poor Bastards), the lapse in her last two albums had me salivating for new music. There are old time two steppers like the middle song “Picture On The Wall”, complete with some downright amazing piano work to compliment it.

Another high point of this album is the song “The Awful Parts Of Me”, funny thing about a line like “down at the bottom of your dried up wishing well” being a high point, right? Well it’s just that songwriting mastery combined with her signature vocals that make this album nothing short of amazing. In my opinion she will always be the queen of local music!

9. American Aquarium Lamentations

This was another album by a band that I hold in high regard, that is their finest album to date. The first song fades into a grand picture of rural America, and any middle aged person can easily identify with it..I mean WHO DOESN’T wonder if God has abandoned them? WHO HASN’T heard these politicians promise false jobs? I know I have, and I thought “Me And Mine ( Lamentations)” is one of their best songs ever. I loved it that much!

A lot of good feel good songs adorn this album like the song “Starts With You” which barrels right into “Brightleaf And Burley” which REALLY spoke to me as a middle Kentucky resident. Those farmers are getting screwed over every chance the Government gets, and hell I LIVE IN tobacco town U.S.A.

Another fact that makes this album so very good, is the fact that Ol Mr. Shooter Jennings produced fact he produced A BUNCH of good albums this year. He is accumulating a TON of accolades for his work he is doing, and their combination is ringing true on songs like ‘the Luckier You Get”.

This band has grown by leaps and bounds in the last few years, and right now they are a well oiled machine cranking  out some of their best tunes yet. “The Day I Learned To Lie To You”, as an addict this song makes me stomach sick. I can not fathom ever hearing this one live. I lied to so many people I loved, and took working the steps several times to make up all those shortcomings.

10. Jesse Daniel Rollin’ On

Now, for anybody that knows me and knows me well..just KNOWS I LOVE Country Music. I love most forms of it, and this young man is a loyal follower of the subject like I am. His albums are basically stripped down beer drinking music, and that is an endearing quality in my opinion. I want to publicly say that I have copious amounts of love and respect for this man and his music.

This album goes right into truck driving songs and twang filled drinking songs,  that would have been equally accepted 40 years ago, as I accept them now. “If You Ain’t Happy Now (You Never Will Be)”, is a modern day masterpiece about not lamenting in the past. It is a good lesson in being content in the moment, but it is also the musicianship that makes this song…and album so good. And the fact that Mr. Tommy Detamore produced it, makes it an echelon better.

“Rollin’ On” is a rowdy ass classic Bakersfield sound truck driving song, or it can be taken as a true old fashioned road dog song. It makes me want to plug in the album, start my car and drive…..really….really…fast. It even has a good old instrumental.

BUT HEY It has a song that opens with a fiddle filled double stop, called “St, Claire’s Retreat”, and an in the doghouse song called “Bringin’ Home The Roses”. How many times have us husbands and boyfriends stayed out drunk, and had to come crawling home with flowers? There’s a good line in there that he might need those flowers more for himself ( meaning his gave ).

11. Tami Neilson CHICKABOOM!

It’s time once again for me to divert away from the more Traditional Country, and steer your attention over to some of the choices I made that were more Rockabilly and Country derivatives. Now, in 2008 I remember her first album Red Dirt Angel, and in these years it has been cool to watch her evolve..and to be honest I think this album has been VASTLY overlooked by everyone else.

“Call Your Mama” is one of my favorite female songs of 2020, but so was “Ten Tonne Truck”. It contains a clever line that when the pie gets bigger, everybody wants a slice…but I been cooking since back in 89. I mean, that is a terrific line about hard work. She is defiantly not afraid to sing about how hard she has paid her dues to get here.

“16 Miles Of Chain” was another good song in the middle of this album that stands out to me. As a divorced man of many years I truly related to this song here, and her vocal range was outstanding on this as well. It steam rolls right into a song called “Tell Me That You Love Me”, a true Rockabilly anthem, but yet it meanders into a wistful ballad like “Any Fool With A Heart”. This album will leave a sapid flavor into anybody’s vinyl collection.

12. Ward Davis Black Cats And Crows.

Ever feel so down on your luck lately? Ever listen to a song that describes someone whom is under the ball and chain of addiction? Well TO ME “Black Cats And Crows” is. I am not totally sure if he meant it to speak to me about my past addiction ( I’M ALMOST ONE YEAR CLEAN), but I felt like that on pills. There was no light and no way out, the Devil wanted me to believe I could not escape the clutches of the pills…but it did. This album came out right after my rehab, and I used it to help me.

“Colorado” is one of his trademark songs that has quickly been embraced by all of us as a local music anthem. But let me tell you what it means to me..a few years back I was supposed to go to Colorado to meet my birth mother ( I  am adopted), and I think of Colorado often. Days before I was supposed to go, she changed her mind and didn’t want to meet me. So once again, I know that he has a different meaning for this song…it makes me cry.

One of the songs he began playing live at shows that ended up on this album is called “Papa And Mama”. This one is about an abusive father and husband, seen through the eyes of their son. As time passes the man continues the abuse, until the son has enough and kills his father. The song comes to a close during a visit to the prison between the son and the mother.

Mr. Ward is one of the most overlooked songwriters today, and if Nashville had any brains it would be more kind to him and his ilk, because he is well on his way to becoming a Legend. These 14 songs on this album are reminiscent of many of the Country albums we grew up with, and the wonderful writers that penned those songs. Mr. Ward is along that caliber of a writer, and delivers his cuts in his own fashion making his version of his song unique.

13. Steve Earle Ghosts Of West Virginia

There are a few artists out there as multi sided to me as Mr. Steve Earle and his antics. Equally unpredictable is his music with me, it’s either hit or miss. This time he hit the mark with me on an anthem for coal miners. As a father, my heart goes out to him, and I cannot begin to fathom the loss he feels. NO PARENT should bury their child..EVER. I have always been a fan of some of his music, and this album which was a concept album of sorts, was one of his best overall.

It focuses on the Upper Big Branch coal mine explosion that transpired in 2010 and killed 29 men. All of these songs together examine the historical role of coal in rural communities, and the political aspects of why many of them voted the way they did years ago. He wanted to speak to them on their own terms, in his own way.

It was a short album at only 30 minutes, but it was extremely redolent of regular life in the Appalachian region of the United States with songs like “Union, God And Country”. See the coal miners have a true brotherhood about them, and this album boasts of that honor, as he mentions all of their names passionately as he continues on “It’s About Blood”.

“Black Lung” two words every miner wants to avoid, and it laments the sorrow and pain behind laying around dying of it. Black Lung is caused by breathing the air in the coal mines, deep beneath the Earth. Mr. Steve’s gritty vocals on this album compliment the poignant subject matter here, and make this album pure gold.

14. Jaime Wyatt Neon Cross

Usually with many artists I do not enjoy their second album as wholeheartedly as their first, but in this instance, Miss Jaime knocked it out of the park the second time around. It starts out kind of slow with “Sweet Mess”, and I had to listen really close to get sucked into it…but it happened. We all have shattered breakup songs like this one, where we know we are forgotten.

“Neon Cross” was an amazing asking to be released song, so her soul can gravitate to the neon lifestyle she identifies with as a Country singer. Pitiful perfume, dark glasses, gold liquor and alligator shoes,” describes Miss Jaime quite well I think.

“Just A Woman” is one of the slow songs that adorn this album, filled with wonderful guest stars, like Miss Jessi Colter and my buddy Mr. Shooter Jennings who produced this album. Another of the songs that she is merchandising  heavily off of is “Rattlesnake Girl”, which is indeed one of the high points of the album for me.

She has grown in her songwriting skills, and her vocals are also evolving quite well. She has found her niche in Country Music now, and I hope in the future she capitalizes on all of this, to become a juggernaut…after all SHE IS a rattlesnake girl!

15. Corb lund Agricultural Tragic

I personally LOVE Mr. Corb Lund’s music..I love it all. I relate to the “Old Men” that I love to learn from, they make the best corn liquor and can teach the best lessons. The duet on here with Miss Jaida Dreyer “I Think You Oughta Try Whiskey” is a downright heart raising honky tonk thumper that is sure to quench your thirst for good Country Music.

“Grizzly Bear Blues” is a good old fashioned jam, his lyrics are not very complex, just good old fashioned Country from the great white north (Canada to be exact). These 12 songs are nothing short of amazing, choked full of stories about famed western author Mr. Louis L’Amour. I spent many a nights reading his paperback books, not ever gunfight was won by the good guys for sure!

I love to just sit back and dwell on his western stories and prairie dog tales. They make me happy, and I listen to them when I don’t want to journey into things that are extremely complicated. When I just want to be a part of nature, whether it be as a predator or an observer…Mr. Corb never fails to disappoint me and I admire him for that.

16. Porter Union Loved And Lost

These two are a rare overlooked treasure for sure, and to begin with the song “Laundry” was one of the best songs of the year, right off the bat. A well written, twisted plot tale of cheating…and checking your pockets. Now, mind you these two have kind of gone on a hiatus for personal reasons. That by no means makes this album any less integral, and I pray with all my heart they return. These are two genuine good people sing genuine good music.

They don’t necessarily make music in a “duet” from per se, they kind of flip all over the board with songs like “We Got It Right”. I took this song from the stories of them meeting one another, but you can change it to speak to you as well.

To me, this album starts with “Loved And Lost”. Even though I do not have anybody to really love me as a man, and sometimes I am past that need where you accept the fact you are alone. It has a song called “Pennies” that I compared to an old Porter Waggoner song, but these lyrics are WAY deeper..and I KNOW that Mr. Porter himself would have LOVED this album.

And then we have the guest spot by a former TOP lister Miss Kayla Ray. Yes, this album is choked full of amazing, well written songs. Once again I MUST RAVE about how the song “Laundry” makes me cry some honky tonk tears. MEN GET CHEATED ON TOO, and secretly many of them don’t want to admit it…but they hit us too.

17. Brent Cobb Keep ‘Em On They Toes.

This young man couldn’t make a bad album or write bad songs in any way. “Shut Up And Sing” is a good answer song to the people that complain of politics in the music. It talks heavily about the current state of affairs in society. I just flat out enjoy this man’s vocals and it makes me RELAX and slow down, and sometimes that’s what a record is supposed to do.

“This Side Of The River” is another one of those songs that introduces him to us as a person, as the other albums mentioned places he grew up at. Miss Nikki Lane makes this album a true gem as she adds her vocals to the song “Soapbox”. He illustrates the need to vocalize your opinions are not as needed as to get off the soapbox and get along.

“The World Is Ending” was a good ending to a good album, it’s a good calm and easy feeling type song. Lastly, it goes into a good one called “Little Stuff”. It’s just a simple song about simple things in life, more often than not we let life overwhelm us, and all of the stress of our problems drive us off the deep end.

18. Zephaniah Ohora Listening To The Music.

Parts of this album I got to hear in the early stages, during the Ameripolitan Awards and I got to chat with him about it as well. I knew quite a bit about this album before it came into fruition. It was produced by Mr. Neal Casal and amazingly enough it was recorded in New York, and shortly after they finished the recording Mr. Neal passed away.

“Black And Blue” is a song about the stubbornness of lovers, and it goes right into the “It’s Not That Easy Today”. I guess going into old troubled relationships were easier the first few times, “like a worn out pair of shoes”. Once we REALLY look at ourselves into the mirror we sometimes see our true honest selves.

The title track here is a veridical perception of some of life’s ups and downs growing up in a place you weren’t really born and raised in. I did the same thing as a young adult. I would sit and listen to those old records, and lament that I was born too late to meet these heroes.

Songs like “Living Too Long” showcase his influences, as he sings his own songs in the style of a few old heroes I can hear. At the same time I always try to base my opinions on their own artistic ability, not just who they are influenced by. The steel guitar work on the song “You Make It Easy To Love Again” was amazing, and the words are nothing short of stunning.

19. David Adam Byrnes Neon Town

This album was a late entry that was sent to my email, and I am blown away by this one here! It truly is a genre crossing project that could be embraced by Traditional Country or Red Dirt, with well written songs that target all the right audiences. I can easily see today’s ladies enjoying the song “I Can Give You One”, while a guy like me can enjoy the up tempo beat, and the steel guitar work.

A good lost her breakup song on here is “She Only Wanted Flowers” made this album stand out above the rest of them, but the song called “Signs” was hands down one of the top 10 songs of 2020. I mean, I played it so many times my buddies at work know the words by heart.

If today’s Country could ever pull it’s head out of it’s ass, it could have this young man and folks  like Mr. Jon Pardi filling the radio with songs everyone can understand like “Tequila Salt And Time”.  If he ever outdoes this album “I Ain’t Seen It Yet”..

20. Dalton Mills Dalton Mills

This is another album that almost slipped under my radar, and I got a heads up from my buddy Mr. W.B.Walker, as he and I always swap music we know each other will admire. Boy, was he correct here..we have an up and coming dynamo here…let me tell you why.

This one starts out with “Tornadoes” now as a factory worker of 15 years, the first line grabbed me. As a recovered addict, I know VERY WELL about the company I kept bared a lot on me. When you loose faith in yourself, you cannot win. “John On The Run” was full of gravely vocals and quick hammer on notes, but it had a hidden meaning to others out there. It’s not easy to love or support an addict, this song suggests that, but it has a poignant end.

This album is full of well written tragedy and pain. “Outta Tune” is a very good picking tune with some good flow to it. It teaches us to look at both the good and the bad, but it flips to songs like “Too Many Dreams”.

That song is outstanding in every aspect, and is a classic story of a hard working man that destroyed himself. A story of a farmer with lots of dreams and even more demons, and some damn fine guitar work. I relate well with this song as well because I know my job is killing me as well.

21. Southern Culture On the Skids Kudzu Records Presents.

This is a breakthrough album in history, as they release their VERY RARE 2003 45 RPM box set (only 1000 exist). This new  remastered album has been expanded to 12 songs…6 are new. This band is one of the few I BEGAN this musical journey with, and I owe them a big deal of gratitude. This band is just as integral to me as Split Lip Rayfield, Robbie Fulks and The Old 97’s.

All of the songs here are recorded quite well, and the opening song called “Whip It On Me”, brought me right into the feel that I enjoy from their music. Now, right off the bat I’ll begin by saying I do not collect 45s. I’m not really sure what songs were in the box set.

To a serious collector, this will not be a new album..but as of now I haven’t heard most of these yet. “Lost Weekend” was a great middle of the album song, every regular American waits for the weekend so they can wasted all weekend. If you keep drinking at the bar, you cannot afford a wife alright!

“Just Like I Treat You” is another one of them I liked a lot as it spirals toward the end of the album here. It’s just your typical relationship song, common sense male and female stuff. The album closes with “Jesus Took My Burden”, even though it had a few covers, I STILL LOVED this album and I bet you will too!

22. Clint Black Out Of Sane.

The amount of great albums that came out this year  from some of the stars of the 80s and 90s was plentiful. Now, this album was one of those that amazed me. I did really like this album and to be honest it was one of his finest albums in some time.

“Hell Bent” is a great song to begin this ride with, and it displays his flawless vocals. Trust me, I am so very excited to see this, and hear this album. It makes me so very elated to see these names back onto my TOP lists. This is his first album in over 5 years, and his 23rd studio album.

“America (I’m Still In Love With You)” is another high point of the album, along with the toe tapping “Can’t Quit Thinkin'”. It immediately took me back to the days of all of the denim and dusters of my own local Country bar…my much younger days.

23. Arlo McKinley Die Midwestern.

Mr.Arlo was the last artist that Mr. John Prine and his son Mr. Jody both signed on Oh Boy Records, and this album was produced by Mr. Matt Ross-Spang. Now, if you have ever been to one of his shows, you will remember some of these songs. I myself heard him perform “Bag Of Pills” many times.

These ten songs were recorded in Memphis, and as I stated he has been playing most of them for many years. As a recovered addict, I myself have always related to “Bag Of Pills”. As 2020 passes, one of the greatest accomplishments was my sobriety from a pill addiction.

“Gone For Good” is another song that he has been playing for some time now live. He must have wrote that one after a long relationship, that must have had an abrupt ending. Right now, he is in his prime of everything and gaining steam every day. This album is by far his best offering yet, and I REALLY enjoyed it.

“Die Midwestern” is about his town of Cincinnati (which I myself love to visit being a Bengals fan), and the ups and downs of living there. It’s interesting to hear these songs from his perspective.

24. Mike And The Moonpies Touch Of You: The Lost Songs Of Gary Stewart.

Most people that ardently love Country Music know whom Mr. Gary Stewart was and how he embellished the genre as the King Of Honky Tonk. He is often vastly overlooked and unknown by many, and this album features 10 songs previously slated to come out at a later date.

Mr. Gary committed suicide in 2003, while mourning the death of his wife from pneumonia. His death rocked the Country Music realm, and left a gaping hole in the honky tonk area there. He wrote so many wonderful songs that he recorded, and many others cut as well.

Trying to place Mr. Gary’s vocals into these wonderful songs is the other half of the fun. “Bottom Of The Pile” is a song about a bar that workers go after the work bell rings for the day. However, the best song on this album for me was “The Gold Barstool”. The album was released on his May birthday, and produced by Mr. Adam Odor.

It features many other names on it like Miss Courtney Patton, Miss Jamie Lin Wilson, and more on some of the songs. The band itself did wonderful justice to the songs, and I’m quite sure Mr. Gary would have been so very proud of this album. I have gained a LOT of respect for mike And The Moonpies for their passionate gesture toward such a beautiful legend.

25. Jeannie Seely An American Classic.

Once again we encounter another true Country Music Legend among the ranks of my TOP 50 list. Not only is it important to enjoy and promote these albums, but I find many of them better than what is “popular” in the underground scene. We just do not have many of the Opry Grand ladies left, and I hope the Opry rekindles that spark here.

So many other big names adorn this album here like The Whites and Mr. Steve Wariner on the powerful song called “If You Could Call It That”. Anybody that does the regular work life can identify with this one. At the same time she is going through the motions of a breakup. Her vocals and ferocity in her tone were just flawlessly captured here on this album.

“When Two Worlds Collide” was one of her classic duets songs with the great Legend Mr. Bill Anderson. Everybody knows the subject and style of this song here, followed by a good song called “Old Flames (can’t Hold A Candle To You)” with another up and comer named Mr. Waylon Payne.

This album closes with so many good old fashioned two steps and ballads, and ANY TOP LIST that omits this album is foolish. It stands out like a shining beacon of true Country Music bliss in a modern day dumpster fire of “modern country music”…enough said.

26. The Panhandlers

This is Red Dirt’s biggest super group, and one of the damn finest albums that came out in 2020, the songs were well chosen and well written. “West Texas In My Eye” is about the life of a musician, and they take turns on the verses like many 4 member bands do. That fact doesn’t make me loose sight of the meaning of the song, which was what I was afraid of.

“The Flatland Life” is another good toe tapper with smooth vocals and even smoother fiddle work. The fiddle and banjo push this song forward quite nicely, as it goes into songs like “West Texas Girl”. That is a slow moving waltz with more well written lyrics. It painted a truly awesome picture in my mind of a ride with a honky tonk queen, a SINGLE one at that, and a fan of the jukebox. This song was perhaps one of the top 10 songs of 2020..just amazing.

This album is filled with truly amazing story songs that I love myself to be honest, I’m hoping you do too. “Cactus Flower” was a good one but it’s the almost 5 minute long closer called “Caprockin'” that is a grand finale.

27. Billy Don Burns The Country Blues.

Just like Mr. Arlo, I got to hear many of these songs before this album culminated. This is another terrific album from a Country Music Legend…folks, I’m going to proclaim this from the highest mountaintops. WE MUST pay mind to these few Legends we have left NOW. WHEN are we going to WAKE UP and acknowledge their contributions to this genre?

These 12 songs that were recorded and released this year from Mr. Billy were absolutely timeless classics, and I enjoyed this album ever so much. It has a bunch of songs he wrote with Songwriting Legend Mr. Mack Vickery like “No Shortage Of The Blues”.

He also cut the Billie Gant song called “No God In Juarez” , that we all have been enjoying all of these years. However, one of the songs that hit me here was “The Prison Song”. I remember VERY well when Mr. Billy went on his vacation. WE ALL wrote him and visited, and he wrote me back.

Another song on this album that spoke to me was ” You Lied Our Love Away”, when you were involved in a bad marriage like I was this song will ring true. Nobody can sing breakup songs like Mr. Billy Don Burns. Nobody will ever compare to his relevance or his importance to me, and to history in general.

28. Tessy Lou Williams

Well, look what I found here…a debut album from someone new I found while digging one day. She and producer Mr. Luke Wooten have compiled a cache of 10 original songs here that are sure to please any hardcore Country Music fan.

“Your Forever Will Never Say Goodbye” is just amazingly transpicuous and her vocals are just heavenly. “Why Do I Still Want You” is a secular song that uses Bible themes do get her point across. That human wanting for someone that hurts us every time..this is a masterpiece of pain. This entire album is a total masterpiece of pain.

“Somebody’s Drinking About You” was another well written song about sneaking out and cheating. It is sung from the woman’s point of view as she stays home and drinks over him, and his antics.

‘Busy Counting Bridges” was another perfect honky tonk thumping song, about accumulating past mistakes in leaps and bounds. It’s full of guitar twang and holds a steady raging beat, with more easy to relate to lyrics. She has a spectacular voice with an even more spectacular’ll be hearing more of her soon.

29. willie Nelson First Rose Of Spring.

I told you guys that my TOP list was going to be filled with many Legends of Country Music. Mr. Willie appears TWICE on my list, and brings his 70th (yeah you read that right)..album to us, produced by Mr. Buddy Cannon.

Ironically my favorite song on this album was one that Nelson did not write called “Stealing Home”. Yeah, father time stole my home from me too, it took all my relatives and my childhood play areas. Where I grew up is gone, replaced by things I no longer recognize.

It opens with a slow and pleasant “First Rose Of Spring”, that captures his vocals so passionately that you finally see why Mr. Willie Nelson is the strongest Legend we still have with us now. We aren’t going to have many more albums from these people like this, and we MUST hold them like treasures NOW.

“We Are The Cowboys” left us by the late Mr. Billy Joe Shaver, he worked a miraculous wonder on this song. He ran through several cover songs here, from a few of his fellow Outlaw buddies like Paycheck’s “I’m The Only Hell Momma Ever Raised”.

30. Doc Watson Doc Watson And Gaither Carlton.

I wrote a big article about this one back in August of this year. I KNEW then and there it would indeed be in my TOP list. I just LOVED ALL 50 of these records, and I have been spinning these albums all year.  This whole performance was captured and preserved with as much love and care, as I had for in listening to it.

Many of the songs on here were wordless fiddle tunes, save for a few songs that have lyrics. “Willie Moore” had some lyrics, and had a story within the song. You can read more about this album up top on the link.

31. Saints Eleven This Town.

This one is another album that almost slipped past my radar, given to me by a PR company. It’s a short one, but it’s a good one, and you’re going to see a bunch more of this band on here in the future for sure.

“My Home Is” is a true road dog song, about watching kids grow up while you are away and working. You can view this one from a musician point of view or a truck drivers view, whichever speaks to you more. This Texas based band has three previous releases, and this album pretty much solidifies their sound and style.

“This Town” the title track of this album is a toe tapping song about meeting a past love, and past memories about days long ago. His ex girlfriends family, old houses and others. It goes into a song called “The Crown” with a bunch of Southern Rock flare mixed with other influences.

I thought the ferocity of their music mixed with their intense songwriting made this album one of the best new finds of 2020 for me. I’m glad I was turned onto their music and look forward to seeing them live soon.

32. T.J. Hernandez Destination Unknown.

I have been a huge fan of his for some time now, and this album here is his finest work to date, with 11 well done songs. One of them being “Desperate Men” by Mr. Billy Don Burns. Overall this album was done very well production wise and it sounds damn good.

Songs like “Catch Me If You Can” were well written story songs that paint an overall picture in your mind. Equally good was ” A Writer’s Mind”. Working two jobs and leaving the family behind for gigs, the fun, the hurt and the gamble of making no money haunt the writer’s mind. The songs these people leave behind will live on long after they pass away, and that fact alone should be the best reward.

“Ditches” was a good song with enough twang to fill your ears and challenge your rehabilitation attitude. Whatever demons haunt you if that road gets you in it’s ditches you are in trouble.

“Right All My Wrongs” was one of the better songs that closed out this album, along with the song “Blaze Your Own Trail”. A fight to stay sober was my 2020 fight and I am finally on my way to a bright and clean future.

33. Andrea And Mud Bad news Darlin’

And now it’s time for my friends from the Atlanta area Miss Andrea and Mr. Kyle Mud Moseley, whom once again released a damn fine new album this year. I’m not sure if many other media outlets even had this one on their radar..but I say they are foolish.

“Hellhounds” was classic Andrea And Mud shock rockabilly stuff, which is what I was looking for when I got my hands on this album. That GOOOOD smooth baritone voice of Mud on songs like “The Reasons Why She Cries”. Together these two make up a spooky but marvelous juggernaut duo.

You just cannot lump these two into a genre, or style at all. Folks I just list stuff I loved and stuff I thought spoke to me as an individual more than the rest. “Little Blue Truck” is a good steel guitar filled little ditty that pretty much sealed the deal for me here.

The last song on this album started out to be an old Skeeter Davis song, damn I miss her being on the Opry and the WSM dial. Followed by some damn fine surf type Rockabilly stuff. You need to have a different type of palate to enjoy all of my TOP 50 choices, and that is what I strive to do and what I strive to promote.

34. 49 Winchester III

Another album that I found by accident was this one by a band I found a year ago, these five guys can tear up some Country Music. This album might be a surprise to many, but once you finish reading and delving into this’ll ascertain why I placed it on here.

“Long Hard Life” was a good opener, full of that familiar twang that I look for in a Country album. I think every guy can pretty much relate to this song, raising kids and you gotta pay bills..long hard life, and don’t end up in jail.

“Hays, Kansas” was one of the middle songs that spoke to me the most, with some fine guitar tone work. It’s followed by a damn fine toe tapper called “Chemistry” which clearly describes this band. They have a certain chemistry between them that made them different to me, I found them last year but their album came out too early to include them in 2019.

One of the best songs they have is on this album, and it’s called “You Never Did Love Me”. This is a typical bar banger that these honky tonk bands all too often pump out into the pipeline, and that is by no means a bad thing…if this band isn’t on your radar, you need to fine tune your radar!

35. Johnny Falstaff Lost In The City Lights.

Hey ONCE AGAIN y’all knew it…Legends adorn this TOP 50 list. Much like Southern Culture On The Skids and others THIS MAN ALSO began my descent into the halls of Texas Country Music. He’s been destroying stages for so many years that it would be ludicrous to omit this album.

The title track here opens on a marvelous note with a life lesson song, I been lost in many a city’s lights to be honest. After the first song you will easily tell that this will be one hell of a classic Falstaff album, with precise note for note guitar wizardry.

This was actually one of the albums on my TOP list that I LOVED every song on the album for sure. I only gave each album on here 4 paragraphs ( so I can publish it easier) so I couldn’t rave about this entire album part by part. “Move A Mountain” is another high point on this album.

‘Tonight” is a old time sounding toe tapper filled with Rockabilly twang and a high paced beat, you can cut a rug to. Hell any night is a good night to fall in  love. So I hope that YOU fall in love with this album as much as I did.

36. Colter Wall Western Swing And Waltzes And Other Punchy Songs.

I simply would be remiss if I did not include this young man from Canada Mr. Colter. He means a lot to me, because his second album contained a song that my father pretty much passed away to. He had dementia very badly, and thought Kate McCannon was Marty Robbins. As soon as I heard his song “Big Iron” which REALLY WAS one Mr. Marty recorded, I loved this album.

“Henry And Sam” was one of the songs I heard him play live before, but many of the songs on this album are newly recorded by him. Some of them I do recognize as cover songs, and others I do not. This isn’t necessarily a “studio album”, but the song “Talkin’ Prairie Boy” was a funny story about being approached by a hipster in a hat.

He makes the kind of music I truly love the most, those old western tales. They take me back to being a kid…a young kid watching Clayton Moore as the Lone Ranger. He brings back some cherished memories to me about my Dad, and I  drift off to dream during his music all the time.

“Diamond Joe” was a story about working for a man named Diamond Joe, and the album closes with a song called “Houlihans At The Holiday Inn” about the road and the singer life. There’s a good line in this song “staring through a dirty, cracked windshield”.

37. Kyle Nix Lightning On The Mountain And Other Short Stories.

Another album that will end up on a LOT of best of lists, is this one by former Turnpike Troubadour member Mr. Kyle Nix.  In fact the band here are the Turnpikes, but make no mistake..this album solidifies his identity as a solo artist quite remarkably. I’ll admit I was kind of wary about this being an outlet to continue as Turnpike….how WRONG I WAS..and how happy I was about being wrong.

“Manifesto” is a bad ass song about how his Grandpa fought the nazis, and how he hopes his Grandpa loved his music. This whole album is full of that recognizable fiddle work, double stops and the warm flow of that tone that sticks out like a rooster wearing socks.

These 17 songs were a whopping 59 minutes, and that solidifies it as a top notch album with songs like “Blue Eyes”. Love and losing sure beats not living at all is correct. Love is a gamble you sometimes need to bet on. “Shelby ’65” is a rowdy one that it thunders into about teenagers in a fast fast car that evolves as they grow up. This whole album was so well written that I cannot stop spinning it, and I skip albums in my rotation to play this one again.

The overall length of this album prevents me from elaborating on it as a whole, but “Women Of Steel” is amazing….just beyond amazing..Mr. Wes Sharon did a downright outstanding job of capturing these tales of sorrow. This album moves him up to a whole new echelon in the music community.

38. Wade Bowen And Randy Rogers Hold My Beer Volume 2.

Many of the artists in the Texas Music community have side projects ( like my Panhandlers pick), and for years these two have knocked it out of the park here. They have a modern day Moe Bandy and Joe Stampley type format here, and that is not something anybody else really has out there.

“Rodeo Clown” is a downright amazing and cleverly written song about a woman who left him for an actual rodeo clown. The chorus has a terrific hook in it, and the steel guitar work on this song make it absolute GOLD. It goes right into “Habits” a drunk and high honkies in a honky tonk song, as they make references to Haggard and Jones in this one.

“Ode To Ben Dorcy” is a song to the best roadie that ever lived, it has Mr. Waylon and Mr. Shooter on it.  I wrote a big article on him at one time, you can read that here. He was indeed a living Legend just as much as the stars were.

“Speak To Me Jukebox” was one of the closing songs here, which makes many references to old Country songs, is a self explanatory song about finding solace in the jukebox. Music can indeed heal many things indifferent ways, and sometimes you need that beloved jukebox.

39. TN Jet The Country.

I was introduced to his music a few years ago while he opened for Cody Jinks in Nashville.Since then he has been evolving and growing in leaps and bounds in the music community. He has gone from a one man band to full band, and back to one man band format..he does it all.

“Stray Dogs” displays this man’s mirific ability to write some truly amazing songs, and you juxtapose that with a full band, you have an amazing album here. “The Raven And The Dove” is about good and bad days in life, the ups and downs of life that everyone can relate to.

“Hands On You” is a good song about seeing your ex being held by another. It’s a sorrow filled, but upbeat song about a jealous ex lover. “Someone To You” has a clever twist to it about rather being a no one if you aren’t someone to you..that is ingenious and well composed.

This album closes with “Sparklin’ Burnin’ Fuse” a slow song about a crazy roller coaster ride love, and many other meanings. You can listen to it, and gather whatever meaning you want out of it. That is the beauty of music…you can take whatever meaning speaks to you and use it for your own therapy.

40. Waylon Payne Blue Eyes, The Harlot, The Queer, The Pusher And Me.

This one was interesting to me, and I do not care who likes or dislikes the fact I added this one. This man faces many challenges in the business and the game given whom his parents are, topped with the fact he has come out as a gay man. Once you listen to songs like “Sins Of The Father” you have fist pumping Country songs about picking up bad habits from your father.

Drugs and drinking, hatred for men and women, not wanting to have kids…it’s all on this album here. He pulls no punches and holds nothing back,  given the title of the album. I think it took a lot of courage to put this album out, and I’m glad he did. He did some damn fine work on the Jeannie Seely album, he wrote some terrific songs for others and he has contributed so much to Country Music that I couldn’t overlook this album.

As a recovered addict myself of heroin and pills I used “Back From The Grave” as my anthem for being 10 months clean and sober. I wanted him to know how much I admired his album, and what he has done for Country Music has not gone unnoticed.

Many people have no idea he even has another album out, and they have used the moniker ‘debut album”…but in a slightly weird way it is. I think this is being used as a catalyst for  a whole new beginning, and that’s not a bad thing at all…nope.

41. Craig Gerdes Tough As Nails.

I feel the need to constantly reiterate to you, that number 41 is no less as liked or no less as good as number 3 or 4 here! I loved ALL 50 of these choices equally, and there was no specific reason I ordered them as I did.  “If Guitars Were Guns” was one of the ones that opened this album here, about Jesse James, and being a seasoned road dog.

Throughout both of his albums, Mr. Craig has been paying his dues out there on the road, and in the smoke filled dive bars all over America. Filled with a ton of amazing twang filled guitar wizardry, this album has tons of rowdy songs like “Between The Cradle And The Grave”.

If you love steel guitar pushing a slow song into your head than you need to hear “Pennies, Feathers And Dimes” In my opinion it was one of the better songs on this album, it had everything a savant of Country Music could want.

“Tonight’s Not The Night” was a good doghouse song, about us men and our refusal to change. We go out and drink and come crawling home to our wives and girlfriends, promising to change….later. If that sounds like YOU, then YOU need this album in your collection.

42. Victoria Bailey Jesus, Red Wine And Patsy Cline.

A few of these last album were new finds for me, ones I got turned onto by others or I found by rabbit holing around on research. This one in fact is a debut album produced by Mr. Jeremy Long, it is 9 songs of whiskey soaked smooth and vibrant pure Country.

“Honky Tonk Woman” instantly displays her angelic vocals, and overall format of the album. It sets the tone up for some off the grid Traditional Country, that you need to find in websites like this one. She has an ardent passion about her music and a different demeanor  than most I encounter.

“Homegrown Roots” was a more twangier almost Bluegrass tune, and I caught the shout out to the Station Inn. But more over all this song brings us closer to what makes her tick inside. Picking all night, many references to Hank Williams and Patsy.

One of the last good ones on this album was the song called “Skid Row”, a rolling and smooth dusty song about history. You  know Country Music came from the poor and destroyed areas of the world. She even mentions the great Mr. Ralph Mooney! This young lady has all the right ideas and a DAMN FINE Country album.

43. India Ramey Shallow Graves.

I knew of this name before, but never delved into her last album, and I stumbled upon this one in fact just a few weeks ago. Almost right away I was swept away by her unique sound on songs like the title song “Shallow Graves”. Her vocals have been captured by producer Mr. Mark Petaccia with precision. The foggy guitar work makes this a poignant honky tonker, about having skeletons in the closet…we all have them that can bury us!

“Up To No Good” is an awesome and upbeat song about getting rowdy out there, from a local artists point of view. This isn’t an easy life at all, and it is not for the weary or weak. I been following these people around for years….she makes it clear that she won’t be used, but on the same token wants to be rowdy.

“You And Me Against The World” is one of the middle songs here, where she met a guy that got her attention by being an outlaw. But it has a few hidden meanings and least it did to me.

“Montgomery Behind Me” was one of the best songs on this album here, it is a good song about leaving your past. She didn’t exactly fit in or was accepted so she left her past. She closes the album with a haunting and poignant version of the Hank Williams song “Angel Of Death”.

44. Ali Harter Near The Knuckle.

This is another one I found in a late night of just browsing around for new bands from Oklahoma. She is popular in th Oklahoma community, but new to this website. It starts out with “Near The Knuckle” about a server who is picking for tips, down on her luck. She has some gravely vocals that have a totally different quality about her, ONE SONG will show you that she means business.

“Brandy And Joe” was a true honky tonk anthem about a trashy couple, and when Joe died, Brandy was happy..but he made it out alive. Started slashing tires and getting back at her. It’s a wild ride about huffing gasoline fumes and living on the edge.

“Lefty-Loosey, Righty-Tighty” is a damn masterpiece. Its one of those slick songs you have to really listen to, to get the whole meaning. You can use it to apply it to whatever work you do. Do what you love and do it well.  “Great State Of Oklahoma” is one good way to get to know her as a person, and how they love to make fun of Texans.

The album starts to close with “You’re Crazy”, man I related to this one well. How do  they drink all night and go to work in the morning like that? Well, 20 years ago, I could do that. This album has some bad ass songs on it , and when you mix it up with her unique vocals, you get one of the finest honky tonk albums I have heard all year.

45. Brandon Jesse Second Wind.

You want to find a VERY unique album, then you need to check into THIS ONE.  It opens with a song called “85 Yards Behind”. This man has a RARE baritone voice, that you just don’t find anywhere else.  You been sleeping with the wrong red headed girl buddy….cause he is a lot more scary and he is 85 yards behind!

“Gone Forever” is another good one about all of the good Outlaws being gone forever. If he is singing about Nashville then he hit it right on the head there, even though there are indeed some terrific albums coming from there..the big dogs are gone.

Many of his songs are fast paced high volume Country thumpers, until you get to the ballad called “Life Of Mine” which proves that not only can he master fast paced songs, he can croon a slow ballad just the same.

“Songwriter Song” is a warning to people that THINK they are ready for this business, and asks what about the ones that fail? It talks about the liars and the cheaters, sharp and poisoned tongues. This entire album was a pleasant ride around a different world all together.

46. The Dillards Old Road New Again.

I bet you wouldn’t even think of having the Dillards (AKA The Darlings) on my TOP list, did you? Well this album was much too awesome to NOT list on here. Mr. Rodney Dillard is in my opinion a Legend in his own right, and they were a big part of my youth.

‘Common Man” was a good smooth song about living under a lagom state of mind. But not only does this album have good songs, it has timeless feeling behind the vocals. “Always Gonna Be You” was a prime example of the fiddle work I’m looking for on a Bluegrass album.

This album boasts a plethora of big name guest stars like Mr. Don Henley, Mr. Sam Bush and Mr. Ricky Skaggs, as you hear on the song  “The Whole World Round”. it goes into a song called “Tearing Our Liberty Down”, about the state of things in society right now. The amber waves of grain aren’t waving anymore…good line.

“Old Road New Again” was a good title for this album, and it sure was a pleasant feeling to hear some new recordings from this beloved man, and his band. I may face more criticism for including this one too….but I simply could care less. It is a good good album.

47. Margo PriceThat’s How Rumors Get Started.

Well we all have those people that every time their lips are parted, that’s how rumors get started…right. This was indeed one of the many albums I was really looking forward to. She did not disappoint me on this new album, choked full of fantastic songs.

I personally enjoyed her first album more than anything yet, however this one was really good in it’s own right. on “Twinkle Twinkle” I too remember the headphones in my mom’s car..and getting busted with underage liquor. Oh MAN did some of this one evoke some memories.

“Prisoner Of the Highway” is a good song about those rolling wheels, and being a road dog. She spent many years playing in dive bars and anywhere she could to get to where she is now. She overcame a lot of hurdles to become the Miss Margo we all know and love now. I mean, she even goes so far as to refer to her unborn child as she laments about being a prisoner of the highway.

“I’d Die For You” finished this album up here, now I used this song to speak to me in a different use, as I thought of my daughter. Every time I listen to this album, I discover something more I enjoy about it.

48. The Jensen Sisters Yellow Frames.

Here is another one I found in a night of searching for new bands. These two young ladies are from Minnesota, but they have been touring all over the nation together for a few years now. Despite a big push to them to become more radio friendly, they refused and chose to stick to their hearts…and THAT IS where they gain the attention of people like me.

“Beat Of A Bad Habit” sure brings you to an appreciation of their harmonies, and their sound. They stuck so ardently to their decision to remain this Country, and in time I fully think that it’s going to pan out for them!

“Matches” once again displayed some terrific vocals overall, and it was one of the better songs on the album. Again, we find another well written song on a rare find album here.

“Lightning Rods” is close to the end of the album, with a more modern sound to it, but it remains a traditional song. As long as they keep this formula, I am very sure they can keep gaining momentum here. It closes with “Yellow Frames” which was a REALLY cool song about glasses, but you can see a few other meanings if you really listen.

49. Charley Crockett Welcome To Hard Times.

“Welcome To Hard Times” is just a good old honky tonk song, I would be absolutely wrong if I did not include this man’s album on this list. I mean his very demeanor is as country as it gets. Even when he does cover songs like “Blackjack County Chains” his albums are still outstanding.

You can hear his style remains on this album, see many artists develop a certain style through time. I think that Mr. Charley already had his own style long ago, you can defiantly pick out his voice out.

On songs like “Paint It Blue” where we have an upbeat tempo, and an outstanding band accompanying his vocals here, you can listen and let the songs speak to you for your own meaning.

“The Man That Time Forgot” man have I felt like that before, many times..many times. Just one of those black cloud over my head songs, I know all of you can relate to this one at times.

50. Hellbound Glory Pure Scum.

I think this is another band that I love every album they make. I think not only did Mr. Shooter do an outstanding job of producing the last few albums, but Mr. Leroy has always been one hell of a songwriter to me. THIS IS SCUMBAG COUNTRY FOLKS!

The song “Neon Leon” is the song that sealed the deal for me, and once you listen you too will see what I mean about his spectacular songwriting skills. Flipping around to songs like “Hank Williams Lifestyle” you’ll find all kinds of sorrow filled Country songs here.

It comes with a disclaimer before going into “DUIORDIE” which is a song not for the skiddish  or easily offended. I guess it is his own way of telling us NOT TO drink and drive. Their songs have always been full of drug references and bottom of the barrel sides of life, and that is part of the reason I enjoy it!

It may not make total sense to many of you why someone in recovery would enjoy songs like these, but you may not see the relevance or mastery of songs like ‘Damned Angel”. Maybe you never tried to love a broken woman before, maybe they just use broken as an excuse…who knows. Well…..Mr. Leroy does.