NewsComments Off on Album Feature – Rachel Brooke – The Loneliness In Me
By Joshua Wallace
Rachel Brooke might be newer to some fans of more current traditional country music, but she has been around making good traditional country music for well over a decade now. Her last full length solo album was 2012’s A Killer’s Dream which was a personal highlight of 2012 for me. I highly recommend you seek that one out if you have not heard it. Rachel Brooke’s voice has a haunting quality to it and serves to add to the running theme of loneliness and the things that go with it. Let’s take a look at some of the tracks on this record.
The album kicks off with “It Ain’t Over Till You’re Crying”. From the haunting opening line through the slow waltz style track, this song sets a vibe for the record with a song about getting a measure of revenge on a former lover. The pedal steel is thick on this track and I dig that. Another favorite is “The Hard Way”. This is another slower ballad that features Rachel’s lower range that still has a bit of a haunting quality to it.
“The Loneliness In Me” picks up the pace a bit with some rocking guitar. I love songs that are upbeat but the lyrics are not. It creates a great juxtaposition where you’re rocking out to someone singing about everything going wrong but their loneliness is what gets them through. I love the conversational quality of the lyrics on this one. “Ghost Of You” is another great track with a haunting melody. It’s a song about how love sticks around because a lover’s ghost can linger after they’re gone. Finally, “The Awful Parts Of Me” has a really great retro string section that makes this track sound like something off 60’s country radio. It’s a twisted love song that fits in with the overall theme of this record perfectly.
Rachel Brooke has created a modern country throwback classic with a twisted lyrical twist that will catch listeners off guard but in a good way. The album has a haunting quality about it that Rachel Brooke has always brought to her music. If you’re a newer listener, I highly recommend checking out Rachel’s previous albums, especially her records with Lonesome Wyatt of Those Poor Bastards. The Loneliness In Me is out everywhere as of October 23rd, 2020.
Favorite Tracks : It Ain’t Over Till You’re Crying, The Hard Way, The Loneliness In Me, Ghost Of You, The Awful Parts Of Me
NewsComments Off on Album Feature – Sturgill Simpson – Cuttin’ Grass – Vol. 1 (Butcher Shoppe Sessions)
By Joshua Wallace
Sturgill Simpson has released Cuttin’ Grass Vol. 1 (Butcher Shoppe Sessions) as the follow up to last year’s rock record Sound And Fury. This album turns to bluegrass and re-works 20 of Sturgill’s original tunes into bluegrass tracks. What really makes this album is that these are totally re-arranged to be bluegrass and not just his old songs played in this style. It really helps that Sturgill has put together an amazing bluegrass band of some of the best players today with Stuart Duncan, Mike Bub, Sierra Hull, Scott Vestal, Tim O’Brien, Mark Howard and Miles Miller on the record.
There really isn’t a bad track on this album, and it’s the first record I have reviewed here where I recommend the whole album. Some standouts include a few Sunday Valley tracks with “All The Pretty Colors”, “I Wonder” and “Sometimes Wine”. I hope we get a few more of these on the potential Vol. 2. Other high marks include a total re-working of “The Storm” from the mid-tempo track on High Top Mountain to a thunderous and fast bluegrass track that will have concert halls dancing for sure. “Turtles” is also slightly sped up for the bluegrass style and it has a totally different feel to it vs the cosmic styling of the Metamodern track. “Life Of Sin” goes from being a guitar forward twangy country jam to a fiddle forward country flavored bluegrass track. Indeed, it is the new arrangements for these familiar tracks with some of the best bluegrass players you can put together that makes this much more than a greatest hits album.
Sturgill has done it again with this one and has made what could be another genre defining masterpiece. This time he has done for bluegrass what Metamodern Sounds In Country Music did for traditional country back in 2014. Bluegrass is in a resurgence with artists like Billy Strings, Molly Tuttle and others leading the way. Now Sturgill joins the pack with this collection. Time will tell if we get a Volume 2 with the rest of his songs and hopefully a bit more Sunday Valley and a bit of Sound and Fury too. I don’t often review records like this, but this is more than a Greatest Hits album. These are familiar songs done in a new way with some of the best pickers you can find. I highly recommend giving this record a spin and I hope we get a bluegrass tour with Sturgill and this band. Cuttin’ Grass Vol. 1 is out everywhere digitally as of October 16th, 2020 with physical releases later in December.
NewsComments Off on Album Feature – David Adam Byrnes – Neon Town
By Joshua Wallace
Every now and then you see a random new artist and decide to check them out and it blows you away with how good they are. This was my experience with David Adam Byrnes new record Neon Town. I was not familiar with him at all until it dropped this past Friday, but now I am a fan. A little bit of research revealed that this is the follow up to his 2011 album Premium Country, but you really should treat this as a re-introduction. A move from Nashville to Texas provided some new inspiration and artists like Cody Johnson showed him what Texas country could be. That’s where the album Neon Town comes in and it is pure country music gold. You might not find a better Texas country album this year.
The album kicks off with “Neon Town” and it’s a straight banger. It’s a classic honky tonk song that gets you in the mood to dance. This is a track that wouldn’t be out of place on a George Strait album. Another favorite is “Old School”. I love the groove this track cuts. It’s a funky track about how chivalry is still alive even if it is old school.”Tequila, Salt and Time” is a typical feel good country music island jam, but similar to “Old School”, this song has a groove that makes you just want to dance and that danceable aspect is something that makes this record stand out among 2020’s country music releases.
“Beer Bucket List” kicks things off with a great fiddle riff. This is another great banger of a track about the escapism that beer can provide from the typical 9 to 5 lifestyle. “In My Arms” is a great ballad that I feel like would have gone to number one on country radio in the mid to late 90’s. It has that smooth kind of melody and simple guitar and fiddle harmony that made those kinds of songs popular. Regardless of the decade, it’s still a great tune. The album closes out with a killer cover of classic country tune “Dim Lights, Thick Smoke and Loud Music”. It’s a very stripped back cover and closes the album out on a familiar note.
David Adam Byrnes has released one hell of a record full of great danceable country songs which is something we haven’t had much of in 2020. There are tracks for honky tonks that are bangers and there are tracks that make you want to slow dance the night away. It’s a good album. I highly recommend checking this one out and I hope to be able to see David Adam Byrnes live sometime in the future. Neon Town is available everywhere as of October 9th, 2020.
Favorite Tracks : Neon Town, Old School, Tequila, Salt and Time, Beer Bucket List, In My Arms
NewsComments Off on Album Feature – Brent Cobb – Keep ‘Em On They Toes
By Joshua Wallace
Brent Cobb has released the follow up to his 2018 record Providence Canyon. While that album revealed a more rocking side of Cobb’s music, Keep ‘Em On They Toes goes back to the more mellow rootsy vibe of 2016’s Shine On Rainy Day. With four albums under his belt, Cobb is proving himself to be one of the premier songwriters in country and Americana music. Let’s check out some of the tracks in this new record.
The album kicks off with the inspirational and quotable track “Keep ‘Em On They Toes”. It’s a feel good anthem about walking to the beat of your own drummer and not letting other people get to you. It’s a great message that a lot of people need to hear right now. “Good Times and Good Lovin’” is another great track. I love the interplay between the fiddle and the slow piano on this track. It’s a smooth ballad that I’m sure will be a lot of folks’ favorite song.
“This Side Of The River” is a great song about loving what you have and celebrating the simple life. It’s got a smooth vibe that flows well with the rest of the album. “Don’t Sweep Your Dust Under My Rug” is a song about those people that are quick to judge other people they don’t understand. It’s basically saying “I live the way I do, I don’t mess with you, don’t mess with me.” It’s a simple message that a lot of people can relate to these days. “Soapbox” feels like the kind of song the world needs to hear about stepping off your soapbox and trying to get a long. It’s another great track for this record and I love Nikki Lane’s feature here.
Brent Cobb has released a great record that speaks to a lot of the current conditions of the world without being tied to any particular point in time. While a song like “The World Is Ending” feels like a 2020 song, it doesn’t feel stuck in 2020. Good songs should be timeless and this record has that. Brent Cobb has been playing some of these songs live over the past year or so, but I can’t wait till I’m able to hear some of the newer stuff in a live setting with a full band. You can find out more of what Brent Cobb is up to on his website. Keep ‘Em On They Toes is out everywhere as of October 2nd, 2020.
Favorite Tracks : Keep ‘Em on They Toes, Good Times and Good Lovin’, This Side Of The River, Dust Under My Rug, Soap Box
NewsComments Off on Book Review – Red Dirt by Josh Crutchmer
By Joshua Wallace
I have been a fan of the Red Dirt scene ever since I discovered the vast world of independent country that exists beyond the mainstream. I started picking up on some of these bands around 2008 with acts like Jason Boland and The Stragglers and Cross Canadian Ragweed being my introduction to the music. However, being from south GA, I had no direct connection to these bands like someone who lived there did. That’s where this book comes in for me. It helps me fill in some missing pieces of the story and gives me a bit of the history that I didn’t know or couldn’t know without actually being there. Josh Crutchmer might be the print planning editor at The New York Times, but his background is firmly planted in Oklahoma and the red dirt scene. He interviewed everyone quoted in this book and he has gathered a fine collection of characters to tell this story. It’s a good history for newcomers and established fans alike.
The book is divided mostly into chapters by band. You have essentials like Tom Skinner, Bob Childers, Jimmy LaFave and even Garth Brooks and his stories about starting out in dives in Oklahoma. I love the chapters that provide a bit of history too. You get a great deal about The Farm which was a legendary Stillwater, OK venue that is heralded as the birthplace of Red Dirt. There are also chapters about early bands such as The Red Dirt Rangers and The Great Divide. You get a great deal of background on the red dirt scene before you start getting into more current artists.
The chapters on current artists are great also because these chapters tell stories and give background pieces on them that you might not have gotten elsewhere. I particularly enjoyed the chapter on Hold My Beer with Randy Rogers and Wade Bowen where you get a bit about both of the men and then they discuss their collaboration which to date has produced two of my favorite recent red dirt releases. Then you have the great chapter on Jamie Lin Wilson followed by a good discussion of the gender gap in Red Dirt which features a few of the current great female artists in the scene.
I can’t talk about this book without discussing the chapter on Turnpike Troubadours and specifically Evan Felker. The coverage in Rolling Stone that discussed Crutchmer’s interviews with Felker is quite possibly the reason many people know about this book. It’s how I heard of it, for sure. If you read that article and are looking forward to this bit in the book, I’m here to say it delivers. I’m not going to give many spoilers in this review, but I do want to say this chapter ends on a positive note which is great news for Turnpike fans.
There is so much discussed in this book that it’s hard to put it in an article like this. I highly recommend this book if you’re looking to do a deep dive into the history and current state of the Red Dirt music scene. The author does at times mention the current pandemic and how it has changed things since he started writing the book. It’s refreshing to see the author acknowledge the current uncertainty of things going forward in a book of this nature. I also highly recommend this book if, like me, you are an outsider to the red dirt scene. I have naturally become a fan of this music over the years, but with red dirt being such a self contained scene, it’s hard to get the full story just being on the outside looking in like I am. You can find everything you need to about this book on reddirtbook.com and the book is available everywhere as of September 19th, 2020.
NewsComments Off on Album Feature – Matt Woods – Mornings After EP
By Joshua Wallace
Matt Woods has released the new Mornings After EP. This record is a companion piece to his 2019 album Natural Disasters. You can find a review for that one here. This EP was recorded during the same sessions as the 2019 album and with the same band. This companion piece helps to add depth to an already great album experience. Let’s take a look at some of the tracks here.
The album kicks off with “Tomorrow’s All We Have” which is a slower bluesy rock kind of tune. I love the keys on this track and the guitar solo takes you back to a small smoky dive bar. This also has one of Matt’s signature power vocal performances similar to his song “Deadman’s Blues”. I also love the track “Getaway”. It has a bit of an island rock sound on a track about the need to get away from your normal life. I love the slide guitar on this one. Finally, “Sunshine” is another slow bluesy track on this record. Like the opening track, it has another great vocal performance from Woods. I dig the guitar riffs going throughout this one.
Matt Woods has released a great companion EP to his 2019 full length album Natural Disasters. If you were a fan of Natural Disasters or his previous work, I highly recommend checking this release out. There are some great vocal performances on these songs for these to be tracks that were left off an album. I kind of wish we could get a deluxe package with both Natural Disasters and Mornings After in the same release as these tracks add some depth to the original LP. Check out everything Matt Woods has going on through his website here. Mornings After is available everywhere as of September 4th, 2020.
Favorite Tracks : Tomorrow’s All We Have, Getaway, Sunshine
NewsComments Off on Album Feature – Tennessee Jet – The Country
By Joshua Wallace
Tennessee Jet is back with his follow up to his 2017 album Reata. The Country is Jet’s third full length LP and it is my favorite of the albums he has released so far. Tennessee Jet recorded this record in California with Dwight Yoakam’s touring band. It also features the likes of Paul Cauthen, Elizabeth Cook, Cody Jinks and Mickey Raphael on this record. Let’s take a dive into some of the tracks on this one.
The opening track “Stray Dogs” reminds me a bit of “The Road Goes On Forever” by Robert Earl Keen but in a good way where this song echoes the style and feel of that classic tune. “The Raven And The Dove” is Tennessee Jet’s version of the tune he wrote that Cody Jinks recorded on his 2019 album The Wanting. This version is more somber than Jinks version of the tune and the pedal steel and guitar get to shine more in the instrumental here. An absolute highlight of the track is the grungy “Johnny” which is a tribute to Johnny Horton as the song covers the topic of his death. It plays like a grungy classic Nirvana tune and somehow it just fits right in the middle of this record of solid country gold.
Following that is Tennessee Jet’s version of “Pancho & Lefty” which features Cody Jinks, Elizabeth Cook and Paul Cauthen. This song has been done many times, but there is something about this tale of outlaws that always draws me in. This one is no different. Another highlight is the title track “The Country”. It’s a slow moving ballad that features guitar and fiddle but it has my favorite line of the entire album. I love the slow build to the line “I miss you like the country radio don’t play no more”. It’s a tune that has to be heard to be fully appreciated.
Tennessee Jet has released what is in my opinion the best record of his career. The Country has some good variety in the record throughout from solid country gold to folk leaning rootsy tracks to a grungy rock epic about a country legend. You will find a bit of everything here. I hope to catch Tennessee Jet live sometime in the near future as I have not been able to see him live yet. You can follow Tennessee Jet on his website. The Country was released everywhere you can find music as of September 4th, 2020.
Favorite Tracks : The Raven And The Dove, Johnny, Pancho & Lefty, Hands On You, The Country, She Talks To Angels
NewsComments Off on Bristol Rhythm & Roots Reunion Celebrates with Live Online Shows Next Weekend
Many times when I am given press releases from music functions, I always try my best to include some of my own thoughts and ideas on them. So, let me elaborate on how I feel about the Bristol area, and how integral it is to Country Music…
In the early 1920’s and well into the 1930’s, Mr. Ralph Peer unintentionally became one of the first producers of Country Music. He brought remote recording equipment to Bristol upon the suggestion of others, and advertised that he was seeking talent.
In a short time, many flooded the Bristol area in hopes to be paid to record their songs. The three Carter family members piled into their brother’s car and traveled 26 miles to the recording sessions, which ( included with others ) is regarded as the Bristol Sessions.
Among the others that were recorded and discovered back then was none other than Mr. Jimmie Rodgers, whom I consider one of the first 4 major superstars of Country Music on a commercial echelon.
Through the years the area has established a wonderful museum that opened in 2014 along with an even better festival that was born earlier in 2001, and has been a part of the museum since 2012.
Together, both music ventures juxtaposed together boasts an absolutely amazing effect upon the economy of the immediate area, and one of the 275 festivals that our website covers on a yearly basis, even though I have not been to this one in some time.
Bristol Rhythm & Roots Reunion Celebrates with
Live Online Shows Next Weekend
Sept. 10-13, 2020
Bristol, Va./Tenn. (Sept. 2, 2020) – With the cancellation of this year’s Bristol Rhythm & Roots Reunion came the promise of a few “surprises” on what would have been festival weekend – and the Birthplace of Country Music (BCM, parent nonprofit of the annual event) is making good on it.
Celebrating Bristol Rhythm & Roots Reunion Live Stream will take place September 10-13, 2020 with virtual, live concert events that include Jim Lauderdale, Acoustic Syndicate, Amythyst Kiah, Morgan Wade, and Martha Spencer, a WBCM Radio Bristol Farm and Fun Time show, flashback performances from festivals past, and the Bristol Sessions Super Raffle drawing.
“It’s important for us to do something to commemorate the Festival this year even if it can’t be in person,” said BCM Executive Director Leah Ross. “This would have been our 20th anniversary, a milestone. We can’t let that go. We also felt that our community and our staff really needed something positive to help fill that void.”
The schedule for Celebrating Bristol Rhythm & Roots Reunion Live Stream is as follows:
Thursday, September 10 – 7:00 p.m.
Kick off the weekend with a Farm and Fun Time show from the Birthplace of Country Music Museum, featuring host band Bill & The Belles – artists to include Po’ Ramblin’ Boys and 49 Winchester.Farm and Fun Time is presented by Eastman Credit Union and with support from Holston Medical Group
Friday, September 11 – 7:00 p.m.
Join us Friday night as we partner with the Virginia Tourism Corporation to celebrate Virginia Music Heritage Month. This show will feature music from Amythyst Kiah, Morgan Wade, and Martha Spencer. The night will be filled with live music, announcements about the 2021 Festival line-up, and more!
Saturday, September 12 – 1:00 p.m.
Festival Flashbacks – Join us on Saturday afternoon to watch some past Festival performances. Past shows will include Carson Peters & Iron Mountain, The War and Treaty, Mike Farris, Folk Soul Revival, Jerry Douglas and the Earls of Leicester, and the Way Down Wanderers.The Festival Flashback is presented by Bristol Tennessee Essential Services.
Saturday, September 12 – 7:00 p.m.
Kick off Saturday night with two live performances with Acoustic Syndicate and Jim Lauderdale. We will also celebrate the incredible support we have received from our 2020 Festival Heroes, Downtown Bristol community, and our sponsors. We’ll even reveal additional artists that will be playing at the 2021 festival.
In addition to the live stream, BCM will wrap up the 2020 Festival Hero Campaign. Festival Heroes are patrons who donate $75 or more to the Festival Recovery Fund to help recoup losses from this year’s cancelled event. Donors will be listed as 2020 Bristol Rhythm & Roots Reunion Heroes on a permanent display in the Birthplace of Country Music Museum, receive a Special Edition 20th anniversary poster signed by the artist, a discount on tickets for 2021, and more. Donations of over $250 will receive all of the above, plus a one-year membership to the organization’s 1927 Society, and other festival merchandise. All donations are tax-deductible, and 2020 tickets may be “donated” back to BCM to receive incentives. Visit BristolRhythmHero.com for more details.
The 20th annual Bristol Rhythm & Roots Reunion music festival has been rescheduled for September 10-12, 2021 in Historic Downtown Bristol, Virginia-Tennessee.
For up-to-date information and to choose the Bristol Rhythm ticket option that works best for you, visit BristolRhythm.com.
About Bristol Rhythm & Roots Reunion
Bristol, Tennessee/Virginia is heralded as the birthplace of country music, home to the 1927 Bristol Sessions recordings. The award-winning Bristol Rhythm & Roots Reunion is a celebration of that great legacy and is renowned for its diverse headliners, established touring acts, up-and-coming artists, and some of the Appalachian region’s finest music across a wide variety of roots genres. It is also noted for its unique downtown setting along State Street, where Virginia and Tennessee meet to form the twin cities of Bristol. Bristol Rhythm forged the path to a renaissance of music, culture, and development in Historic Downtown – and was the catalyst for the opening of the Birthplace of Country Music Museum, an affiliate of the Smithsonian Institution, and WBCM Radio Bristol, which broadcasts live from the museum. The festival hosts an estimated 45,000 attendees across 20 outdoor stages and indoor venues with more than 130 acts of live music over the course of the three-day weekend. For more information about Bristol Rhythm & Roots Reunion, visit BristolRhythm.com.About the Birthplace of Country Music
Located in Bristol, Virginia-Tennessee, the Birthplace of Country Music (BCM) is the parent nonprofit organization of the Birthplace of Country Music Museum, the Bristol Rhythm & Roots Reunion music festival, and Radio Bristol. It is the mission of BCM to perpetuate, promote, and celebrate Bristol’s rich music heritage; to educate and engage audiences worldwide regarding the history, impact, and legacy of the 1927 Bristol Sessions; and to create recognition, opportunities, and economic benefit for BCM’s local and regional communities. BCM accomplishes this mission through each of its primary branches (museum, festival, and radio station), special projects and events, and a multitude of community and educational outreach programs.
NewsComments Off on Music City Roots To Return With New Venue In Madison Tennessee.
Lately this year, since the current health situation has totally devastated the current live music world, I have been closely watching many of the venues that have supposed to have opened in 2020. Right around now in 2020, this was supposed to be opening to the public, so I will be delving into this issue!
I myself have always been an ardent supporter of Music City Roots since I first found them in 2013 at theLoveless Cafe. They then moved the show to the Factory in Franklin Tennessee, 6 years ago. Much like the Opry, this music outlet features four primary artists on each show.
They left Franklin Tennessee in 2018, and have hosted many special shows around Nashville for the next few years. Places like The Nashville Palace and others have all welcomed the iconic broadcast into their halls. However in that same year, their plans to move the show to Nashville fell through:
In a message to their followers on Facebook they stated, “With a mix of hope and some sadness, we must announce to you, our family and community, that in recent days our previously announced plans for a downtown Nashville venue partnership have fallen through. We deeply appreciate the team behind the new 6th & Peabody project working hard to finalize a win-win situation with us, but unforeseen complexities have made it impossible to present MCR there as we’d hoped.”
I’ll tell you this my dear friends…without Music City Roots, I would have never found MANY of the wonderful artists I am reporting on at this time! The very first episode I ever found was on December 11th 2013, and contained Mr. Jim Lauderdale and the now much more evolved North Mississippi Allstars.
Through the years, everybody who is anybody within the confines of Country Music and all of it’s branches, thusly the name of this program. Americana and Bluegrass both sprouted performers from this program, and prompting different artists to cross over onto other genres stages as a result of these events.
Back in July of this year, they announced that they were going to be moving the event to Madison Tennessee to a brand newly built venue, and a new weekly show that will also be taped. Here is the official press release :
Music City Roots LIVE from Madison Station
Madison, TN Is The New Home of The Roots Barn
Music City Roots, the acclaimed, taste-making live showcase, radio broadcast and public television series, is reviving and rebooting in the fast-growing cultural scene of Madison, TN.
On July 11, the Music City Roots team joined Nashville Mayor David Briley, Madison’s Metro City Councilmember Nancy VanReece and other community leaders to reveal plans for a new venue next to historic Amqui Station. The Roots Barn, scheduled for a grand opening in the Fall of 2020, will be part of a larger Madison Station development, with new housing and street plans poised to solidify Madison as an epicenter of life, work, arts and travel in the growing Metro Nashville area.
The Roots Barn will be one of the premiere mid-sized music venues in the South, with state of the art audio by Sound Image and a timber and barn wood interior inspired by The Barns at Wolftrap. Capacity is projected as 750 seated or 1,000+ standing. The bars, food service and ticketing areas will be isolated from the music hall, creating optimal conditions for performers and music lovers alike.
The Barn will present ticketed shows, private events on request and “Music City Roots – Live from Madison Station” on a weekly basis. Adjacent to the barn will be a separate building with a remote studio for MCR partner WMOT Roots Radio 89.5 FM, the 100,000 watt Americana-format public radio station out of Middle Tennessee State University.
Historic Amqui Station makes a charming and appropriate companion to the Roots Barn. Built in 1910, it was the last stop north of Nashville before passenger trains reached Union Station downtown. When passenger service was discontinued, Johnny Cash acquired the structure to save it from demolition and moved it to his property in Hendersonville. After his death, it emerged that Johnny had made provisions to return the antique station and its contents to its original home. It stands there now, not far from its once-functional place along the tracks. It is now a stand-alone museum and visitors welcome center, operated by Discover Madison, Inc., a 501(c)3 non-profit corporation. The potential synergies for local or city-wide events are many.
The Roots Barn was made possible through a transaction between Music City Roots and Discover Madison, Inc. The property is part of a public/private relationship giving community benefit for generations to come, explained Councilmember VanReece. “The land was originally donated to Discover Madison, Inc. by AT&T with the help of US Rep. Jim Cooper and TN Rep. Bill Beck, with the express intent for such an ongoing benefit. This amazing opportunity not only celebrates our history but ensures our renaissance.”
Ample parking for Roots Barn events has been made possible through a partnership with FiftyForward, the premier provider of innovative and comprehensive services for adults 50+ in Middle Tennessee, which one of its seven locations next door.
Madison has become one of the most exciting growth neighborhoods in Nashville as it builds on its rich history in music. Madison has been the home to an array of country and bluegrass music notables, including Kitty Wells and Johnny Wright, John Hartford, Earl Scruggs, Bill Monroe, June Carter and Hank Snow.
Quotes from Key Partners
“I’m really excited about Music City Roots getting started on this Madison music venue and the opportunity for WMOT to be a part of it. WMOT and Music City Roots have worked together for nearly three years to bring Americana and Roots music to middle Tennessee on WMOT 89.5. This new space will allow that partnership to continue to grow and expand, while growing our music community in Madison, middle Tennessee and beyond.”
– Val Hoeppner, Executive Director, WMOT 89.5 FM
“Music City Roots focus on preserving grass-roots music and Discover Madison Inc.’s mission to protect and preserve Madison, TN’s rich music history go hand in hand. We are excited to create a space in which, our neighbors and friends, as well as future generations, will experience the music culture that Madison has to offer.”
– Christie Cooper, Executive Director, Discover Madison, Inc.
“We are happy to have a new next-door neighbor like Music City Roots! FiftyForward has always worked to partner with other organizations, and this is such a great opportunity for all of us. Many FiftyForward Madison Station members are part of the rich music history of Madison, so we’re eager to welcome Music City Roots and be part of the fun.”
– Sallie Hussey, Executive Director of FiftyForward.
“One of the areas of improvement we are excited to see in Madison is entertainment options. We want Madison to be a well-rounded area where its residents can live, work, and play. MCR will be an exciting and notable addition, especially considering its unique location next to Historic Amqui Station and Madison’s rich musical history. We are so excited that All Aboard Madison has chosen to bring Music City Roots here, and we cannot wait to see the attention and tourism it adds to Madison.”
– Laura Knots Jennings, Madison Rivergate Chamber of Commerce
“Roots music doesn’t belong surrounded by neon, it belongs surrounded by barn wood”….Does that not give you goosebumps? Everybody in the music community was overly eager to welcome this NEW VENUE and NEW format to drop upon us.
But then came the ugly monster…do I even need to mention the name? 2020 dumped the nasty Covid-19 pandemic bullshit upon the entire music industry, which halted all progress and plans to the nation.
Online EVERYTHING went rampant and culminated into EVERY band and EVERY artist doing live streams on not only social media but Youtube and more. In April the Music City Roots program hosted an online program, which I have embedded here.
So with that being said, I have been watching the progress of the venue and the plans of the battle with the pandemic, I have some news regarding this weekly event. According to a website I frequently read called Visit Music City this is now the current plans for the construction completion and opening of this venue.
Opening Spring 2021, The Roots Barn will be the permanent home of Music City Roots, the legendary live radio show and concert series. Now in its 10th year, MCR will be featured alongside curated shows and Roots Radio, plus space will be available for private events any time of day, any day of the week. We welcome corporate & tour groups, fundraising events, weddings, and webcasts/TV productions. Turnkey services, world-class sound & lighting, and genuine Southern hospitality.
It doesn’t appear that any live music will ever transpire until mid year in 2021, however they haven’t mentioned any further live streams or online events to continue the show for 2020.
When this venue DOES officially launch we will be doing some media reporting on the launch event here. So my dear friends please stay tuned to this article for some updates, and other announcements to patronize this fine organization.
NewsComments Off on Iconic Venue Billy Bob’s Reopens! A look At The Current State of Things Volume 1.
Right now I am preparing a vibrant return to the keyboard, with some articles on how to help out venues and the crippled music industry. EVERY festival cancelled for the year as well as EVERY show. We finally had a smaller version of Record Store Day today, with two other “drop days” planned for the year. With all of the failed shows and lost income from 2020, new albums were the ONLY shining light we had so far.
I opted to turn this article into a whole series of them, delving deeper into the state of live music as I study it both online and personally. In the next few weeks I am going to be reaching out to various markets all over the United States and abroad to find out JUST HOW bad of shape the live local music business is in…..BUT I WILL NOT write it in a dramatic or click bait fashion like other sites will.
This past week in Texas one of the more famous venues re opened, and is hosting shows with current prevention methods in place. Slowly, I am hoping that touring bands can and will slowly begin rolling again nationwide by the beginning of next year.
I do not care WHAT KIND OF MUSIC YOU enjoy and support, this whole deal affects ALL OF US without a doubt. All of us need to group together as one and help the venues stay afloat during this terrible ordeal. I’m going to be bringing you MORE great volumes of this subject in the future.
“The World’s Largest Honky Tonk” themed restaurant announces new plans and more concerts
FORT WORTH, Texas – The legendary Billy Bob’s Texas, located in the heart of the Fort Worth Stockyards National Historic District, first opened in 1981. Billy Bob’s Texas has applied for a new permit that would allow the legendary Stockyards bar to open and operate as a restaurant, under restaurant guidelines. Management is still working on a few details but has every intention of opening BBT and the Honky Tonk Kitchen sometime between August 12-14.
New Concerts Announced for August!
Tickets for most of these shows will go on sale this Friday, August 7 at 10AM.
These upcoming concerts will be limited to 1,200 tickets; however, capacities could change after the first weekend of shows.
1000 socially distanced Reserved Seats
200 socially distanced General Admission
* There will be no bull riding shows or valet services at this time.
Billy Bob’s Texas remains dedicated to the health and well-being of the staff, guests, and entertainers. Learn more about the safety and sanitation processes at billybobstexas.com/safeandclean.
Upcoming concerts at Billy Bob’s Texas:
Sammy Kershaw (9/11), Shane Smith & The Saints (10/17), “Hold My Beer and Watch This” Tour with Randy Rogers and Wade Bowen (10/23), Lonestar (10/30), Robert Earl Keen (11/6), Josh Ward (11/13), Colter Wall (11/19), Easton Corbin (11/27), Stoney LaRue (12/5), Jon Pardi (12/10 & 12/11), Randall King (1/29), Ted Nugent (1/30).
Circle airing Live At Billy Bob’s Texas!
Live at Billy Bob’s Texas gives the listener a front-row seat to concerts at the World’s Largest Honky Tonk. The music series has compiled powerful performances featuring hits from legendary country music artists like Willie Nelson, Charlie Daniels, Eddy Raven, Gary Stewart, Asleep at the Wheel, Janie Fricke, and more.
Now, Circle network is carrying Live At Billy Bob’s Texas! Launched in January, Circle Media celebrates the country lifestyle and puts fans inside the circle of everything country. Circle offers entertainment news, documentaries, movies, archival, new and licensed programming, Grand Ole Opry performances, and more. Based in Nashville, Circle includes a linear network as well as a companion over-the-top (OTT) premium entertainment service which is expected to launch in spring 2020. Circle is a joint venture between Opry Entertainment Group, a subsidiary of Ryman Hospitality Properties, and Gray TV.
Go to CirclePlus.com for shows, schedules, and a simple guide to getting the channel.
Billy Bob’s: Lending a Hand to Music History
Artists placing their hands in cement has been a tradition at Billy Bob’s for more than two decades.
Many of the club’s showcased artists have been honored with various awards and accolades. For some, however, their favorite honor is being part of what is now known as Billy Bob’s ‘Wall of Fame’.
Patrons can visit the Wall of Fame and see the handprints and autographs of Garth Brooks, Willie Nelson, Johnny Cash, and even Ringo Starr to name a few. Many fans enjoy comparing their hand size to the celebrities’.
NewsComments Off on Album Feature – Zephaniah OHora – Listening To The Music
By Joshua Wallace
Zephaniah OHora is back with his second LP release following his stellar 2017 debut This Highway. With This Highway, Zephaniah set out to prove that good country music could come from anywhere, even Brooklyn, NY. Now he’s releasing an album that solidifies his Bakersfield by the way of Brooklyn sound. If you told me this was a record of lost Merle Haggard tunes. I don’t think most people would question that. But no, this is an original record written by Zephaniah OHora except for a few cases where he has some co-writers. Let’s take a deeper dive and see why this is likely going to end up one of my favorite records of 2020.
The album kicks off with “Heaven’s On The Way” which immediately displays some amazing pedal steel guitar from Jon Graboff. The pedal steel is all over this record and it surely is a highlight whenever you hear it. “When I’ve No More Tears To Cry” is a great lost love ballad that features and is co-written by Dori Freeman. I particularly dig the electric guitar solo in this one. Another highlight is “All American Singer” which sounds like something that would come off a Merle Haggard greatest hits record. It’s a song that calls out the injustices of the day, but in the end recognizes that music is there to bring everyone together.
The track “Living Too Long” covers the classic country theme of how the good days are behind us. It’s a bit more of an upbeat track, but Zephaniah OHora still gets the bluesy nature of the subject matter across. John Shannon’s electric guitar is a highlight here, and this is one of his co-writes. I love how the track slows down a bit toward the end and has some great honky tonk piano over the last verse. “Riding That Train” is another upbeat track that has a sort of western swing sound to it. It’s a great train song and you don’t hear as many of those these days
Zephaniah OHora has created one amazing record with Listening To The Music. This album is much better than his stellar debut This Highway. I was a fan of that record, but this album has more tracks that I’m drawn to and there really isn’t a bad cut here. I hope to one day see Zephaniah OHora live, but you can follow him on his website. Listening To The Music is out everywhere as of August 28th, 2020.
Favorite Tracks : Heaven’s On The Way, When I’ve No More Tears To Cry, All American Singer, Listening To The Music, Living Too Long, Riding That Train, You Make It Easy To Love Again
NewsComments Off on Album Feature – Colter Wall – Western Swing & Waltzes And Other Punchy Songs
By Joshua Wallace
Colter Wall is back with his third full length record titled Western Swing & Waltzes And Other Punchy Songs. This album is following his 2018 release Songs Of The Plains. It leans further into the western motif Colter Wall has been going for in recent years. It is also the first full record to feature his band The Scary Prairie Boys and to be produced solely by Colter himself. Over the past few years Colter Wall has become one of the premier acts singing western and cowboy music and this record solidifies that even further. This record features both original cuts and some choice covers from deeper into the cowboy songbook. Let’s take a look at what you will find in this roughly 33 minute album.
The album kicks off with “Western Swing and Waltzes” which is a perfect intro for this record. It’s a cowboy tune written by Colter Wall set to western styled waltz. I particularly dig the harmonica work on here from Jake Groves. A good harmonica player is key if you’re doing cowboy and western tunes. Another favorite is the cover of the Marty Robbins hit “Big Iron” from the 1960 record Gunfighter Ballads and Trail Songs. I heard Colter’s version of this live and was a big fan of it then and it is perfectly reproduced on the record. I love Patrick Lyon’s pedal steel work on this one and Jake Groves contributes some bass harmonica which you don’t hear often.
Another favorite is the Colter Wall original “Henry and Sam”. It’s a cleverly written tune about a gunslinger with guns named Henry and Sam. It’s a fine example of why Colter Wall is considered one of the best country and folk songwriters going today. Another original tune is “Talkin’ Prairie Boy” which is a bit of a different style for Colter as it is a talking blues song. It’s a story about someone who has never been out west past Ohio and it shows. There is something about the talking blues style and the way Colter tells this story that just grabs you and keeps your interest till the end. It’s a fun departure from the rest of the album. I also love Colter’s cover of Stan Jones’s “Cowpoke”. Colter adapts this tune to his style and I love the interplay of the pedal steel and harmonica on this track. You get to hear Colter Wall yodel here and that is always a highlight as Colter is a great yodeler. Finally, another great original tune is “Rocky Mountain Rangers” which is a tale about a short lived cavalry who were not ready for the dangers of patrolling the wild frontiers.
Colter Wall’s new record cements him as a premier act in western music. This is also Colter’s debut as a producer and he got to make all of the decisions on the record. I hope this is a trend that gets to continue because Colter’s current band The Scary Prairie Boys are a perfect match for his western style and seasoned baritone voice. I highly recommend streaming or getting a copy of Western Swing & Waltzes and Other Punchy Songs when it becomes available everywhere on Friday August 28th, 2020. You can find all the information you need on Colter Wall and the record at his website.
Favorite Tracks : Western Swing & Waltzes, Big Iron, Henry and Sam, Talkin’ Prairie Boy, Cowpoke, Rocky Mountain Rangers
Colter Wall – Western Swing & Waltzes And Other Punchy Songs (2020)
NewsComments Off on Album Feature: Dirty Streets – Rough And Tumble
One of the many things I am known for is finding bands that many of my readers don’t know about ( or know very little about). It is my onus to help expose these rare and hidden gems that USED TO play in all the little local watering holes all over America.
I have piles and piles of music work to do, and I also have a few issues with my daughter that I am helping her mend, before I continue my website work on a FULL SCALE BASIS like I previously did.
With that being said, I have features that came out in 2020 but MAY NOT BE IMMEDIATE new releases. Now look, this isn’t some blog that prints gossip and “news”, and I’m NOT TRYING to look “hip” or “modern”. I’m just a normal run of the mill guy with a personal music blog that shares what I know with the public. If you think I’m trying to compete with anybody, you are horribly mistaken.
So when I do find some of these bands on other sources, I ALWAYS give them credit on the find. Out in the Memphis area, where I do a lot of work for a lot of people you’ll find a band called Dirty Streets that I stumbled upon by watching my friends over at DittyTv based in Memphis Tennessee. ANY TIME you want some great Americana Music or Roots Music or MANY genres, THEY got it all.
This album was essentially LIVE drawn from the DittyTv in house performance, however some of these songs must have been new because I didn’t find them when I completed my research on their past albums..a very pleasant rabbit hole that was.
You cannot really lump this band into any strict genre, besides just damn good music. They resonate so many types of influence and sound, that no two songs sound completely the same to me..however they compliment one another on this 10 song album quite well. I hope you don’t mind me skipping around the track list here?
“Try To Remember” contains an awesome guitar grove accompanied by a raw vocal delivery of Mr. Justin Toland. Some of their other albums spoke to me louder than this one did overall, however this new installment solidified their style.
“On The Way” has a great vocal melody on it, and is one of my favorite songs on the entire album because it slowed down things a bit and I like an acoustic ballad that keeps grit and rock influences there.
It opens with a rough and rowdy song called “Good Pills” which is the video I watched on DittyTv. Being a recovered addict these songs speak to me as an individual more than anything accept hardcore Country story songs. The line “Don’t forget to take your pills, I know you won’t because you can’t stop” was amazing and simple at the same time. This song is originally on the “White Horse” album from 2015.
Along with Mr. Thomas Storz on bass and Mr. Andrew Deham on drums they make up quite a powerful band with true story songs like “Walk A Mile In My Shoes”. It’s one of those DON’T JUDGE ME songs like the Cody Jinks classic “Cast No Stones”. Now MIND YOU this song is a cover of Mr. Joe South’s 1968 version from an album called “Don’t It Make You Want To Go Home”.
The song “Itta Benna” which is track 4, came from their 2009 debut “Portrait Of A Man”…now according to their website there exists many bootlegs of their shows from Memphis clubs. “Think Twice” came from the ‘White Horse” album as well, and was on the album for track 6.
Rough And Tumble tracks:
1. Good Pills
2. Tell the Truth
3. Walk A Mile In My Shoes
4. Itta Benna
5. Can’t Go Back
6. Think Twice
7. Take A Walk
8. Try To Remember
9. The Voices
10. On The Way
Several weeks ago I reported on the moving of Record Store Day 2020. However, after having announced a new date the beloved ‘holiday” that so many of us celebrate has once again been altered. Many of the stores involved with this have their own rules and regulations as to how they can and cannot conduct business, therefore this has to be approached from a different perspective and I think this was a good choice.
To be honest, this will be three different days of celebrating small businesses instead of just one. Many states have so many different laws and rules that they will be dropping on three separated weekends in the year of 2020. As I have previously stated in many of my recent articles I have a strong suspicion life will never return to the echelon it once was.
Just about every festival has been postponed or cancelled to next year, and we see very little hope for big major shows to come back before mid fall of this year. Most of us have turned to podcasts and videos of our favorite bands we love, and continuing to enjoy new release albums of 2020.
So with that in mind let me release to you, my dear readers just exactly what I know about Record Store Day this year:
Record Store Day will look very different this year, but supporting indie record stores may be more important than ever. We don’t know what sort of rules will be in place, or what sort of gatherings people will be in the mood for this year, so we’re focusing on the music and getting the really great titles on the RSD Official List this year into the stores and into your hands, in the most financially and socially responsible way.The titles on the RSD 2020 Official List, launched on March 5th, will be released at participating record stores on one of these three RSD Drops: August 29th, September 26th, and October 24th. The new version of The List, with newly assigned RSD Drops dates will launch on June 1 so check back here for a look at when you’ll be able to pick up the titles on your RSD 2020 wish list at your local record store.
This next week Ill be heading out to a few of my favorite hot spots in Bowling Green, and Nashville for a few titles I want. In the last few months with all the live music having been pretty much gone, I have been on a record buying spree that has lasted several weeks now.
I’m eagerly awaiting the Dio excerpts from the Magica album, the Brandi Carlile single, the Corb Lund EP “Cover Your Tracks” , the John Prine 4 album set, the live Shooter Jennings, and a few more!
RSD Podcast host Paul Myers demonstrates the #RSDShelfie. Take a snap in your favorite record store, tag them on socials, use #RSDShelfie, and maybe end up on the Podcast telling the world about that favorite store. RSD PODCAST every other Tuesday. Listen/Subscribe/Review where you get your podcasts.
Well, we would have been celebrating our big Day tomorrow, but things in 2020 are turning out a little differently. We’ll be throwing a party at a record store again for sure, but this weekend, let’s make sure record stores know how we feel about them. Check below for ways to celebrate, spread the word and share your love for record stores!
SHOW OFF YOUR SHIRTS!
Head to Facebook, Twitter and Instagram and show us what stores you’re wearing on your sleeve/chest/elsewhere! Use #RSD2020
I’D RATHER BE AT A RECORD STORE!
Click the picture below to download a graphic for Twitter, Facebook or Instagram (stories too!) and tell the world where you’d rather be on April 18! Use #RSD2020
WATCH A MOVIE! OR THREE!
You could have a veritable film fest this weekend! Details below!
OUR VERY FIRST EVER OFFICIAL FILM OF RECORD STORE DAY! Filmmaker Jeanie Finlay’s look at Sound It Out Records, her hometown record store, and the cast of characters you’ll recognize from your OWN cherished shop. FREE TO SCREEN FOR A LIMITED TIME–and a bonus watch party and reunion show on Saturday April 18! Jeaniefinlay.com
A deep dig into the crates of the vinyl record resurgence to discover what an old technology says about our relationship to music and each other in a divided time in America.
The premiere was supposed to happen this spring, but…
Participating record stores are selling “tickets” for special online access to the film over the original RSD weekend so buy a ticket, support a record store and check out VINYL NATION in the comfort of your own record room.
ALL PROCEEDS FROM TICKETS GO TO THE INDIE RECORD STORE!
The documentary about the beloved New York City record store Other Music has an “online cinema experience” this weekend, and tickets benefit indie record stores and theatres. Check with your local record store –the ticket links go live today!
50% OF THE PROCEEDS FROM TICKETS GO TO THE INDIE RECORD STORE!
BUY SOME RECORDS! No matter the format, no matter the amount. Record stores across the country are open for business — by phone, by email, online, on Instagram, and some for curbside pickup! No better way to let them know you care.
NewsComments Off on Lynn Anderson ‘Rose Garden’ Deluxe Collector’s Edition Vinyl Was Released June 13
Lynn Anderson Featured In PBS Program ‘Iconic Women of Country’
Includes Pink Translucent Vinyl and Notes From Reba McEntire and Clive Davis with only 1000 Exclusive Vinyl Records Released Just In Time For Lynn Anderson Day
Nashville, Tenn. – The illustrious legacy of country music’s leading lady, Lynn Anderson sparks an impression on a whole new generation while captivating long time dedicated fans as the ‘Rose Garden’ Deluxe Collector’s Edition is available on vinyl. This exclusive anniversary release contains never before seen notes written to Anderson from country music star Reba McEntire and legendary producer Clive Davis while sporting a unique translucent pink color. The Lynn Anderson ‘Rose Garden’ Deluxe Collectors Edition Vinyl will be released on June 13, just in time for Lynn Anderson Day on June 15 when a few other surprises will also be revealed. There are only 1,000 vinyl records available so be sure to get yours and join the celebration!
“This has been such an exciting year for all things Lynn Anderson,” says daughter Lisa Sutton. “Mom’s career left a lasting mark on country music and this has truly been the year for her to shine. With the re-release of four albums, the 2020 Lynn Anderson Rose, the ‘Iconic Women of Country’ PBS special and the 50th Anniversary release of ‘Rose Garden’.”
Lynn Anderson is featured in a special program on PBS, ‘Iconic Women of Country,’ which premiered May 31st. The program is co-produced by Transform Films and TH Entertainment, LLC and depicts a detailed look at the legendary female artists that shaped an era of country music and their stories and songs that have weathered decades of storms. Original interviews and classic recordings dive into the sweet southern sense of Lynn Anderson and pay tribute to other icons of country music including Loretta Lynn, Dolly Parton, Tammy Wynette, Patsy Cline, Brenda Lee and more. ‘Iconic Women of Country’ features live footage of Anderson’s hit single, “I Never Promised You A Rose Garden,” and testimonies from modern female country stars who speak of these legendary women as a great source of inspiration. Check local PBS listings for details.
Sony Legacy Recordings recently re-released four digitally remastered albums of Lynn Anderson’s: ‘Cry,’‘Listen To A Country Song,’‘Singing My Song’ and ‘Stay There ‘Til I Get There.’
NewsComments Off on Album Feature – Jeannie Seely – An American Classic
By Joshua Wallace
An American Classic is the seventeenth studio album from Jeannie Seely and her first since 2017’s Written In Song release. This collection is a mixture of new songs and some re-recorded classics. The new songs sound like they would fit right alongside the classics. Jeannie Seely takes you back to the days of listening to the great American classics on AM country radio in the 1960’s or 70’s. Let’s check out some of the highlights of this set.
The album kicks off with “So Far So Good” featuring The Whites. This track has a bit of a western swing sound to it and I love the addition of The Whites here. It’s a great way to start the album on a high note. Another favorite is “If You Could Call It That” featuring Steve Wariner. This song was written using a journal of unfinished songs by Dottie West. Steve Wariner helped with a co-write on this track. One of the re-recorded classics on this album is Jeannie’s 1973 hit “Can I Sleep In Your Arms Tonight, Mister”. The original tune made it to #6 on the country charts and was recorded by Willie Nelson for his Red Headed Stranger album. This new recording is closer to Jeannie’s original version than Willie’s minimalist version that most folks would know from Red Headed Stranger. Speaking of Willie Nelson, he appears on this record in a duet with Jeannie on a new track written by Dallas Wayne called “Not A Dry Eye In The House”. This is a great ballad and it features a great vocal performance from Jeannie and Willie. I love the strings and piano on this track. It sounds like it would fit in on a 1960’s country radio station.
Another great duet is the classic tune “Old Flames (Can’t Hold A Candle To You) featuring Waylon Payne. This duo does a great job with one of my favorite classic country love songs. Waylon Payne matches Jeannie’s soulful voice easily on this cut. Finally, we have “That’s How I Roll”. This is a rocking number featuring Lorrie Morgan on vocals and the one and only Vince Gill on guitar. The piano is really awesome on this track and I love how well it plays with Vince Gill’s guitar solo.
This album is another great release from country legend Jeannie Seely. Whether you know her as a star and regular at the Grand Ole Opry or are a new fan, this record is highly recommended. It also has a great list of guest artists from names like Rhonda Vincent to Ray Stevens to Waylon Payne and Willie Nelson. I have personally seen Jeannie Seely at the Opry a couple of times and I hope I get the chance to again in the future. In the meantime, “An American Classic” is available everywhere as of August 14th, 2020. You can find out more information on Jeannie’s website here.
Favorite Tracks : So Far So Good, If You Could Call It That, Can I Sleep In Your Arms Tonight, Not A Dry Eye In The House, Old Flames, That’s How I Roll, Dance Tonight
Jeannie Seely – An American Classic (2020)
So Far So Good (w/ The Whites)
If You Could Call It That (feat. Steve Wariner)
To Make A Dream Come True
Teach Me Tonight
Can I Sleep In Your Arms Tonight
All Through Crying Over You (with Rhonda Vincent)
When Two Worlds Collide (with Bill Anderson)
Not A Dry Eye In The House (feat. Willie Nelson)
Old Flames (Can’t Hold A Candle To You) (with Waylon Payne)
That’s How I Roll (with Vince Gill and Lorrie Morgan)
NewsComments Off on Concerts In The Time Of COVID-19
By Joshua Wallace
Billy Strings at the Exit/In July 25th, 2020 (Streaming Strings Tour)
Sometime around the second week of March 2020, the live concert industry shut down. Major tours and festivals canceled or pushed their dates back one by one. Venues across the country shut down and canceled all future events. The COVID-19 pandemic effectively shut down the live music touring industry right before the start of it’s busy season over the summer. Many artists were shocked with this sudden turn of events, but a lot of them have been working to make the best of this bad situation. This article is a look at the things I have observed over the past few months with the touring industry shut down.
Almost immediately, many artists started doing live streams. These live stream concerts were often solo acoustic performances. The quality of these shows varied from artist to artist as it relied on the artist setting up their own streaming equipment and connection, however many artists found what worked for them pretty quickly. It would not be out of the ordinary to see ten or twenty different artists in any genre doing a live show any given night of the week. The free live streams were often accompanied by virtual tip jars with various links to donate to the artist. As artists figured out the set up that worked best for them, the quality of live shows increased. Some even started doing live streams with the requirement of a virtual ticket purchase to watch the stream. The ticket prices for these early ticketed shows were often low or pay what you want so the artists could get as many people as they could watching the streams.
Solo performances eventually became duo and in some cases, full band performances. Some artists opted to do full band performances over zoom, while others who lived close enough together, were able to secure a space to send out virtual performances. Some artists took their full band performances to actual venues to give their fans a full concert experience. Billy Strings did this with a 9 date tour across various venues in Nashville, TN to a great success. In recent weeks, I have noticed more mainstream acts like Tim McGraw pick up the virtual concert gig. This is going to be more popular as this pandemic goes on.
Another option many bands are taking advantage of is the drive in concert. I have seen these done in a couple of ways. Some concerts have the actual band set up on a stage with people parking in front of the stage to see the show. Other bands have set up either a recorded concert or a live stream concert to be sent out to various theaters nationwide. A couple of larger examples of this have been Garth Brooks and Metallica. These drive in concerts are often expensive. I have seen prices ranging from $100 to $250. This is per car load and these concerts often assume you have up to 6 people in a car. I have not been to one of these personally, but I am not a fan of the concept. It is very expensive unless you have a large group, and even then in most cases, you are watching the band from a screen and listening to a localized FM broadcast in your car. This seems to work for some people because the Garth Brooks concert took in millions of dollars in one evening.
It’s a weird time for the live music industry and many artists are trying their hardest to find what works. A select few are actually still playing shows, but these shows are often at smaller venues at half or less capacity. Plus, artists run the risk of online backlash when images show up of fans not practicing social distancing at their shows. For me, some of the best setups have been artists who have been able to run live streams at an actual concert venue. These are often shot professionally and help maintain that real concert feel you get when you go to an actual show. Sure, solo live performances can be a much more personal medium with the feeling of one on one interaction with the artist, and drive in shows actually get you out of the house. However, live streams from actual venues feel like a happy medium that you get to enjoy in the comfort of your own setting. Plus it helps keep the band’s crews at work and it helps support the venue at a time when live venues desperately need support. We have seen too many concert venues closing during this pandemic already and I support anything that supports their cause.
However you choose to enjoy concerts in this time of COVID-19, I hope that you do so safely and responsibly. I will personally be back to reviewing live shows as soon as I am able to. I look forward to the time when I get to experience concerts in a post pandemic setting. Until then, I will keep posting album features here and we will keep you up to date with things as we can.
NewsComments Off on Album Feature – Daniel Donato – A Young Man’s Country
By Joshua Wallace
Now this is what I call a guitar record. Daniel Donato comes in hot with his debut album called A Young Man’s Country. He calls his brand of country music “cosmic country”. When you cover the likes of John Prine, Waylon Jennings and Grateful Dead on a debut record, you better bring it and Daniel Donato does. This record is honky tonk blended with psychedelic sounds. Daniel Donato has a great signature guitar sound that fits the tone he’s going after and he rocks the house on just about every track. Here are some of my favorites.
The album kicks off with “Justice” which is a fun love song. The chorus sounds like something you would hear on the radio in country music’s golden age. When you combine that with Daniel’s signature guitar licks, this song is a great preview for the rest of the album. Another favorite is “Meet Me In Dallas”. It’s one of the longer songs of the record clocking in at almost seven minutes so you know it’s a jam. The song starts off as a ballad about being alone before it goes into a trippy interlude that leads into a long multi-layered jam session that is sure to be a fun extended live jam. Daniel Donato gives similar treatment to Grateful Dead’s “Fire On The Mountain”. He uses this track to showcase how his brand of cosmic country can apply to the more rock side of this sound and it’s a killer jam.
Another straight banger on this album is “Diamond In The Rough”. It has a similar feel to “Justice” in that it was made for radio but decades ago. It’s a toe tapping number that actually gets to stretch its legs out a bit. I love how the band seems to kick it up a notch at different points in the song till the solo comes in and breaks out into another multi layered jam that builds to a stunning crescendo before bringing in the final chorus. Finally, we have Daniel Donato’s Waylon Jennings cover “Ain’t Living Long Like This”. It’s an amped up version that applies Daniel’s signature sound to the Waylon classic. This song brings something different to the table with some killer honky tonk piano in the mix. It adds another layer to the jam session at the end of this one.
This may be his debut studio album, but Daniel Donato and his band come across as a well seasoned country jam band. They dabble into southern rock and psychedelic elements that add layers to their jam sessions on record. I can’t wait to hear what some of these songs sound like live where I’m sure the band plays much longer than what you get here. A Young Man’s Country is available digitally everywhere you can buy and stream music as of August 7th, 2020. You can find out more information on Daniel Donato’s website here.
Favorite Tracks : Justice, Meet Me In Dallas, Fire On The Mountain, Diamond In The Rough, Ain’t Living Long Like This
NewsComments Off on Introducing The Americana Music Association Foundation And MORE!
We’ve just launched the Americana Music Association Foundation (AMAF), a new educational and charitable organization dedicated to preserving Americana music’s past and future.
What is the Americana Music Association Foundation?
This new entity was born out of a need to preserve and educate people on the beloved art form we know today as Americana music, which includes the rich threads of country, folk, blues, soul, bluegrass, gospel and rock in our tapestry.
As an Association, our mission is to advocate for the authentic voice of American roots music around the world. Part of that mission is the responsibility to foster the genre’s growth long after we all leave this planet. With that in mind, we want this Foundation to educate not only today’s generation but also future generations on the music that’s resonated with us and soundtracked our lives as an indelible piece of our culture. We aim to accomplish this through educational programs and live events with some great music, of course.
So I’m quite sure that many of you have been asking yourselves, where has old Gary Hayes been? Well my friends, this year has been a pivotal one for EVERYONE, including me. Family issues and medical issues both weighed heavily on me so far in 2020, but I have overcame every obstacle in my path. I’m now on the upside of catching up on things around the music realms, including this The Americana Music Association.
I have HUNDREDS of albums to catch up on, as well as news issues all over the many worlds of music we cover on this website. The Americanafest community in Nashville is one of my favorites, because during that week I learn a LOT through the many informational panels they offer.
See, while many others are busy meddling with arguing on social media and writing about Kane Brown getting lost on his property….I am studying and refining myself with knowledge to beat them at their own game. I spend so many hours reading and fact checking what I want to bring you, that I have very little time for facebook political banter.
These two projects here truly intrigued me in every way, because it encompasses so many types of bands I enjoy and feature on here. This foundation will steamroll into 2021 with all types of educational programs like the forthcoming Thriving Roots Music Conference in September. This conference will transpire in 2020 in lieu of the informational panels we would normally have during the festival week.
ABOUT THE FOUNDATION
Launched in 2020, this new entity was born out of a need to preserve and educate people on the beloved art form we know today as Americana music, which includes the rich threads of country, folk, blues, soul, bluegrass, gospel and rock in our tapestry. We want the foundation to educate not only today’s generation but also future generations on the music that’s resonated with us and soundtracked our lives as an indelible piece of our culture. We aim to accomplish this through educational programs and live events with some great music, of course.
NASHVILLE, Tenn. (June 8, 2020) — Today, The Americana Music Association has announced the creation of the Americana Music Association Foundation (AMAF), a 501(c)(3) educational and charitable organization. As American culture is traveling through a period of tumult and uncertainty, the Foundation seeks to provide musical healing, by preserving and educating the world about the rich cultural treasure buried in the roots music of this country, which includes the threads of blues, bluegrass, country, folk, rock and gospel that make up the Americana tapestry
The Foundation has set out to accomplish this mission through educational programs, musical performances and public events. Throughout the year, its work will focus on the preservation of past legacies and traditions that spotlight Americana music’s heritage while looking ahead to ensuring the future of the genre for generations to come.
The AMAF was set up to be nimble. In recent weeks, it has quietly launched its efforts to raise funds, beginning in partnership with Ed Helms’ and The Bluegrass Situation’s production of “Whiskey Sour Happy Hour” this spring. The online variety show garnered more than $75,000 in donations to the MusiCares® COVID 19 Relief Fund and Direct Relief, which provides PPE to medical professionals on the front line. The Association will continue to mine its own Americana archives to raise funds for various causes.
The primary focus of the educational aspects of the Foundation’s work will include producing the Thriving Roots Institute, an initiative bringing together artists and educators to address historical precedents, milestones and pathways for artists in the future. The Foundation will be making a major announcement for additional plans this month.
The AMAF is committed to the Americana Archival project to preserve the history of this American art form by digitizing unique moments in time, like Johnny and June Carter Cash’s last public performance together at the first annual Americana Honors & Awards, just months before his passing.
The Foundation will work with the existing academic community of ethnomusicologists helping fund new fieldwork to preserve music cultures from the rural South to the Texas-Mexico border, and from the Native American songs of the Pacific Northwest to the folk-fiddling music of Maine.
The Americana Music Association Foundation inaugural Board of Directors includes: Lori Badgett, Jackson Browne, T Bone Burnett, Brandi Carlile, Rhiannon Giddens, Garth Fundis, Dennis Lord (Chair), JD May (Vice Chair), Mark Moffatt, Jonathan Taplin and Kurt Vitolo.
Now, I want to take the time to share with you the Thriving Roots Music Conference news for this year. As you know Americanafest is more about community and networking than anything else.
There will be over 50 different conversations and meetings to enrich whatever your particular interest is within the realms of the entertainment industry. I am especially salivating over the one with Mr. Ken Burns, where he will be commenting on his documentary one year later.
Join us for three days of industry insight + unforgettable connections. We’re beyond excited to tell you about Thriving Roots: A Virtual Community Music Conference, an online experience coming your way Sept. 16-18, 2020.
Presented by the Americana Music Association Foundation, Thriving Roots is a brand new event with almost 100 online sessions that go beyond today’s webinar-style virtual conferences.
Hear from industry experts + trendsetting artists With live engaging panels, you’ll have a front-row seat to insight you won’t find anywhere else. We’re going to be bringing you today’s top industry leaders and artists for intimate conversations on music, culture and everything in between.
Experience music through entertaining special events
Give your mind some time to unwind in between panels and let loose a little. Our industry friends will invite you into their own world for some great music and quality virtual hangs from the comfort of your own home.
Create lasting relationships wherever you are in the world On the Thriving Roots platform, you’ll have the opportunity to connect with one another by creating your own attendee profile, browsing our attendee directory, private messaging and even starting an open discussion on our forum. If you want to talk shop with other attendees, simply schedule one-on-one virtual meetings. You can also check out our live exhibit hall filled with friends of the music community.
Before Thriving Roots begins on September 16, you’ll be able to create your attendee profile and customize your own daily schedule. If you end up missing something on your schedule, don’t sweat it – you’ll be able to access our content after the conference ends.
Learn from these game-changing musicians Rosanne Cash, John Leventhal, Mavis Staples, Jackson Browne, Rhiannon Giddens and T Bone Burnett are trailblazers who’ve carved their own place in the music world. You’ll get to hear inspiring talks from these musicians.And we’re just getting started. Stay tuned to find out who else is going to be a part of Thriving Roots this fall.Get your pass today A limited number of passes at our Early Bird rate are now on sale for $99. Once those sell out, passes will increase to $149, so don’t wait. Buy yours below today.
Judd Apatow + The Avett Brothers
Join them for a conversation on the intersection of film and music, as well as the fine line between fine art and commerce.
Bob Weir + Oteil Burbridge
These two stellar musicians will look at the inspirations and influence Black musicians have had on the Grateful Dead.
Sarah Jarosz + John Leventhal + Chris Thile
Moderated by Chris, Sarah and John will delve into the connection between the artist and producer that’s most recently showcased on her latest album, “World On The Ground.”
Sierra Hull + Béla Fleck
Join these genre envelope-pushers for “Music Without Boundaries,” a talk on how roots music transcends and connects with a wide range of audiences around the world.
+ talks on empowering creatives, streaming and the road to recovery
Get an inside look at how Americana industry pros are empowering their artists to retain creative control and the benefits of assembling a hand-picked team during “Independent Control: The Power of Collaboration.”
“Building a Streaming Strategy in 2020” will show artists and pros how to optimize today’s digital resources with real-world strategies that lead to growing listenership and a solid fanbase.
Join Phil Bogard, Jaime Wyatt and more for “The Show Must Go On: Musicians in Recovery,” a talk about the road to recovery, how to find treatment and practical steps on becoming a sober creator.
AMERICANAFEST fan-favorite panel “Songlines Music Meeting” is going virtual this year, once again inviting attendees to listen to mostly unreleased music and score songs live during this engaging session.
Kick back with a guided meditation + some rockin’ tunes
Learn to find your center with Valerie June as she walks attendees through a guided meditation using ancient teachings.
Catch The Cadillac Three, Sheryl Crow and Ray Wylie Hubbard during Big Machine Label Group’s music break.
“Aw Heck: An Oh Boy Music Break” will give you a front-row seat to performances by Tré Burt,Arlo McKinley, Dan Reeder and Kelsey Waldon.
Experience the rich roots of North Carolina during “Come Hear NC,” a musical spotlight on Hiss Golden Messenger, Jim Lauderdale, Mandolin Orange, Steep Canyon Rangers and more.
Stay tuned for even more updates from us. Grab your pass below today!
Like what you see? Be sure to buy your pass so you can begin making your own schedule when we launch our Thriving Roots platform next week.
Music, comedy and insightful talks
The Milk Carton Kids’ “Sad Song Comedy Hour” with Lucinda Williams
Join The Milk Carton Kids for a special edition of their residency as they sit down for a conversation and must-see performance with Lucinda.
Price Points: Talking Artistic Values with Margo Price
Get to know how the outspoken singer-songwriter has channeled her own values and voice into her music, statements and more during a conversation with music critic and NPR Music Contributor Jewly Hight.
NewsComments Off on Album Feature – Charley Crockett – Welcome To Hard Times
By Joshua Wallace
I have been a fan of Charley Crockett’s for a long time. He has become quite prolific and has produced five albums since 2017’s Lil G.L.’s Honky Tonk Jubilee. Earlier this year he produced an album called Field Recordings, Vol. 1. It’s steeped in old time music with plenty of traditional and a few original tunes as well. Welcome To Hard Times is an album of mostly original tunes with a cover of Red Lane’s “Blackjack County Chain”. This is Charley Crockett’s best album yet and I’m here to tell you why.
The album kicks off with the title track “Welcome To Hard Times”. I love this song. The piano riff is simple, catchy and takes you straight to the old spaghetti western movies. This album goes for that psychedelic western motif a lot and it helps to tie the entire thing together. Another great tune is “Run Horse Run”. It picks up the gambling theme and runs with it a bit on a song that sounds like a train going down the tracks. This one is sure to be fun to hear live. “Don’t Cry” is a song about leaving that was co-written by Dan Auerbach and Pat McLaughlin. This tune is a song about a man who is always bound to leave, but promises his girl that he’s always coming back home. It’s a great ballad that continues the western themes that run throughout this album.
“Lily My Dear” is a song that sounds like a traditional banjo tune but it was written by Charley with Vincent Neil Emerson, Colin Colby and Tyler Heiser. It’s a song about a woman who visits a man who is down on his luck in prison. It’s a great tune. “Paint It Blue” is another great tune about an outlaw on the run who is missing the woman he left behind. I love the pedal steel throughout this track. Nathan Fleming does a great job on pedal steel throughout this album. “Blackjack County Chain” is another great tune that is a cover of a Red Lane song made famous by Willie Nelson. Willie Nelson saw some success with it, but this song was eventually removed from radio play because of the lyrics about slavery. Charley Crockett does a great job with this one and it fits right in on an album with tunes about outlaws, drifters and gamblers. Finally, “The Man That Time Forgot” is a song that sounds like it came right from an album out of the 60’s or 70’s with it’s superb pedal steel and solid country gold sound.
Charley Crockett comes off as someone with a deep knowledge of country and old time music. There’s lots of piano driven honky tonk here mixed in with solid country gold and pedal steel. This album is full of stories of outlaws, prisoners, gamblers and ramblers and all of them have some kind of heartbreak. It’s my favorite record of 2020 so far. Charley Crockett is definitely on my short list of names to see live when live shows start happening again. In the meantime, you can follow Charley on his website here. Welcome To Hard Times came out on July 31st, 2020 and is available everywhere you can find good music.
Favorite Tracks : Welcome To Hard Times, Run Horse Run, Don’t Cry, Lily My Dear, Heads You Win, Paint It Blue, Blackjack County Chain, The Man That Time Forgot
NewsComments Off on Rockabilly Legend Mr. Al Hendrix Partners With Time Life To Release 107 Songs Digitally.
Mr. Al Hendrix is a big part of one of my favorite periods of Country Music history, and that is the Bakersfield Sound. He is just as integral as Mr. Buck Owens, whom he often played with Mr. Bill Woods and the Orange Blossom Playboys.
These releases encapsulate much of his recent music releases from 2007 – 2019, even though some of the songs were recorded earlier than the album was released. Many of these albums are available through the respected label’s websites and his own website as well.
Here is the press release for this news:
Seven Albums Featuring 107 Songs Released To All Digital Platforms:
FAIRFAX, Va. – Rockabilly Hall of Fame legend Al Hendrix has partnered with Time Life to release 107 songs from seven of his classic albums on all digital streaming platforms: The Best of Al Hendrix, Lonesome Whistle: A Tribute to the Great Hank Williams, Heart and Soul, Lover Boy, Rare & Rockin’, Rockabilly Lovin’ and Rockabilly Christmas.
“I’m just so delighted that my music will be available to everyone who wants to listen to it whenever they want,” said Hendrix. “The rockabilly community has always been so supportive, and I hope this brings some fun and good times into their lives.”
“This is a treasure trove of music for rockabilly fans,” adds Mike Jason, Time Life Senior Vice President, Live Entertainment. “There are few artists at the top of the genre like Al is and we are so honored to be working with him.”
Inspired by the Grand Ole Opry, Hank Williams, Elvis Presley, Chuck Berry and Buck Owens, Hendrix recorded his first singles (“Rhonda Lee” and “Go Daddy Rock”) in 1957 and by 1960 could be heard every hour on Alan Freed’s radio show. He was inducted into the Rockabilly Hall of Fame in 2008 and in recent years has been a featured performer at events around the world, including the Viva Las Vegas rockabilly festival, The High Rockabilly Festival in Spain, the Hemsby Rock ‘N’ Roll Weekender in the UK and at his old friend Buck Owens’ iconic venue, Crystal Palace.
NewsComments Off on 8 Years After His Death, We Have Unreleased Doc Watson Music.
One of my personal favorite musicians of the “older era” flatpickers, and one of the sole influences of the mighty Merlefest festival in North Carolina was Mr. Arthel “Doc” Watson. He and his ilk ushered in some timeless music as well as legendary musical techniques that many my age ardently study.
I seek out the obscure and the overlooked Legends of every genre, and I have an appetencity to know WHO did WHAT and WHEN..and this album knocked it out of the park for me. Believe it or not the state of New York produced a plethora of iconic shows for Country and Folk Music in the past, and this album is on that list.
In the late spring of 1962 there was a passionate Folk Music enthusiast named Mr. Peter K. Seigel lugged some of his recording equipment to TWO New York venues to record the Legendary Doc Watson perform. For the sole purpose of personal enjoyment, he recorded Mr. Doc and his father in-law Mr. Gaither Carlton perform for the first time in New York as a headliner act.
I SAY LUGGED because…could you imagine the immense labor that required to record shows in the 1960’s? Well, he did and enjoyed it for himself before deciding to allow the public to enjoy these recordings on CD and vinyl, after this many years.
In the late 1950’s and early 60’s famed folklorist Mr. Ralph Rinzler ran across Mr. Doc Watson on accident, as he was playing Rockabilly and Western Swing with an electric guitar. Mr. Ralph convinced Watson to perform solely with Acoustic guitar and banjo. Through the years, he culminated in the end as being known for his rick baritone vocals and his playing a Dana Bourgeois dreadnought given to him by Mr. Ricky Skaggs.
The music community of North Carolina boasts a rich history from him many others along with many venues and festivals. He played a major role in creating the mighty North Carolina Merlefest, which my website heavily covers. He and his son performed many times at that festival that began in 1988 in memory of his late son.
In 1947, Mr. Doc married Miss Rosa Lee Carlton, the daughter of Legendary fiddle player Mr. Gaither Carlton whom died in 1972. Gaither was also brought to fruition by producer Mr. Ralph Rinzler, and Mr. Doc Watson was invited by the duo to record at his home in Tennessee. Here is the press release:
DOC WATSON AND GAITHER CARLTON
May 29, 2020 on Smithsonian Folkways
It’s hard to imagine a time when the brilliant guitar playing and Appalachian roots of Doc Watson weren’t a part of the American musical fabric. A famed artist in his day and a continuing influence on American music, Watson happened into the music industry much by accident, “discovered” by noted folklorist Ralph Rinzler in the early 1960s when he was mainly playing rockabilly tunes on the electric guitar near his home in tiny Deep Gap, North Carolina. Rinzler convinced Watson that audiences around the country were interested in the older music of Appalachia, and the nation soon fell in love with his heartfelt, powerful singing and his inimitable acoustic guitar playing. He inspired countless people to pick up the guitar and learn to flatpick the old melodies, much of this encouragement coming in person after performances. It was at the first of these shows in New York, really Watson’s first time headlining a show in the city (the previous time he’d played there he was one of two guitarists in Clarence Ashley’s band), that we get to hear this old music played by Watson and his fiddling father-in-law, Gaither Carlton. These live recordings from 1962 are to be released May 29, 2020, by Smithsonian Folkways as Doc Watson and Gaither Carlton on CD, digital, and vinyl. Most of these tracks have never been released before, and the recordings capture two masters at the height of their power, reveling in an audience that was there to listen, not just to drink and dance. It’s a moment where the rural Appalachian world of North Carolina came face to face with the urban New York world of young people desperate to learn folk music and to learn more about the Southern traditions they’d been discovering. These recordings show two very different worlds coming together, buoyed by Watson’s charming personality and his willingness to teach all who would learn.
These album pictures are all courtesy of Mr. Ralph Rinzler, who was the curator at the Smithsonian for years. He was co-founder of the annual Smithsonian Folklife Festival, as well as an intense enthusiast and a savant of Folk Music as a whole.
Now, Id’ like to talk about this album here.
This album I approached a little bit differently than others because I thought the production quality would have been poor or actually missing altogether. One of the songs that stuck out to me the most about an old man waiting for his to come home from the Civil War…in a casket. He knew his son was dead, and the man at the window thought he was an alive passenger. It’s from an album called “Sittin’ On top Of The World”.
Most of them are wordless fiddle tunes performed in his signature Appalachian style, but songs like “Willie Moore”. A young man requested permission form his gal’s parents to marry her and they refused. Here, we have a tragic and poignant song of despair as the young man died.
1. Double File
2 .Handsome Molly
3. He’s Coming To us Dead
5. Brown’s Dream
6. Groundhog ( Blind Lemon’s Version)
7. My Home’s Across The Blue Ridge Mountains
8. Bonaparte’s Retreat
9. Willie Moore
10. The Blue Ridge Mountain Blues
11. Goin’ Back To Jericho
12. Billy In the Low Ground
13. Reuben’s Train
14. The Dream Of the Miner’s Child
15. Groundhog ( FOTM Version)
NewsComments Off on Album Feature – S.G. Goodman – Old Time Feeling
By Joshua Wallace
Old Time Feeling is the debut album of western Kentucky native S.G. Goodman. This debut is a record that presents itself as Americana on the surface, but there are dashes of country, alt rock, blues and some psychedelic flares throughout that keep you listening and you will not want to skip a track. It’s an impressive debut and I highly recommend checking it out if you have not already. Here are a few highlights of the record.
The album opens up with “Space and Time”. It sounds like something you would find on a 1960’s country radio station. It’s a slow almost psychedelic love ballad. I love the subtle tempo change in the lone verse of the song, it’s a nice touch to the overall sound. Up next is the bluesy rocker “Old Time Feeling”. S.G. Goodman’s vocals feel at home over the rock beat here and I wish there was more like this on the album. It’s one of the better tracks and serves as a break from the slower ballads throughout.
“The Way I Talk” features a chugging guitar and drum beat that sounds a bit like indie folk amped up and put through an alt country filter. The track is innocent enough till it slides into a feedback heavy rock solo at the end that just works with the overall groove of this album. “Burn Down The City” starts out as an electric folky track and morphs into an alt rock groove. It starts out subtle, but the guitar slowly gets more distorted till it turns into a chugging alt rock riff that eventually gets the whole band involved. I dig the transitions in this track. Finally, “Kitchen Floor” is a track leaning more to country music and has thick pedal steel throughout. There is a slow waltz-like pace to the drums and when that is mixed with the high lonesome vocals and the pedal steel on this track it creates an amazing soundscape.
S.G. Goodman has created a record that carries an interesting mix of sounds throughout and you can hear her southern influences clearly. Folk, country, alt rock and blues are all mixed in here with artistic flares of psychedelic and retro sounds throughout. It’s a promising debut that should sound amazing live. S.G. Goodman is currently scheduled to open for John Moreland on his 2021 tour and I’m planning on making it to one of those shows when shows are happening again. In the meantime, you can check out S.G. Goodman’s website here and Old Time Feeling was released everywhere as of July 17th, 2020.
Favorite Tracks : Space and Time, Old Time Feeling, Tender Kind, The Way I Talk, Burn Down The City, Kitchen Floor
NewsComments Off on Album Feature – Kyle Keller – All It Does Is Rain
By Joshua Wallace
Kyle Keller has released his debut full length LP with All It Does Is Rain. This is straightforward acoustic folk music. This album is raw and real with no bells and whistles. Just a man and his guitar and a few other instruments spread throughout. This album is full of lost love, sad songs and some good songwriting. That’s what it pretty much comes down to with a record like this. Does the artist’s singing voice grab your attention and is the songwriting good? Both are true in this case. Kyle Keller has a gritty and sometimes deep singing voice that gets the emotions across in every song.
The album kicks off with “Memories & Scars”. It’s a good introduction to the album in that you know what to expect from here on out. It’s a good heartbreak song in an album full of heartbreak songs. “The Devil’s Hammock” changes things up a bit in a ballad where the narrator wishes the black water would carry his worry out to sea. This song has always been one of my favorites to hear live and I’m glad he has recorded it here. There is a sense of urgency as the narrator almost begs the sea to take his worry away but leave his flesh and bones. It’s a great track for anyone who has seen darker times. “I’ve Known Love” is another favorite about losing that special kind of love. At the same time, it’s also about knowing all kinds of love, both good and bad. This is one of two tracks that features Laurence Kingston on piano and that simple addition adds to the production of this track. Finally, the album closes with “The Spark”. This song was inspired by events that happened in Charlottesville, VA a few years ago, but it still rings true with events that are currently in the news. I always lean more to protest songs that while they are inspired by certain events can stand the test of time and be applied to similar things in the future.
Kyle Keller has released one great raw and gritty folk album. I highly recommend giving this one a spin if you’re a fan of sad songs of all colors. There’s a bit of variety throughout this record to keep it interesting throughout and you will almost surely find something that draws you back for further listens. I also have to give a shout out to Abe Partridge for the killer cover art on this one. You should check out his art if you enjoy the album cover. Kyle Keller is based out of Gainesville, FL and will be playing shows in that area when they re-start. Until then, you can find him on Facebook or Twitter and his album is for sale on Bandcamp. All It Does Is Rain is available everywhere you can stream music as of June 27th, 2020.
Favorite Tracks : Memories & Scars, The Devil’s Hammock, Singing Down In Georgia, I’ve Known Love, Susannah, The Spark
NewsComments Off on Album Feature – Joshua Ray Walker – Glad You Made It
By Joshua Wallace
Joshua Ray Walker is back with his second solo album following his stellar 2019 release Wish You Were Here which landed at number four on my 2019 Albums Of The Year List. Where Wish You Were Here was mostly full of slower songs and sad country tunes, this album picks up the pace and is much more of a rocking country record. It still features Joshua’s amazing vocals and songwriting but this time there is more variety in the soundscape and that makes for a better record this go round.
The album kicks off with “Voices” which is one of the slower tracks on here. The high lonesome cries on the chorus of this track are a great showcase for the amazing vocals you can find throughout this album. Another favorite is “Bronco Billy’s”. It’s a honky tonk tune that starts off slow and builds to a fast pace with some killer pedal steel work from Adam Kurtz who is on pedal steel throughout this album and is a true standout in the band featured on this record. “Boat Show Girl” shows off some of Joshua Ray Walker’s songwriting ability on a track about a girl who wishes someone would look at her the way people look at the boat she is trying to sell.
Another great track is the bluesy rocker titled “User”. There are some great blues riffs with some killer slide guitar work and even a horn section. You wouldn’t think a horn section would work on a track about blues rock track about substance abuse, but it does. “Loving County” is another slow track that features some great yodeling and an almost cosmic soundscape with some trippy guitar throughout. It’s a fitting sound for a song about going to one of the most lonesome off the grid places you can think of. Finally, the album ends with the rock number “D.B. Cooper”. The lyrics are a short two verse song about D.B. Cooper after his escape. The slower backdrop gives way to some thick riffs that are bound to be a rocking jam live.
This album really slaps. It features a huge variety in sound that goes from high lonesome ballads to honky tonk bangers to thick riffs and jam worthy rock n roll. If you felt Wish You Were Here was a bit one note with a lot of ballads, this album won’t do you wrong. I highly recommend giving this one a spin as Joshua Ray Walker has released another album of the year contender here. Glad You Made It is out everywhere as of July 10th, 2020. While Joshua Ray Walker can’t tour anywhere right now, you can get yourself a copy of this record on his bandcamp page.
Favorite Tracks : Voices, Bronco Billy’s, Boat Show Girl, User, Loving County, D.B. Cooper
NewsComments Off on The John Hartford Fiddle Tune Project, Volume 1 Available Everywhere June 26th
April 15, 2020 – Nashville, TN – John Hartford’s nimble, whit-fueled songs have long been a focal point of the bluegrass and newgrass canon and Hartford’s musicianship, on both the banjo and fiddle, has now been doted over for generations, but until recently, little has been known about his late-in-life, academic approach to fiddle music. After Hartford passed in 2001, his family discovered over two-thousand original, hand-written fiddle tune charts in file cabinets under his desk, and in time, the idea for a way to honor Hartford’s passion has grown legs. Nashville-based fiddler Matt Combs spent months pouring over Hartford’s journals and notes to compile resources for what would become two expansive projects; a book called John Hartford’s Mammoth Collections of Fiddle Tunes and this album, The John Hartford Fiddle Tune Project, Volume 1, which will be available online on June 26th. A vinyl LP of Volume 1 can also be pre-ordered here.
Hartford’s music and ideas certainly don’t need a qualifier attached, but if one were to look for evidence to support their greatness, the laundry list of grade-A musicians who took part in the recording of The John Hartford Fiddle Tune Project, Volume 1 would be a righteous place to start. From track one, the guest artists flow in and out of a revolving door of virtuosity. Combs is joined by Ronnie McCoury, Noam Pikelny, Chris Eldridge, and Dennis Crouch for “Tennessee Politics,” Sierra Hull accompanies herself on both mandolin and octave mandolin for “Old Beveled Mirror,” and Brittany Haas leads Paul Kowert, Dominic Leslie, and Jordan Tice through “Long White Road.” Meanwhile, four tracks feature Hartford’s former bandmates—Mike Compton on mandolin, Mark Howard on banjo, and Chris Sharp on guitar—reuniting their bandleader’s music with the pickers who brought it to life for years. The head-turning list of contributors continues with Tim O’Brien, Alison Brown, Megan Lynch Chowning, Tristan Scroggins, Forrest and Kate Lee O’Connor, Kristen Andreassen, Mike Bub, Rachel Combs, and Jan Fabricius before the album concludes with Shad Cobb joining Combs and O’Brien for the triple-fiddle, album-closing composition “Evening Farewell.” When all is said and done, listeners will have heard a total of seventeen unreleased Hartford compositions, running the gamut from driving to lilting to waltzing to stomping, while never losing their creator’s lighthearted touch.
“We are quickly approaching 20 years since his passing, and I hear not only John’s tunes out in the ‘fiddleverse’ but so many of the old-time tunes he unearthed and brought to the world,” says Combs. “I truly hope that this record continues that trend. There are so many great tunes here that represent the breadth of John’s influences and his deep creative spark; all of the artists on this recording helped bring them to life through their unique lens.” Katie Harford Hogue, Hartford’s daughter and executive producer of the album, says, “What I love the most about this record is that each artist’s DNA comes through, and Dad is the unifying spirit that brings it all together. He pulled inspiration from every moment, every sound, every sight he encountered, and his journals were a place to explore all of his ideas.” The John Hartford Fiddle Tune Project, Volume 1 was recorded in part at the legendary Cowboy Arms Hotel and Recording Spa in Nashville, home of the late Jack Clement, where Hartford recorded his 1984 album Gum Tree Canoe. Those album sessions essentially coincide with the start of Hartford’s musical journals, which date back to 1983.
“Ever since I pulled the first fiddle journal out of a storage box back in 2008, the whole concept has fascinated me. The idea of this much creative output from one source is mind-boggling, and yet I understand where it comes from,” says Hogue. “With the creative brain, once the faucet is turned on the ideas just keep coming. Everything builds upon everything else, and there are endless variations. That’s the great thing about art, music, and creative thinking—every idea spurs on ten more. It’s a beautiful burden.”
Combs adds, “We knew we had to bring these tunes to life and record them so that others can learn and play them. When John was still living, he felt a great sense of accomplishment when his tunes were accepted into the fiddle tune vernacular, and his greatest hope as a composer was that they would get mixed in with all the old tunes that he loved so much. This record is our attempt to do just that.”
The John Hartford Fiddle Tune Project, Volume 1 Track Listing:
1. Tennessee Politics
2. Calhoun County
3. Old Beveled Mirror
4. Running Board Waltz
5. Little Country Town
6. Don Brown And The Boys
7. John Rice
8. On Guitars, The End Of New Fingers Get Sore
9. Long White Road
10. The Old Man’s Drunk
11. Heartache What To Do
12. How Can We Love
13. Just Enough Room To Turn Around
14. Every Hour On The Hour
15. The Half-Price Hornpipe
16. Over At The Side Of The Road
17. Evening Farewell
More About John Hartford: One of the most respected musicians in Nashville history, John Hartford is considered a cornerstone of the newgrass movement due to his 1971 masterpiece, Aereo-Plain. He won a career four Grammy Awards, including two for his 1967 recording of “Gentle on My Mind,” a third for his 1976 album Mark Twang, and a fourth for his contributions to the O Brother, Where Art Thou? soundtrack in 2000. He was posthumously inducted into the International Bluegrass Hall of Fame in 2010, was awarded the Americana Music Association President’s Award in 2005, and the Folk Alliance “Spirit of Folk” award in 2011.