Jan 242016
 

Well folks it is time again to feature some more festivals for 2016, and trust you me I have about 200
of them to bring you throughout the United States. Right now I would like to feature another one I plan to attend in Chicago Illinois and that is none other than Moonrunners Music Festival for the fourth year now.

This one happens on July 4rth weekend which is later than usual for this one and it falls right into a good time for me I SHOULD be able to make it and I fully plan to be there right now. Mr. Jahshie P and his crew brought in some REALLY heavy hitter to foot this three day indoor festival that boasts two stages in two separate rooms.

Reggies Rock Club has been a pillar of the music community in downtown Chicago for eight years now, and I’m not totally sure about hotels yet, allow me some time to dwell on that folks. I can however direct you to the link to buy tickets to this event HERE.

You know a lot of folks don’t honestly realize the historical relevance of the city of Chicago and it’s role in forming Country Music as well as Roots Music.In the 1920’s when America was war ridden and weary from depression
and change Chicago was a bustling city and an epicenter for country music at one of it earliest roots. America was facing major industrialization and the cultural upheaval of the blues before it even HEARD the name Hank Williams.

The “National Barn Dance” was a radio program in the 1930s and 1940’s that launched the tenure of Gene Autry and singing cowboys and one of Country Music’s greatest females..Patsy Montana. It also brought out one of Country Music’s finest performers of his time, Bradley Kincaid. Rural farm America couldn’t come to grips with all this change and this program precluded the Opry. Due to the fact that in the late 1920’s WSM wasn’t being broadcast as strongly, the heartland immediately grabbed onto this show.

In 1993 two friends got together in a Chicago bar called Crash Palace, now called Delilah’s and compiled a wishlist of band names on a bar napkin and later formed the legendary underground label : Bloodshot Records. Two bands that stuck out to me from this era were the Bottle Rockets and The Sundowners.  Bloodshot also has been a home label to a few of this festival’s headlining artists Split Lip Rayfield and Scott H. Biram both of whom are Roots Music Legends in their own rights.

The Supersuckers
Split Lip Rayfield,
Scott H. Biram,
Dale Watson and his Lone Stars,
Slim Cessna’s Auto Club,
Wayne ‘The Train’ Hancock,
Those Poor Bastards,
Hellbound Glory,
Urban Pioneers,
Joseph Huber,
Rachel Brooke,
Black Eyed Vermillion,
Gallows Bound,
J.B. Beverley,
Carrie Nation and the Speakeasy,
Izzy and the Catostophics,
Rickett Pass,
Filthy Still,
Call Me Bronco,
Ford Theater Reunion,
The Peculiar Pretzelmen,
Escape from the Zoo,
WT Newton,
Kiel Grove,
Last Daze,
Pearls Mahone,
Last False Hope,
Joshua Morningstar,
Highlonesome,
That Ol’ Coondog,
Th’ Piss Poor Players,
Ultrahazard,
Aran Buzzas,
Brittany Avery,
Still Alive,
Death and Memphis,
The Kountry Kittens,
Hunter Grigg,
Stump Tail Dolly,
the Tosspints,
Gary Moore II,
Tony French, Curio,
Blackgrass Gospel,
Black Actress,
Murphy’s Lawyer,
Clem McGillicutty and the Burnouts,
Rock Bottom String Band,
Traveling Broke and Out of Gas,
Spike McGuire,
The Ridgelands,
Lonewolf OMB,
The Elixirs,
Mason ‘Damn’ Tinsley,
Melomaniac,
Noah Tyson,
Matthew ‘Mule’ McMckinley

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