{"id":9354,"date":"2018-07-06T13:28:46","date_gmt":"2018-07-06T18:28:46","guid":{"rendered":"https:\/\/garyhayescountry.com\/?p=9354"},"modified":"2023-09-03T20:28:35","modified_gmt":"2023-09-03T20:28:35","slug":"album-feature-devildriver-outlaws-til-the-end-vol-1","status":"publish","type":"post","link":"https:\/\/garyhayescountry.com\/?p=9354","title":{"rendered":"Album Feature : Devildriver &#8211; Outlaws &#8217;til the End: Vol. 1"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/garyhayescountry.com\/wp-content\/uploads\/2018\/07\/devildriver-e1530901660522.jpg\"><\/p>\n<p><span style=\"font-weight: 400;\">By Joshua Wallace<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When I first heard Devildriver was producing a country covers album, I was intrigued. &nbsp;I\u2019m all for the mixing of these genres because the current fan base has so much crossover potential. &nbsp;These kind of projects also tend to force a band like Devildriver to come out of their comfort zone and record in a style they might not typically be used to. &nbsp;I have fond memories of the Buck Satan and the 666 Shooters album Bikers Welcome Ladies Drink Free. That album found Ministry\u2019s Al Jourgensen doing country tunes close to the style of Hank 3. &nbsp;Devildriver take a different approach on this record and do some classic outlaw country tunes 100% in their style. This can deliver some mixed results but in some cases, it does work, especially if you are a fan of both genres.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of the most notable inclusions here is a cover of Hank 3\u2019s Country Heroes. &nbsp;The track features the return of Shelton himself contributing vocals in his more metal and snarly voice. &nbsp;It\u2019s an awesome track to kick off the album with and lets you know what you\u2019re in for from the start. Another cover that kind of works is \u201cWhiskey River\u201d which features Randy Blythe and Mark Morton of Lamb of God. &nbsp;It can be odd to hear these songs with typical metal screaming vocals, but once you get into the track, it works in an odd way.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The first track beyond \u201cCountry Heroes\u201d where everything really clicks is \u201cGhost Riders In The Sky\u201d. &nbsp;You might have heard bands like The Outlaws doing a heavier version of this tune already, but Dez Fafara and company take it up a notch. &nbsp;The song is instantly recognizable even through the growling vocals, and Jon Carter and Ana Cristina Cash\u2019s clean vocals bring something different to the table. &nbsp;\u201cCopperhead Road\u201d is another track where everything seems to just work in the arrangement. It is instantly recognizable as a metal version of the song and will likely be the tune to crossover and win over country leaning fans. &nbsp;Finally, I really dig the version of \u201cThe Ride\u201d here. Dez Fafara trades vocal lines back and forth with Lee Ving of Fear and the mix of growling vocals and clean vocals works to create a different and awesome take on the David Allan Coe classic. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">There are some instances where the band fails to capture the feel of the original country version. &nbsp;Takes on \u201cIf Drinking Don\u2019t Kill Me (Her Memory Will)\u201d and \u201cI\u2019m The Only Hell (Mama Ever Raised)\u201d fall flat and are the most unrecognizable from the originals. &nbsp;The album as a whole is a mixed bag. It\u2019s an interesting project for a band like this to take on, and while it is sure to polarize their fanbase and the outlaw country fanbase, it is clear that Devildriver have a passion for these songs and create their metal versions with full respect of the source material. &nbsp;&nbsp;These kinds of projects are always a case of some arrangements being awesome and some falling flat. It is the nature of the beast. Devildriver\u2019s Outlaws \u2018til the End: Vol. 1 is out everywhere today.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Favorite Tracks : Country Heroes, Whisky River, Ghost Riders In The Sky, Copperhead Road, A Country Boy Can Survive, The Ride<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Devildriver &#8211; Outlaws &#8217;til the End: Vol. 1 (2018)<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Country Heroes feat. Hank 3<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Whiskey River feat. Randy Blythe and Mark Morton of Lamb Of God<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Outlaw Man<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Ghost Riders In The Sky feat. John Carter Cash, Ana Cristina Cash and Randy Blythe<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">I\u2019m The Only Hell (Mama Ever Raised)<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">If Drinking Don\u2019t Kill Me (Her Memory Will) feat. Wednesday13<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The Man Comes Around feat. Lee Ving of Fear<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">A Thousand Miles From Nowhere<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Copperhead Road feat. Brock Lindow of 36 Crazyfists<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\"> Dad\u2019s Gonna Kill Me feat. Burton C. Bell of Fear Factory<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\"> A Country Boy Can Survive<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\"> The Ride feat. Lee Ving<\/span><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>By Joshua Wallace When I first heard Devildriver was producing a country covers album, I was intrigued. &nbsp;I\u2019m all for the mixing of these genres because the current fan base has so much crossover potential. &nbsp;These kind of projects also tend to force a band like Devildriver to come out of their comfort zone and [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":23015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-9354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"By Joshua Wallace When I first heard Devildriver was producing a country covers album, I was intrigued. 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